Education

Education

This course’s educational activity programme is oral. If you are interested in this activity, write to us at educacion.ca2m@madrid.org or call us on 912760227 and we’ll tell you all about it.

You can sign up HERE

This project is part of the series of language workshops by the A.C. Banda Editorial Silvestre. Organised by  BOYA~célula  in collaboration with Seminario Euraca.

Activity type
Dates
FROM OCTOBER 21th TO MARCH 13th
Topics
Acceso notas adicionales

School groups of fewer than 30 students.

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Categoría cabecera
visita taller
STAND HERE. VISIT-WORKSHOP FOR SECONDARY SCHOOL STUDENTS TO THE CA2M, DIALECT EXHIBIT
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Duration
11:00 – 13:30

This course’s education programme is an underground river.

It appears and disappears.

Its texts are transmitted verbally, that is, via the spoken word.

We would love for anyone to transmit our projects and for them to reach far and wide. So, we have invited the artists we will be working with during this school year to write protocols in order to memorise and explain the programme texts. This way, they won’t be forgotten.

If you are interested in receiving this programme please write to us at educacion.ca2m@madrid.org or call us on 912760227 and we’ll tell you all about it.

 

  1. The Art of Happening. Mónica Valenciano

      Protocol for memorising and explaining

 

  1. Overflowing school. EnterArte

 

      Protocol for memorising and explaining

 

  1. Florecer dobladx. BOYA x Seminario Euraca

    Protocol for memorising and explaining

 

  1. Do Without Being Seen. Black Tulip

     Protocol for memorising and explaining

 

     5. Taller towers

  • Collaboration with the Children’s Residential Centre 

  • Collaboration with the Federico García Lorca Public School

  • Collaboration with the Europa High School

  • Collaboration with Pablo Neruda Occupational Training Centre

  • Visits

  • An amateur choir

  • Furtive night-time encounters

 

 

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programa educativo
EDUCATION PROGRAMME 2021-2022-2023
Type Thinking / Community
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Is it a cycle?
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At the end of every school year we like to think of a different way of starting the summer. This time, the artist Marc Vives will pay us a visit to lead a workshop exploring new artistic strategies. Over the course of four days and one night when we will sleepover at the museum, we will explore the unexpected and put our imagination to the test in order to create magical moments that experiment with new forms of creation waiting to be discovered.

Dates header text
FROM 6 TO 9 DE JULY
Registration:
-
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CAPACITY: 15 PEOPLE

Entrance

At the end of every school year we like to think of a different way of starting the summer.

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pum pum pum
PUM PUM PUM. SUMMER WORKSHOP FOR YOUNG PEOPLE
Type Thinking / Community
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Duration
16:30 – 19:30
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In this oddest of school years, which never really got off to a proper start, we are now drawing to its possible conclusion, a summer, a chance to get out there, to who knows where. We want to spend these last two months of the school year strolling around the rooms and halls of the museum, thinking about ourselves, about the walls, about the exhibitions, about its spaces and places, about our loved ones.

Every Tuesday from 11:00 am to 1:30 pm, the museum’s education department invites you to shake up its spaces, see how they move, see how they can be used by a museum now, how to build new ways of being together inside and outside the institution.

Every Tuesday we will start out from a different space:

  • stairs
  • perimeter
  • corners
  • ceiling
  • halls
  • being
  • outside
Activity type
Dates
Every Tuesday
Target audience
Acceso notas adicionales

Capacity: 10 people. You can write to us in advance or go directly to the museum reception and sign up.

Entrance

We want to spend these last two months of the school year strolling around the rooms and halls of the museum, thinking about ourselves, about the walls, about the exhibitions, about its spaces and places, about our loved ones.

Subtitle
TUESDAY VISITS
Categoría cabecera
Temblar el museo
SHAKING UP THE MUSEUM
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Duration
From 11:00 to 13:30

Triggering impulses, working in an experiential way, promoting critical attitudes through action, involving the body in learning processes ... These educational practices, in tune with the centre’s educational philosophy, are based on the construction of knowledge through experience. Thus, the exhibition’s performative routes focus on the spectator's experience and turn their gaze towards current art. In this way, we create meeting spaces in which to experiment and construct critical discourse regarding contemporary work. 

At this time, we wish to invite you to visit two of CA2M’s exhibitions with us.
On Saturdays at 6:30 PM we propose visiting TRÉMULA, artist Javi Cruz’s exhibition, together. And on Sundays at 12:30 PM, VEROÍR EL FRACASO ILUMINADO (EXPERIENCE THE ILLUMINATED FAILURE) by the artist Cecilia Vicuña. There will be a maximum of 6 people.

To sign up, write to educacion.ca2m@madrid.org or call 91 276 02 21. You can also come directly to the museum and, if there are not too many of us, join the tour by leaving your details at reception. We take all of these measures in order to take care of ourselves and to take care of you, though we are aware that these measures may change according to the situation. We look forward to meeting up with you again.

