Attendance open and free while places last

Attendance open and free while places last

To mark the occasion of its 15th anniversary, on 4 and 5 May the CA2M Museum is hosting FURIA, a Live Arts Festival whose first edition will bring together traditional flamenco and contemporary performance art.

The CA2M Museum will become a space for the creation and exhibition of the performing arts, mixing popular culture with contemporary art. 

FURIA celebrates the museum’s entry into maturity on its 15th anniversary, without losing any of the youthful strength, boldness and the enthusiasm for which it is known. The museum has invited leading artists to create performance art pieces that will be premiered at this festival.

 

PROGRAMME

  • THURSDAY 4 MAY. 8PM TABLAO. An installation by Ernesto Artillo for the flamenco troupe: Yerai Cortés, Niño de Elche, Andrés Marín and Rocío Molina.
  • FRIDAY 5 MAY. 8PM UNO. Claudia Pagès. With Nora Haddad and nara is neus.
Activity type
Dates
4th and 5th MAY 20:00H
Target audience
Topics
Acceso notas adicionales

LIMITED CAPACITY

Entrance

To mark the occasion of its 15th anniversary, on 4 and 5 May the CA2M Museum is hosting FURIA, a Live Arts Festival whose first edition will bring together traditional flamenco and contemporary performance art.

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Furia
FURIA
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With the support of

Interdependence is at the very groundbase of our most everyday reality. Marina Garcés contends that “you cannot say I without an echo of us”, but it is a singular us—not ‘all of us’ but rather ‘each one of us’. We are increasingly bombarded by the fantasy that it is possible to live in isolation, but, not only that, that this life in isolation is livable. Political discourses, economic dynamics, ways of life, routines, slogans and individualist aspirations hold sway. And even though the lesson that we need each other can be gleaned from the extreme circumstances we have lived through and from everyday reality, the dominant narratives are different.

Coexistence has been smothered by survival.

Interdependence, and its manifold expressions, is the common thread running through these picnic sessions: ranging from our relationship with nature to work relations. The role of the public is crucial to reach the level of euphoria needed to generate the sensation of community, the sense of belonging that I, you and we all look for in a family, a rave or a union.

Interdependence comes about from the undeniable vulnerability that we all share in common. To bring this reality to light, the hierarchical relationship between audience and artists will disappear in the sessions when creators openly reveal their precariousness, endemic to the cultural industry, exposing the hidden underbelly of their life stories, a kind of in bio veritas that speaks of hand-to-mouth jobs and the difficulty if not directly the impossibility of making a living from art. In addition, the bureaucratic, administrative and fiscal demands required to take part in certain cultural spaces are major obstacles for creative practice. To circumvent and shatter them, mutual support is, as always, the most effective instrument at hand.

More than just participating, the audience becomes one with the music and performances, it is invited to reach out and touch each other blindly, to make exchanges on the sidelines of the economy or to take stock of their privilege with regards those who society categorizes as dependents, as if the rest of us were not.

These Picnic Sessions are an invitation to make the most of these bonds, and to create new ones. With euphoria.

Curated by: Nerea Pérez de las Heras and Mar Rojo.

// At the beginning of the nineteenth century, the Picnic Society was founded in London and met regularly in the open air. On its outings, which had no specific host as such, the individual members were expected to provide the refreshments and the entertainment. Starting out from the same concept, and forming its own particular Picnic Society, every year CA2M Centro de Arte Dos de Mayo invites various curators to design a programme for the art centre’s roof terrace.

Every Thursday from the end of May until mid-July the CA2M roof terrace will be transformed into a space where we will carry out a programme of activities mixing the body and sound with education and participation. //

PROGRAMME

• Thurs 26/05 I IF YOU MOVE, I MOVE Miss Beige, Dembooty

• Thurs 02/06 I OUTSIDE THE NORM Costa Badía, LVL1

• Thurs 09/06 I INTERDEPENDENTS Ana Matey, Maricas: Jovendelaperla & Berenice

• Thurs 16/06 I A SINGLE BODY Ernesto Artillo, Ece Canli

• Thurs 23/06 I NEW PIECES, NEW GAMES Andrea Jiménez, Caliza

• Thurs 30/06 I MELT, MIX, STIR Victória Bemfica, Emily da Silva, Gabriela Clavería and Ikram Bouloum

SCHEDULE: 9:00 p.m. to 11:00 p.m. (EXCEPT THE SESSION ON THE 30TH, WHICH WILL BEGIN AT 6:00 p.m.).

