Past events
EL CINE REV[B]ELADO #6
Continuing with the line of work that got underway in 2014, El Cine Rev[b]elado is offering a series of activities around audiovisual performance and film’s interrelation with other disciplines.
Cinema Revealed #05
Continuing the line of work begin in 2014, El cine rev[b]elado has put together a programme of activities on audiovisual performance and cinema’s interconnections with other disciplines, engaging with the cinematographic experience beyond the conventional darkened film theatre and the screened image.
Now that normality has become the strangest of things and we know that strangeness is normal, we adapt like chameleons to propose an activity aimed at primary school students.
Este seminario será un espacio de encuentro en el que muchos de los agentes participantes: artistas, profesores, madres, educadores e investigadores, hablarán de los proyectos para pensar nuevas estrategias de trabajo en colaboración y cuestionar la compleja relación del arte y la educación.
MEETINGS ON THE EXHIBITION THE ORIGIN OF FORMS BY CRISTINA GARRIDO
In an open dialogue on the exhibition The Origin of Forms, the artist Cristina Garrido and the exhibition curator Tania Pardo will discuss the factors that will determine the survival of the art system.
27th IMAGE SYMPOSIUM. DANCE THIS MESS AROUND
The Image Study Days are dedicated to collective reflection on theory, practice, semantic openings and contemporary demarcations of visual cultures. This edition is structured in three study days made up of talks, reading sessions, performative conferences and listening sessions, which place themes related to club culture.
Acento 2021
During this three-day event some of the projects conceived and developed during the 2020 programme will be presented and a meeting place will be facilitated with the artists in the 2021-2022 programme.
One year later, the question that underpins these conferences, challenges us, if possible, even more directly For which bodies, for what histories. In the face of the general uncertainty and the absolute lack of historical precedence that we are going through, this question confronts us with the contingency of history in the materiality of our bodies given the very violence that a brutal and savage irruption like this pandemic entails. We are confident that the curatorial threads - which were once amassed with rigour and care, and which are now being taken up again with the understanding of a vital transformation - continue to make sense.