Activity type
Dates
Saturdays and Sundays
Target audience
Registration
-
Entrance

Triggering impulses, working in an experiential way, promoting critical attitudes through action, involving the body in learning processes ... These educational practices, in tune with the centre’s educational philosophy, are based on the construction of knowledge through experience.

Categoría cabecera
recorridos performativos
Performative routes 2021
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Foto Sue Ponce

Is it a cycle?
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Duration
Every weekend until the closing of the exhibitions
Biografías

We are outdoors, in the fresh air. Multiple layers of reality are occurring at the same time. The sun is setting on the horizon, the light is constantly transforming. What separates what we are seeing and what we are imagining?

By stopping to see what we seldom perceive, in this workshop we will engage in several attention exercises with the goal of inquiring into sight and the kinematic. We will work with things that are not a material support but are supported by what is around us to shape other realities. The goal is to seek new ways of producing images by connecting the visual with the sonorous and action in a space.

This workshop is targeted at teachers, educators and artists interested in education. It is offering a week of work to forge bonds by collaborating and collectively reflecting with the Museum’s educators, the attending teachers and the guest artist.

Sofia Montenegro’s work lies somewhere between sound, image, text and performance. She studied Fine Arts and Cultural Studies in Utrecht and Madrid and earned an MA in Art Praxis at the Dutch Art Institute. Her works often take the form of installations, sound tours, listening sessions, collective encounters or performance.

She has recently showed her works in exhibitions, actions and performances at La Papelería, the Ana Mas Projects gallery, the Blueproject Foundation, the Centre d’Arts Santa Monica, Can Felipa Arts Visuals, Bulegoa, MNCARS, LCE, El Chico Madrid and Kunstraum Bethanien Berlin, among others, and will soon do so at Barcelona’s La Capella. 

She is also the winner of Barcelona Producció 2023-24 and Generación 2022 and has done residencies at Futurama Alentejo, BilbaoArte and CRA Matadero Madrid. She is currently a resident at Hangar in Barcelona.

Dates header text
6-9 MAY
Entrance

This workshop is targeted at teachers, educators and artists interested in education. It is offering a week of work to forge bonds by collaborating and collectively reflecting with the Museum’s educators, the attending teachers and the guest artist.

 

Header category
Formacion porfesorado
STEPS, MURMURS. LISTENING AND OBSERVATION WORKSHOP FOR TEACHERS WITH SOFÍA MONTENEGRO.
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Sofía Montenegro, Cámara Oscura, 2023. Picture: Jorge Anguita Mirón.

Type Thinking / Community
Topics Educational Community
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Duration
6-9 MAY 17:00- 20:00
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In the Cristina Garrido exhibition, Ximena asks ‘What Juan Muñoz work are you according to your zodiac sign?’; Jesús begins with La Chola Poblete, and Álex climbs up to the roof. Mar asks if the museum is a theatre; Ana talks about death and thresholds.

A handrail like Tiresias’s gesture to read with his fingers. And like the grain in a house’s wood, we could say: the grains running along the staircase allow the body to lean; they stick to the walls in a right angle but also an ellipse. A handrail to slide through the museum and see things from above.

Or to go to the exhibition next door, or see the work just around the bend in the hallway.

Mediation for Five Handrails is a collaborative project between AMECUM (Association of Cultural Mediators of Madrid) and the Museo CA2M. Based on a proposal that began with the exhibition Juan Muñoz. In the Violet Hour, we are rethinking mediation in its own context by putting the mediator’s body at the centre, amidst so many objects and so many words.

This project is also viewed as an investigation that revolves around two lines of action at AMECUM: reflecting on and experimenting with mediation, good practices and other ways of viewing it, and bringing visibility and recognition to the figure of the cultural mediator.

In the quest to challenge the logics according to which mediation tends to be understood as a service, we are suggesting a perspective of mediation as a critical, autonomous cultural production based on personal, positioned inquiries. It is a situated, contextualised process in which the mediator is also a cultural producer who makes new collective questions and interpretations possible. Five different tours conducted by five different mediators: Mar Sáenz-López, Ximena Rios, Jesús Morate, Alex Martínez and Ana Folguera.

Entrance

Mediation for Five Handrails is a collaborative project between AMECUM (Association of Cultural Mediators of Madrid) and the Museo CA2M. Based on a proposal that began with the exhibition Juan Muñoz. In the Violet Hour, we are rethinking mediation in its own context by putting the mediator’s body at the centre, amidst so many objects and so many words.

Header category
mediación
MEDIATION FOR FIVE HANDRAILS
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Picture: Sue Ponce.

Type Thinking / Community
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Topics
Is it a cycle?
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Witnessing the End is a programme of outings to places where terminal events happen, like the end of a motorway, the mountains of Madrid and the botanical garden. It is also a lecture on the impossibility of conservation at the CA2M Museum. At these springtime gatherings, we will think collectively about the stories told in our culture about denouements, resisting death and the beauty of disappearing as we hover air-borne over the precipice in the car together.