YOU CAN DOWNLOAD THE PROGRAM HERE

Activity type
Dates
From May 26TH to June 30TH
Target audience
Topics
Entrance

At the beginning of the 19th century, The Picnic Society was born in London, an association that met regularly in the open air and in whose meetings each member was expected to contribute part of the entertainment and refreshments without there being a specific host. Based on this concept, and as a Picnic Society, the Museo Centro de Arte Dos de Mayo invites several curators each year to design a program for the Museum's terrace. Every Thursday from the end of May to the end of June, our terrace becomes a space in which we develop a program of activities in which the body and sound are mixed with the educational and participatory.

Categoría cabecera
Picnic Sessions 2022
PICNIC SESSIONS 2022. VITAL SUPPORT
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Design: Cristina Daura.

Is it a cycle?
Disabled
Duration
21:00 - 23:00h

At the end of every school year we like to think of a different way of starting the summer. This time, the artist Marc Vives will pay us a visit to lead a workshop exploring new artistic strategies. Over the course of four days and one night when we will sleepover at the museum, we will explore the unexpected and put our imagination to the test in order to create magical moments that experiment with new forms of creation waiting to be discovered.

Dates header text
FROM 6 TO 9 DE JULY
Registration:
-
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CAPACITY: 15 PEOPLE

Entrance

At the end of every school year we like to think of a different way of starting the summer.

Header category
pum pum pum
PUM PUM PUM. SUMMER WORKSHOP FOR YOUNG PEOPLE
Type Thinking / Community
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Disabled
Duration
16:30 – 19:30
Is it a cycle?
Disabled

In this oddest of school years, which never really got off to a proper start, we are now drawing to its possible conclusion, a summer, a chance to get out there, to who knows where. We want to spend these last two months of the school year strolling around the rooms and halls of the museum, thinking about ourselves, about the walls, about the exhibitions, about its spaces and places, about our loved ones.

Every Tuesday from 11:00 am to 1:30 pm, the museum’s education department invites you to shake up its spaces, see how they move, see how they can be used by a museum now, how to build new ways of being together inside and outside the institution.

Every Tuesday we will start out from a different space:

  • stairs
  • perimeter
  • corners
  • ceiling
  • halls
  • being
  • outside
Activity type
Dates
Every Tuesday
Target audience
Acceso notas adicionales

Capacity: 10 people. You can write to us in advance or go directly to the museum reception and sign up.

Entrance

We want to spend these last two months of the school year strolling around the rooms and halls of the museum, thinking about ourselves, about the walls, about the exhibitions, about its spaces and places, about our loved ones.

Subtitle
TUESDAY VISITS
Categoría cabecera
Temblar el museo
SHAKING UP THE MUSEUM
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Is it a cycle?
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Duration
From 11:00 to 13:30

María Us is a Guatemalan activist who was a guerilla member during Guatemala’s armed internal conflict between 1960 and 1996.

As the outcome of the partnership between her and the artist Ana Gallardo, we are presenting a play in the form of a biographical act which tells the story of a forest that is both the memory of land struggles and the community’s means of sustenance, in an attempt to disinhibit and publicise the resistance of several generations of female bodies violated by their family members and fellow political activists, too.

MARÍA US

I am a woman with K'iche' roots. I speak my native language. Ever since I remember, I’ve worked the land a lot. I went to primary school in my community. What I remember from primary school: most of the teachers were Latino and they would hit and punish us over anything. And they forced us to study or speak Spanish. I liked to play and run, and I imagined that when I was a bit older, I would go far from my family to study and teach the children of my village. Everything changed when the government of Guatemala began to damage and murder. That was my dream no more. I think that schools should not be enclosed; children should not be inside four walls; they should study in a place where they coexist with nature. Someday I’ll teach children.

