This is the last night, our last session. A girl wearing sunglasses tells us that carnival isn't joyful; like Rosalía de Castro said, “Triste é o cantar que cantamos, mais, ¿qué facer si outro mellor non hai?” [“Sad is the song we sing, but what to do if there is no other better?”]. A concert that isn’t a concert, a deep, tender party in which maybe, after all, there is also a moment to shake your body without inhibition. To end, Las Víctimas Civiles in their duo version will sing some contemporary classics like Canción Total and will present some of the songs from their new album soon to be released.

Natalia Fernandes presents El Carnaval No Es Alegre, a concert without any musical talent in which Natalia dances accompanied on stage by Iván Mozetich. The creator invites the audience to experience a carnival built around a playlist that navigates between the political/historical context of Brazil and a migrant body in search of a home. A concert to accept contradictions, dance trauma and shake your body.

Natalia Fernandes is a choreographer, dancer and creator of the Invented Anatomy methodology. She’ll be accompanied on stage by Iván Mozetich, stage creator and arts administrator. In December 2025 they premiered their first collaborative piece, Objeto Não Identificado, produced by the Centro de Cultura Contemporánea Conde Duque and the Mercat de les Flors.

Las Víctimas Civiles, Héctor Arnau and Pau Miquel Soler, present a concert-in-progress format: a show where the audience watches an album being made before their eyes. Throughout the performance, the duo string together songs, spoken fragments, old hits by the band and improvisations that operate as the different pieces of an album being put together before the listeners. The repertoire is therefore open to detours, comments and new compositions incorporated as the night progresses, allowing the concert to adopt the unpredictable form of a work still being developed. In this new period of their career, they explore more romantic, confessional songs without abandoning the irony, dark humour and critical edge that have always characterised the group. A light, changing stage set that oscillates between cabaret, spoken work, stand-up and acoustic concert.

This irregular, protest-song band emerged on the fringes of poetry, pop music and the contemporary scene. The duo version features the poet and performer Héctor Arnau and the musician Pau Miquel Soler.