This People’s University programme, targeted at anyone interested in contemporary artistic practices, expands the concept of knowledge conveyance to introduce contemporary art, and it heads out in search of shared experiences that make us think as artists both inside and outside the museum.

PROGRAM 

APRIL 10. Keeping out the cold. Excursion to the Guadarrama Mountains. 

24 APRIL. De-veiling the Collection. Lecture and visit to the CA2M Museum warehouses.

Activity type
Dates
10 APRIL - 5 JUNE
Target audience
Entrance

Witnessing the End is a programme of excursions to places where boundary events occur, such as the end of a road, the mountains of Madrid, the botanical garden; and a conference on the impossible of conservation at the CA2M Museum.

Categoría cabecera
universidad popular
WITNESSING THE END. PEOPLE’S UNIVERSITY
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Picture: Bego Solís.

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Duration
ALTERNATE WEDNESDAYS

Hache, i, jota, ka, 
ele, eme, ene, a, 
que si tú no me quieres, 
otro niño me querrá.

[‘H, I, J, K,

L, M, N, A

If you don’t love me

Another boy will.’

Spanish children’s song called El Patio de mi Casa]

 

Children’s songs serve as the common thread of memories, generations and lives separated in space and time. They are clearly meant to be fun, but they can also be educational. What do children’s folk songs teach us? What reality do they reflect? We are not trying to constrain creativity but instead aim to analyse what the lyrics of these songs from another era say, a time when girls were frightened away by spiders, men put their wives in a pumpkin shell, and ladies trotted but gentlemen galloped.[AS1] 

We’ll mix elderly people’s memories and young people’s intuition to turn those perennial children’s songs into songs of our lives today by changing the lyrics, trying out new instruments and inventing a dance for any age. We’ll have fun with the entire family as we use music and play to help us reconsider those intergenerational tunes and make them more ours, more open, more contemporary, in a bid to give them many more years of life.

PROGRAMME

FEBRUARY

Saturday 17 February from 4:30—6:30 pm

Saturday 24 February from 11am—1 pm

MARCH

Saturday 9 March from 4:30—6:30 pm

Saturday 16 March from 11am—1 pm

NOTE:  We recommend this activity for children aged 5 and older. However, any younger children in your group/family are more than welcome. We will try to adapt the pace to all participants.

In 2016, Atilio González and Elia Maqueda set up a group (Ruiseñora) and had a daughter, and these two events have largely determined their lives since then. They have published several records on the Raso Estudio label, a mix of electronic and traditional music, the project’s hallmark and one of the first in the new line of work to revive folklore by looking at the past in order to face the future. They have held family concerts with audiences and often hold concerts for their own family (they always compose, rehearse and record at home). They have also coordinated workshops and artistic projects in museums like the Reina Sofía and the Vostell Malpartida.

In this programme, we are inviting different artistic collectives who are families to imagine the shared space where they can pool their creative processes and interests and create together with other people, a space where age and skill don’t matter, a new space-time where you can share with your people, neighbours, chosen families, grandparents, grandchildren.

 

Activity type
Dates
SATURDAY 27 APRIL
Target audience
Entrance

Children's songs function as a connecting thread of memories, generations and lives separated in space and time. We will put the memory of the older people to play with the intuition of the younger ones, and so turn a nursery rhyme into a song of our lives today: altering the lyrics, trying out instruments and inventing a dance for any age.

 

Subtitle
SONGS AND SWEETS: MI CASA SIN PATIO WORKSHOP WITH RUISEÑORA
Categoría cabecera
taller ruiseñora
SONGS AND SWEETS: MI CASA SIN PATIO
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Picture: Ruiseñora.

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Duration
2 HOURS

A year ago, together with the boys and girls who reside at the Móstoles Children’s Home, we dreamed of making a home inside our own tree house. We imagined what its shape would be like, what we would do inside it and what would happen around it.

Some time later, in a conversation with the teachers at the Pablo Neruda Vocational College, we saw the importance of learning through action, and we assessed the need to turn educational spaces into places where real-life projects could be put into practice. We then thought it would be exciting to involve the Carpentry Department at the UFIL college in the construction of the house imagined by that group of children.

We at the CA2M Museum like to think that we can all take part in the construction of the world around us, so in October we will begin a process of collaboration with both groups to conceive, design and make this powerful image possible.

Dates header text
FROM OCTOBER TO JANUARY
Entrance

We at the CA2M Museum like to think that we can all take part in the construction of the world around us and the importance of learning through doing, and we value the need to turn educational spaces into places where real projects can be developed.

Subttitle
COLLABORATIVE PROJECT WITH STUDENTS OF THE UFIL PABLO NERUDA VOCATIONAL COLLEGE (UFIL), THE MÓSTOLES CHILDREN'S HOME AND THE MUSEUM
Events
Header category
Hacer una casa
MAKING A HOME
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Photography: Patri Nieto.

Type Thinking / Community
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