Activity type
Dates
8 MARCH 10:50
Target audience
Topics
Entrance

Performance by María Us on the occasion of the opening of the exhibition "Tembló acá un delirio" by Ana Gallardo.

Subtitle
PERFORMANCE BY MARÍA US IN CONJUNCTION WITH ANA GALLARDO
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Maria Us
TE BUSCO EN OTRO NOMBRE [I’M SEARCHING FOR YOU IN ANOTHER NAME]
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Portrait of María Us. Photograph by Gregorio Díaz. Courtesy of the Museo de Arte Moderno de Bogotá (MAMBO).

Is it a cycle?
Disabled
Duration
20 minutes

Continuing with the line of work that got underway in 2014, El Cine Rev[b]elado is offering a series of activities around audiovisual performance and film’s interrelation with other disciplines. It is an examination of the cinematographic experience beyond the darkened room and the projected image, relating it and transforming it to activate an experience around the audiovisual that questions not only its own language but also its entire structure and conventional logistics.

On 9 February 2014, the first edition of El Cine Rev[b]elado got underway at the CA2M Museum. Ten years later, we are still examining the interrelation between film and other disciplines by proposing a dialogue that rebels against the conventions of traditional cinematography in a constant quest for new revelations that lead us to other places and activate critical thinking.

In this anniversary edition, we are suggesting a reflection on the image itself in terms of its presence and especially its absence, associating it with orality, the word, the text and gesture via four performances by artists who inquire into and work within these contemporary artistic practices.

In 2024, we celebrated one decade and six editions of El Cine Rev[b]elado along with the CA2M Museum and everyone who has attended it, turning this series into a benchmark within the live and performing arts in the Community of Madrid.

Curated by Playtime Audiovisuales (Enrique Piñuel Martín and Natalia Piñuel Martín).

PROGRAMME

Sunday 11 February 6:30 pm ǀ NON-IMAGE: A TALK ABOUT PERCEPTION ǀ David Bestué, Marta Azparren and Haize Lizarazu.

Sunday 18 February 6 pm ǀ WASHINGTON ǀ Matías Daporta.

Sunday 25 February 6:30 pm ǀ FORTY-SIX SECONDS ǀ Los Torreznos.

Sunday 3 March 6:30 pm ǀ THINGS SAID ONCE ǀ Esperanza Collado.

Note: Only the session on 18 February will begin at 6 pm.

Playtime Audiovisuals

This is a Madrid-based cultural management platform founded by Natalia Piñuel and Enrique Piñuel in 2007 which is devoted to contemporary artistic practices. They undertake curatorial projects for art centres and cultural institutions like the Espacio Fundación Telefónica, Azkuna Zentroa, MUSAC, Instituto Cervantes, Centro Cultural de España en México and Tabakalera. They have also worked as programmers for film and music festivals like (S8) Mostra de Cinema Periférico de A Coruña, Festival de Jóvenes Realizadores de Granada, Actual de Logroño and Experimenta Club de Madrid.

Their most prominent projects include ‘Visiones contemporáneas - últimas tendencias del cine y el vídeo en España’ (Contemporary visions – latest trends in film and video in Spain) at Domus Artium 2002 (DA2) in Salamanca since 2013; the multidisciplinary festival ‘She Makes Noise’ at Madrid’s La Casa Encendida since 2015, which disseminates the role of women and nonbinary identities in electronic music and audiovisual experimentation; and the performance biennial ‘El Cine Rev[b]elado’ at the Museo Centro de Arte Dos de Mayo in Móstoles since 2014. They co-founded ‘L.A. OLA’, the contemporary Spanish film festival sited in Los Angeles, New York and Mexico City from 2015 to 2018. They also worked as independent film distributors for twelve years. They regularly contribute to different media and work as teachers.

Dates
DOMINGOS DEL 11 FEBRERO AL 3 MARZO
Target audience
Topics
Entrance

Continuing with the line of work that got underway in 2014, El Cine Rev[b]elado is offering a series of activities around audiovisual performance and film’s interrelation with other disciplines.

