Lucía C. Pino works primarily with image and sculpture. For the past decade, the artist’s practice has largely been concerned with questioning the material and ontological inertias rooted in design, architecture and sculpture, such as attachment, solidity or durability.
Triggering impulses, working in an experiential way, promoting critical attitudes through action, involving the body in learning processes ... These educational practices, in tune with the centre’s educational philosophy, are based on the construction of knowledge through experience. Thus, the exhibition’s performative routes focus on the spectator's experience and turn their gaze towards current art. In this way, we create meeting spaces in which to experiment and construct critical discourse regarding contemporary work.
At this time, we wish to invite you to visit two of CA2M’s exhibitions with us.
On Saturdays at 6:30 PM we propose visiting TRÉMULA, artist Javi Cruz’s exhibition, together. And on Sundays at 12:30 PM, VEROÍR EL FRACASO ILUMINADO (EXPERIENCE THE ILLUMINATED FAILURE) by the artist Cecilia Vicuña. There will be a maximum of 6 people.
To sign up, write to educacion.ca2m@madrid.org or call 91 276 02 21. You can also come directly to the museum and, if there are not too many of us, join the tour by leaving your details at reception. We take all of these measures in order to take care of ourselves and to take care of you, though we are aware that these measures may change according to the situation. We look forward to meeting up with you again.
Triggering impulses, working in an experiential way, promoting critical attitudes through action, involving the body in learning processes ... These educational practices, in tune with the centre’s educational philosophy, are based on the construction of knowledge through experience.
Foto Sue Ponce
“Imagining the analysis of the social and political systems of our day through the figures of clowns, harlequins and hands does not seem at all strange in these times. It is true that the division between individual and persona has never been so relevant.
Turbid Waters is Inês Zenha's first institutional solo exhibition in Spain, a project specially curated for the first floor of the CA2M Museum.
This first graphic intervention by Maria Medem opens a space for reflection on illustration at the CA2M Museum. Maria Medem's imaginary universe, reflected in different non-exhibition areas of the Museum, generates a sensorial and experimental atmosphere where the limits between the real, the strange and the ambiguous are blurred and materialized in different forms.
The world of Miki Leal is a world of jazz, cinema, the American lifestyle and sport, as well as his family world, his domestic environment and within it his personal belongings.
Part of a group of figurative women painters like Esther Boix and Isabel Villar, Carmen Pagés’s work reflects openly on social injustices and how power is wielded over the least fortunate in today’s societies.
It presents a succinct overview of his artistic production, recovering different works that have marked his work in some way since the early 2000s. At the same time, coexisting with this journey is a group of new works that, based on a highly personal vision of sculptural language, are displayed through spatially specific installations, newly produced pieces, performative actions and series that are added to some of those already produced in recent years.
This exhibition is the result of a selection of works, objects and images as well as newly produced interventions. Many of the pieces in the exhibition are part of the CA2M Museum's collection, although there are also loans from other public and private collections in the country as well as from the selected artists themselves.
First institutional monographic exhibition dedicated to Jorge Satorre in Spain. His artistic practice addresses the unmapped and ‘minor’ history, either by attending to the intangible heritage of customs and the transmission of stories, or by engaging in more formal approaches through the production methods of traditional manufacturing trades, as well as their places, stories and workers.