MARTIN WONG. MALICIOUS MISCHIEF

Martin Wong

Martin Wong, Everything Must Go, 1983. Private Collection. Courtesy of the Estate of Martin Wong and P.P.O.W Gallery, NY. ©Martin Wong.

Curated by Krist Gruijthuijsen and Agustín Pérez Rubio
Autumn 2022

Museo Centro de Arte Dos de Mayo (CA2M) is presenting the first extensive exhibition of the work of the US-Chinese artist Martin Wong (born 1946 in Portland, Oregon, died 1999 in San Francisco) in Europe.

Martin Wong: Malicious Mischief is the result of exhaustive research into the life’s work of Wong from his early creations on the US East Coast to his work in the late-1990s before he died due to an AIDS-related illness. The exhibition aspires to expand Wong’s practice and recognition among a European audience and to situate Wong within a group of artists, who determined by their personal biographies are known for their political commitment and ability to reflect their chosen life contexts in their art. In consequence, the exhibition explores sociological and political aspects of Wong’s work as well as the way these underscore the transfer of language to the medium of painting.

Martin Wong is a key example of counterculture in the US, straddling the geographic boundaries of the East and West Coast, as well as the boundaries of the cities in which he lived and worked—whether it being e.g.in San Francisco near Chinatown in the 1960s and 1970s or Loisaida in New York in the 1980s and 1990s. These cultural and formative spaces provided him with the opportunity to grow artistically. As part of his highly poetic approach, Wong created compositions of different layers in his paintings—not only layering color, aesthetics, and history but also learnings gathered from personal experiences and interests. His works openly adopt an irreverent stance to various different social, sexual, historical, and political themes that were rarely given any recognition within the art establishment and its discourses at the time.

Brought up on the West Coast by a Chinese mother and a Chinese-Mexican stepfather, Wong was a transcultural artist connected to his ancestry. Wong endeavored to capture aspects of the greatest social vulnerability, which were mediated through his experiences and relationships in the diverse communities in which he lived: from the communes of San Francisco in the 1960s, to the Nuyoricans in Loisaida (the Latina community on New York’s Lower East Side), and the community of Asian immigrants in the Chinese neighborhoods in the US. Alongside these, Wong’s works also evince pressing concerns like drugs, homosexual desire, the hegemony of a colonial past, urban subculture and their ghettos, racism, law enforcement, among others. Working with great precision and interest in language, Wong can be viewed a micro-historian of sorts, engaging his audience on aspects neglected in the conservative American political and cultural discourse during his lifetime and which today’s art discourse in many aspects still fail to fully address.

Martin Wong: Malicious Mischief is initiated by KW Institute for Contemporary Art, Berlin, curated by Krist Gruijthuijsen and Agustín Pérez-Rubio, and produced in collaboration with Museo Centro de Arte Dos de Mayo (CA2M), Camden Art Centre, and Stedelijk Museum.

After its iteration at CA2M, the exhibition will travel to KW Institute for Contemporary Art in Berlin, from 25 February to 14 May 2023; Camden Art Centre in London from 7 July to 17 September 2023; Stedelijk Museum in Amsterdam from November 2023 to February 2024.

 

KRIST GRUIJTHUIJSEN

Curator and art critic Krist Gruijthuijsen has been the director of KW Institute for Contemporary Art since July 1, 2016. He has curated exhibitions by Hanne Lippard, Ian Wilson, Adam Pendleton, Ronald Jones, Hiwa K, Willem de Rooij, Beatriz González, David Wojnarowicz, Hreinn Friðfinnsson, Hassan Sharif, Leonilson, and Peter Friedl among others, and has edited numerous publications.

Krist Gruijthuijsen is internationally well-connected and has many years of experience as curator and director of leading international institutions for contemporary art. Gruijthuijsen was artistic director of the Grazer Kunstverein from 2012 until 2016 and held the position of course director of the MA Fine Arts Department at the Sandberg Instituut in Amsterdam from 2011 until 2016. He is one of the co-founding directors of the Kunstverein in Amsterdam and has organized many exhibitions and projects over the past 15 years, including Stedelijk Museum (Amsterdam), Van Abbemuseum (Eindhoven, NL), Arnolfini (Bristol, GB), Project Arts Centre (Dublin), Utah Museum of Contemporary Art (Salt Lake City, US), Institute of Modern Art (Brisbane, AU), Baltic Centre for Contemporary Art (Gateshead, GB), Morris and Helen Belkin Art Gallery (Vancouver, CA), with MoMA PS1 (New York), CAPC musée d’art contemporain de Bordeaux (FR), Museo Nacional Centro de Arte Reina Sofía (Madrid), Centre d’Art Contemporain Genève (CH), Sharjah Art Foundation, Malmö Konsthall (SE) , and Museu de Arte Contemporânea de Serralves (Porto, PT). 

 

AGUSTÍN PÉREZ RUBIO

Agustín Pérez Rubio, Valencia, 1972. Historian, professor and researcher with extensive curatorial work in museums and institutions in Latin America and Europe. He was with María Berríos, Lisette Lagnado and Renata Cervetto, the curator of the 11th Berlin Biennale (2019-20). Previously he had been the curator of the Chile Pavilion and the 58th Biennale di Venezia (2019). 

He was also the Artistic Director of the MALBA (Buenos Aires, 2014-18), Chief Curator and Director of the MUSAC (Leon, 2003-13) and a Member of the Board of the CIMAM and the Istanbul Biennial (2017-22). He received the honour of being a Guest Professor at the Institute for Art in Context (Berlin University of the Arts, 2019-20).