Categoría cabecera
cine rebelado 6
EL CINE REV[B]ELADO #6
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Picture: Tzuan Wu.

Is it a cycle?
Disabled
Duration
18:30 - 21:00

THE VEGETABLE GARDEN IN THE CENTRE

The spring planting season is beginning, and the possibilities are infinite. In this series, we’ll teach you how to grow your own organic garden while also sharing useful tips and practices to make the most of its potential in the city and make our day-to-day lives more sustainable.

Friday 5 April. Planting flowers in the garden. 11:30 am—1:30 pm

We aren’t always aware of how valuable flowers are in a vegetable garden, not only because of their unique aesthetics but also because of their medicinal properties and the importance of introducing them into our organic gardens to support our crops’ development.

Friday 12 April. Spring planting. 11:30 am—1:30 pm

Now that we’ve designed what we want to plant, it’s time to roll up our sleeves and get our hands dirty.

Friday 19 April. Planting and reproducing herbs. 11:30 am—1:30 pm

Another major ally in the vegetable garden is herbs. In this session, we’ll learn how to care for them, reproduce them and use them for both our own benefit and their usefulness in the garden.

Friday 26 April. Let’s make our own fertiliser. 11:30 am—1:30 pm

What’s an organic garden without a few basic lessons on how to make compost? Compost is essential to our plants’ growth and a key point in making a sustainable vegetable garden.

Friday 9 May. Natural remedies against pests and diseases in the garden. 11:30 am—1:30 pm

It’s important to know how to prevent problems in the garden that could ruin your harvest, along with possible ways to deal with them in organic farming.

Friday 17 May. Cleaning without toxins. 11:30 am—1:30 pm

Our home is where we spend the most time over the course of the day, so it’s important to pay attention to the type of products we use to clean it to avoid accumulations of toxic products.

Friday 24 May. Wax wrappers. 11:30 am—1:30 pm

Continuing with the theme of sustainable homes, we’re offering a practical workshop to learn how to make wrappers that replace the typical tin foil or plastic wrap. Come try it and see how you’ll fall in love with this simple technique.

Friday 31 May. Do we know how to recycle? 11:30 am—1:30 pm

By now, recycling has been part of our lives for decades, but do we really know how to recycle each product we want to throw away?

Summer Cutting Exchange. 5 June. 6—8 pm

In this Cutting Exchange session, not only can you bring your small indoor plants, as always, but we also want to encourage you to bring garden flowers to exchange as well.

Friday 7 June. The garden in the summer. 11:30 am—1:30 pm

It is becoming harder and harder to deal with heat waves in our vegetable gardens. In this workshop, we’ll give you a few tips so that your garden yields the bounty you want without drying up along the way.

Friday 14 June. Solar lunch. 11:30 am—1:30 pm

As always, we’ll finish the year with a very special farewell meal. We’ll cook in our solar kitchens and enjoy a pleasant picnic with zero energy expenditure.

Xisela García Moure has been putting farming and sustainability techniques into practice in the city for more than ten years. A member of the Instituto de Transición Rompe el Círculo and a resident of Móstoles, she is aware of our city’s possibilities and interests. An expert in organic farming and permaculture, she has worked in different estates and urban agriculture projects, and this year she aims to put her knowledge into practice by focusing on a greener Móstoles that is more aware of this great town’s needs.


The possibilities afforded by learning about the nature around us include more than just growing our own food. These months, we’ll explore local plants to learn what benefits we can gain from them and to make our own everyday items by collecting and transforming them.

Friday 19 January.  Kokedama. Bring it from there to here. 11:30 am—1:30 pm

Kokedama is a Japanese technique of keeping plants at home without pots. In addition to being a beautiful way to keep plants indoors, they also offer us the chance to learn more about our flora and how to care for them.

Friday 26 January. Hanging plants. A macramé workshop. 11:30 am—1:30 pm

We plant lovers like to fill as many spaces as possible with greenery. Hanging plants are a good way to fill places that would otherwise be out of reach. Learn how to make hanging pots with macramé, and along the way learn a bit more about how to care for creeping or hanging plants.

