CA2M Centro de Arte Dos de Mayo

19 JUNIO 2017
EL CA2M INAUGURA "ESPACIO P. 1981 - 1997", UNO DE LOS REFERENTES DE LA AUTOGESTIÓN ARTÍSTICA EN MADRID EN LOS AÑOS 80 Y 90

El CA2M Centro de Arte Dos de Mayo de la Comunidad de Madrid inaugura Espacio P. 1981 – 1997, comisariada por Karin Ohlenschläger, que se podrá ver desde el 3 de junio hasta el 8 de octubre de 2017. La exposición visibiliza la influencia que tuvo este espacio independiente y auto-gestionado, así como el desarrollo del arte de acción en Madrid y las distintas manifestaciones artísticas que surgieron desde su apertura en 1981 hasta su cierre en 1997. La exposición ha sido coproducida por LABoral Centro de Arte y Creación Industrial en Gijón y TEA Tenerife Espacio de las Artes, con el apoyo del Instituto Goethe en Madrid.

NOTA DE PRENSA

 

19 JUNIO 2017
EL CA2M DEBATE SOBRE LAS TECNOLOGÍAS DE PRODUCCIÓN VISUAL CONTEMPORÁNEAS Y LA RELACIÓN ENTRE ARTE Y EDUCACIÓN

El CA2M Centro de Arte Dos de Mayo de la Comunidad de Madrid organiza los días 20, 21 y 22 de junio las “XXIV Jornadas de Estudio de la Imagen”, comisariadas en esta ocasión por Julia Morandeira y Margarida Mendes,. Además, por tercer año consecutivo, el departamento de educación del CA2M organiza el seminario “Aquí trabaja un artista”, los días 28, 29 y 30 de junio, dirigido a todos aquellos interesados en arte y educación y donde se cuestionarán y evaluarán los aprendizajes que provoca un proyecto artístico en una escuela.

NOTA DE PRENSA

 

ALLAN KAPROW. COMFORT ZONES. JUNIO 1975

16 MAYO 2017
EL CA2M ORGANIZA TALLERES DE VERANO PARA JÓVENES, FAMILIAS Y PROFESORES

El CA2M Centro de Arte Dos de Mayo de la Comunidad de Madrid desarrollará distintas actividades en verano para familias, jóvenes, profesores e interesados en las prácticas educativas. Los talleres, gratuitos, serán entre mediados junio y hasta el 15 de julio.

NOTA DE PRENSA

 

25 MAYO 2017
EL CA2M ADQUIERE OBRAS DE FERNANDA LAGUNA CON EL PROGRAMA DE ADQUISICIÓN DE MUSEOS DE arteBA EN BUENOS AIRES

El CA2M Centro de Arte Dos de Mayo de la Comunidad de Madrid ha adquirido para su colección tres piezas de Fernanda Laguna en la feria arteBA en Buenos Aires en su 26 edición, a través del programa de Adquisiciones de Museos de la feria, que tiene como misión principal promover el coleccionismo institucional y contribuir a su patrimonio.

NOTA DE PRENSA

 

4 MAYO 2017
CA2M VUELVEN LAS PICNIC SESSIONS AL CA2M

El CA2M Centro de Arte Dos de Mayo de la Comunidad de Madrid presenta una nueva edición de las “Picnic Sessions”, su programación de verano en la terraza. Este año, están comisariadas por María Jerez y Magui Dávila y llevan por título "Arbustos, sustancias, pelos, ruidos". La cita será todos los jueves desde el 1 de junio hasta el 13 de julio a partir de las 21:00 horas. Las puertas se abrirán a las 20:30 h. y la entrada es gratuita.

NOTA DE PRENSA

 

Espacio P. 1981 - 1997

AUTOPLACER ROUGH-CUTS COMPETITION
UNTIL 25 JUNE

13 JULY 21:00 H.

21: 00 Poetic improvisation/action: PABLO URIZAL
.DOC
.doc is a document produced in real time that is built on the interaction between the writer and the reader, through poetic and improvised action. The game consists in providing concepts, themes and words that are turned into changing and active texts. In the Picnic Sessions, this game is underscored by the poetic addressed in each session, the works and the participating artists. In this way, the improvisation is contrived as drawing to a close the mass of hair and substances we have been seeing Thursday after Thursday.

22:00 Concert: CHANCHA VÍA CIRCUITO
Chancha Vía Circuito is a project by the Argentinean producer Pedro Canale. He is performing at the Picnic with a band, formed by Heidi Lewandowski on violin, vocals and wind, Federico Estévez on percussion, as well as Pedro himself on synthesisers, wind, percussion, vocals and other instruments.

His music is a reformulation of Latin American “world music” which processes rhythms from Brazil, Paraguayan harps, Andean mysticism, Argentinean Pampa folklore and cumbia. With the album Río Arriba (ZZK Records 2012), Chancha Vía Circuito introduced South American folklore to dance floors around the world. The seductive formula is a benchmark for many artists in the Latin American electronic scene today.
https://soundcloud.com/chanchaviacircuito

 

23:00 Concert: GNUČČI
Ana Rab is a Yugoslavian-born Swedish artist better known as Gnučči. A singer, song writer and performer, her sessions are focused on club or dance music. Her contemporary pop project is rich in textures and sound, embracing a wide range of music styles from electro pop to rave music, to produce bombastic bass-based electronic songs. Her performance is grounded in an energetic rhythm of ingenious beats coupled with her vibrant voice.
https://www.youtube.com/user/GnucciVEVO/videos

 

During the Picnic Session. Performance: IGNACIO DE ANTONIO
THIS IS NOT AN IMAGE BUT EVERY IMAGE AT ONCE
This is not an image but every image at once
explores the conditions and modes of production and destruction of the image –of any image, of all images, of all possible images– through an encounter that proposes a walkthrough of a collection of images that pose certain questions without hoping to answer them: What is the precise moment in which the image is activated? What is the agency of everything that is not seen? What is inside the image? How can images be eliminated? How many images are possible in this encounter? How can we meet in and through images? This is any collection of images, of all images at the same time. This is not an image.

Ignacio de Antonio Antón is an architect and scenic creator who studied in Madrid, Sao Paulo and New York. His practice is based on artistic research and he is currently preparing a doctorate as a FPI researcher in the Artea research group with the Performing Censorship project. His production takes various forms including performance, choreography, installations, ephemeral architecture and editorial projects. His artistic and academic interest is focused on performative practices understood as devices exploring modes of production and the relationships between them.
http://ignaciodeantonioanton.com/


Editorial board: ediciones de artistas

 

 

6 JULY 21:00 H.

21:00 Performance: MERCEDES AZPILICUETA
“YE-GUA-YE-TA-YU-TA”
In the form of a reading, Mercedes Azpilicueta recites in the Spanish slang from the River Plate area, over 400 insults aimed at women in Argentina. Like a form of anthropophagic exorcism, the pronunciation of each insult is phonetically disarmed to the point that it becomes a song. In this way, the pejorative meaning of each insult is vocally transmuted, taking on a new sense. For the spectator, the script does not seem to be made of insults, maybe because many of them are slang or in the Lunfardo dialect, or because the words are pronounced and disarmed in such a way that it is not possible to connect them to their usual meaning. The performance is continuous and swings between script and improvisation. The public will come across a vocal piece at times tragicomic, that invites them to think about the grammar of inequality and how it is a subtle accomplice of verbal aggression: gender violence that is invisible but manifest in our everyday orality.
http://www.mercedesazpilicueta.info/

21:45 Performative concert: ANTO RODRÍGUEZ
THE OTHER: THE CONCERT
Estrella de Diego says that when someone tells their life story, their past immediately becomes fiction and that it is an impossible task to try to turn this fiction into reality. I really like telling stories, but I cannot manage to grasp hold of the moment when they disappear. Everything that surrounds a story and that is made up of its past, its present and its future, I call “the other”, and in order to find “the other” of a story, to be able to do it properly, I need to tell many other stories, to sing them, to dance them, to turn them once again into images.

The story I want to dig up in this concert is one about the day when I discovered that there existed two separate types of culture: one low and one high. That was the day in which everything started to collapse around me. I still keep trying to understand how it is possible that Rocío Durcal and Georges Didi-Huberman, Walter Benjamin and Dolly Parton can coexist inside of me.

This is a performative concert to recall together. Songs sung, quotes from philosophers turned into pop songs, memories recalled, memories re-presented, dancing, images and stories.
http://antorodriguez.com/

 

 
Editorial board: WE ARE FANZINE
http://wearefanzine.bigcartel.com/what

 

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