Friday 2 February. Art to ‘dye’ for[AS1] . Understanding natural dyes. 11:30 am—1:30 pm

One way or another, the majority of colours we know of come from the flora around us. This is a fun way to make prints using a very simple technique for creating decorations with plant motifs.

Friday 9 February. Soap workshop. Care for your skin while caring for the planet. 11:30 am—1:30 pm

This is a simple workshop where you can make your own soap using natural materials and learn about homemade natural cosmetics.

Friday 16 February. Candles and air fresheners. Another way of viewing our home. 11:30 am—1:30 pm

Learn more about the properties of plants, this time with a look indoors. After all, that’s where we spend most of the day, so it should be a safe, toxin-free space.

Understanding where our food comes from and how it is produced is the first step towards a healthy, sustainable diet. Join us and learn how to make seedbeds and different organic farming techniques.

Friday 8 March. Drop by drop. 11:30 am—1:30 pm

It may not seem like it, but the time of year when water is increasingly scarce is approaching, so we have to use piped water to water our crops. Learning techniques to lower the amount of water needed for plants helps to lessen the hydric stress on our environment during the summertime.

Friday 15 March. A garden in the city. 11:30 am—1:30 pm

This workshop will answer questions and teach you how to grow plants in the city, an artificial system where we can all do our part to make it as natural as possible.

Wednesday 20 March. SPRING CUTTINGS. Exchange of vegetable seeds 6—8 pm

In addition to being able to bring your indoor plants, as always, at this cutting session we want to expand the possibilities by sharing vegetable seeds and seedlings for those who like growing their own food. Plus, we’ll also hold a mini-workshop on vegetable gardens on terraces.

Xisela García Moure has been putting farming and sustainability techniques into practice in the city for more than ten years. A member of the Instituto de Transición Rompe el Círculo (Break the Circle Transition Institute) and a resident of Móstoles, she is aware of our city’s possibilities and interests. As an expert in organic farming and permaculture, she has worked on different estates and urban farm projects, and this year she aims to put her knowledge into practice by committing to a greener Móstoles that is more aware of this large town’s needs.

 

Activity type
Dates
FRIDAY 11:30 - 13:30
Target audience
Topics
Entrance

The possibilities afforded by learning about the nature around us include more than just growing our own food.

Categoría cabecera
Huerto
2024 MÓSTOLES PLANT LAB
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Picture: Sue Ponce.

Is it a cycle?
Disabled
Duration
JANUARY - MARCH 2024

A Mouthful of Tongues is a performance by the artist Stina Fors that will be performed at the CA2M Museum as part of the Un coro Amateur voice-creation workshop.

It is a performance that explores experimental vocal techniques and the power of communication via the mouth. Turning the mouth into a theatre, she uses techniques such as grunting, ventriloquism, tongue exercises and dinosaur calls, among others.

These techniques create a journey where multiple bodies and sounds meet in dissociated relationships. The body’s connection to its voice and sound is disrupted, leading to confusion and overlapping forms of communication. This work celebrates the mouth as a powerful channel for shaping, expressing, distorting, destroying and resurrecting communication. Audiences will experience fragmented stories, thoughts and emotions from other places to create surreal landscapes that sound familiar but are, at their core, alien.

Stina Fors, born 1989 in Gothenburg, is a choreographer, performer, drummer and vocalist. She studied choreography and performance at SNDO (School for New Dance Development) in Amsterdam. Stina’s passion for sound and voice led her to create a repertoire of solo performances, including her one-woman-punk-band: Stina Force. Her live performances often incorporate experimentation and improvisation as creative strategies. Stina is currently based in Vienna.

With support from Fabra i Coats: Centre d'Art Contemporani de Barcelona.

Activity type
Dates
2 NOVEMBER 20:00H
Target audience
Topics
Entrance

A Mouthful of Tongues is a performance by the artist Stina Fors that will be performed at the CA2M Museum as part of the Un coro Amateur voice-creation workshop. It is a performance that explores experimental vocal techniques and the power of communication via the mouth. 

Actividades asociadas
Categoría cabecera
Stina Fors
A MOUTHFUL OF TONGUES. PERFORMANCE BY STINA FORS
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Stina Fors. Tongues. Picture: Franzi Kreis.

Is it a cycle?
Disabled
Duration
40 minutes

The fourteenth edition of the Autoplacer (‘Self-Pleasure’) Festival will be held on Saturday, the 23rd of September at the CA2M Museum from 12 p.m. to 9 p.m. It will feature several performances on the Museum's terrace, including Infanta, Seggs Tape, Miss España, the artist Firmado, Carlota and Animadora, the winner of the Autoplacer 2022 Demo Contest, which will be held again this year in October.

There will also be techno sets playing in the SUI (Sala de Usos Infinitos on the ground floor), featuring a concert by Stephen Please and the special participation of Radio Relativa, a community, independent and experimental online broadcaster, which will be in charge of the Dancefloor's techno music programming, as well as sets by Feet & Gostoso (the creators of Radio Relativa), Loyalty XIX, Gideo and Emilia Grima.

Autoplacer 2023 will also feature various guest projects related to self-publishing, design, illustration and comics in the entrance hall, accompanied by the music of various festival collaborators on the turntables.

PROGRAMMING FOR SATURDAY, 23RD OF SEPTEMBER FROM 12 P.M. TO 9 P.M.

- Featuring concerts by:

  • 12:30 FIRMADO, CARLOTA
  • 13:30 ANIMADORA
  • 17:00 SEGGS TAPE 
  • 18:00 MISS ESPAÑA
  • 19:00 INFANTA

- Dancefloor with Radio Relativa:

  • 15:00 STEPHEN PLEASE LIVE
  • 16.00 FEET & GOSTOSO
  • 18:00 LOYALTY XIX | GIDEO 
  • 19:30 EMILIA GRIMA

- Guest projects

LA INTEGRAL | TURBULENTAS EDICIONES | CUIR MADRIZ | AUTSAIDER CÓMICS | LA GRANJA EDITORIAL | KIT CANÍBAL | PRIETO & CUERVO

- FREE ENTRANCE UNTIL FULL CAPACITY IS REACHED - 

cartel Autoplacer

Activity type
Dates
SATURDAY 23th SEPTEMBRE
Target audience
Topics
Entrance

The fourteenth edition of the Autoplacer Festival arrives on Saturday 23 September at the CA2M Museum from 12 to 9 p.m., with several performances on the terrace and in the SUI. Autoplacer 2023 will also feature the presence of various guest projects related to self-publishing, design, illustration and comics in the entrance hall, accompanied by the music of several festival collaborators on the turntables.

Categoría cabecera
Autoplacer 2023
AUTOPLACER FESTIVAL 2023
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Design: Valeria Xu.

Is it a cycle?
Disabled
With the support of
Duration
FROM 12:00 TO 21:00H

Cha-cha-cha at dawn at dawn cha-cha-cha

Cha-cha-cha the backside the backside cha-cha-cha

Cha cha beach hammock idler

Idler hammock beach cha cha

Cha cha apple orange pineapple

Pineapple orange apple cha-cha-cha

Cha-cha-cha square palm trees tra-la-la

Tra-la-la palm trees square cha-cha-cha

Cha-cha-cha boats barbed wire boom-boom-boom

Boom-boom-boom barbed wire boats cha-cha-cha

Cha-cha-cha on the phone on the phone cha-cha-cha

Cha-cha cha-cha word

Word cha-cha-cha

In little more than a decade, the body has moved from the sidelines to a become a focal point of contemporary culture. For this shift to fully unfold its potential, it is necessary to pay attention to the way our materiality articulates with our surroundings. Word cha-cha-cha explores turning points in which bodies are given shape by words, and vice versa, through the paradigm of expanded language. Ambivalently, this language of blurred boundaries both produces and is the result of movement, sound, images, automatisms, feelings, economy and modes of social organisation. This programme proposes a series of performances that bear partial witness to the complexity with which these elements intertwine and affect each other.

Language no longer belongs to humans alone but, in a return to the fable of sorts, animals, objects and natural elements murmur in our ears. On the other hand, the certainty of signifiers fades when confronted with the infinite variability of models and the multiplicity of possible interpretations. In this realm where vagueness reigns, every sentence we utter is a spell, a door we open without knowing where it leads. By questioning the mechanisms for naming and their relationship with things, there is also interference with established dynamics, and possibilities emerge that are beyond the imaginable.

Through choreographies, poems, songs, whispers, shouts, rumours, spells, films without images, the clacking of castanets, familiar languages, obscure languages, unusual translations, incarnated books and newspapers, the language of birds and computers, we may temporarily lose our speech and be forced to search for words. Who knows if we will find different ways of expressing thought to, facing, before, below, fitting, with, against, about, from, since, after, during, in, between, towards, until, for, by, according to, without, under, over, behind, versus, via the silhouette of clouds, the bottom of pockets or the dregs of coffee.

Curated by Quim Pujol

Early 19th-century London witnessed the founding of The Picnic Society, an association that would meet regularly in the open air, at which time each member was expected to provide some of the entertainment and refreshments without there being a specific host. Borrowing this concept from the Picnic Society, the CA2M Museum invites a number of curators each year to design a programme for the Museum’s roof terrace.

Every Thursday from the end of May until the end of June, our roof terrace is turned into a space for hosting a programme of activities that combine body and sound with education and participation. 

 

PROGRAMME

Thurs 25/05 I Llorenç Barber. ACTUM REENACTMENT. Javi Álvarez.

Thurs 01/06 I Juf (Leticia Ybarra + Bea Ortega Botas), Pol Jiménez, Matthieu Blond.

Thurs 08/06 I Park Keito (Kotomi Nishiwaki + Miquel Casaponsa), Joris Lacoste, Noela Covelo. 

Thurs 15/06 I Paula Miralles, Josep Xortó & The Congosound.

Thurs 22/06 I Alix Eynaudi, Clara Amaral, Simon Asencio.

Thurs 29/06 I María Jerez +Élan d’Orphium, Laura Llaneli, Venecia Flúor.

TIMES: 9–11PM, EXCEPT FOR THE SESSION ON 29/06 WHICH WILL START AT 8:30PM

DOORS OPEN AT: 8:30PM. PLEASE BE ON TIME.

SELF-PUBLISHING TABLES

Thurs 25/05 I CAJA NEGRA

Thurs 01/06 I CANICHE

Thurs 08/06 I LA UÑA ROTA

Thurs 15/06 I CONTINTA ME TIENES

Thurs 22/06 I LIBROS DE ARTISTAS

Thurs 29/06 I VARAMO PRESS

 

ABOUT THE CURATOR

Combining the performing arts and contemporary art, Quim Pujol’s artistic practice denatures language to reveal the ideology that lies behind ordinary modes of expression and to open up other possibilities of association. The latest pieces by this iconoclastic writer and performance artist are El mensaje de otros mundos (2021) and Variedad de variedades (2022). He has participated in exhibitions at arts centres such as the Fundació Antoni Tàpies, La Capella and the EACC. Together with Ixiar Rozas, he edited the book on affect theory Ejercicios de ocupación (Ediciones Polígrafa, 2015). He curated the experimental programme of the Mercat de les Flors (2011–2015) and collaborates with the Observatorio del Placer.

Acknowledgements: Berta Gutiérrez Casaos.

Activity type
Dates
25th May to 29th June
Target audience
Topics
Acceso notas adicionales

DOORS OPEN AT 20:30H

Entrance

The Picnic Society was born in London at the beginning of the 19th century, an association that met regularly in the open air and at whose gatherings each member was expected to provide part of the entertainment and refreshments without a specific host. Based on this concept, and in the manner of the Picnic Society, the Museo Centro de Arte Dos de Mayo invites several curators each year to design a programme for the Museum's terrace. Every Thursday from the end of May until the end of June.

Categoría cabecera
Picnic ojos
PICNIC SESSIONS 2023. PALABRA CHACHACHÁ
More information and contact
Is it a cycle?
Disabled
With the support of
Duration
21:00 - 23:00H