volvemos en octubre

El arte actual obliga a sus espacios a cambiar continuamente, a adaptarse a formas artísticas del futuro próximo que ni siquiera sabemos todavía como van a ser, por eso necesitamos cerrar para realizar una reforma en nuestros espacios. ¡Nos vemos en octubre!

Luis López Carrasco

For the first time, more than 400 works by 250 artists are coming together in an exhibition that showcases the CA2M collections and takes up the entire museum space. It is a celebration of what the museum represents and has represented from the beginning. This journey begins with the historical avant-garde - all the artists who accompanied Picasso at the Pavilion of the Spanish Republic - and continues through history up to the present day. It is not only an international exhibition, as are all the CA2M and the ARCO Foundation collections, but also a story that is told from inside this institution, from the collections it holds, and ultimately, from Móstoles.

27 may – 1 july


As a Picnic Society, the CA2M invites several curators each year to design a program for the terrace of the Center. Every Thursday from the end of May to the beginning of July our terrace will become a space in which we will develop a program of activities in which the physical and the sound are mixed with the educational and participatory.

Caso Sara Ramo

Sara Ramo Case

The material history of the piece, the various times it has been transported and exhibition conditions were considerations leading to its repair.

Portada Cecilia

CA2M and Turner are producing the Spanish reprint of this book, published in Rotterdam by Kunstinstituut Melly. 

This monograph addresses one of the most multifaceted and fundamental artists in the world of Latin American contemporary art today.

Caso Mp&Mp Rosado

Caso MP&MP Rosado

La obra está realizada en materiales de diversa naturaleza, por lo que se podría hablar de una aproximación al collage: hay diversos elementos adheridos y otros, como las piezas textiles, se encuentran insertadas en un soporte celulósico, lo que le aporta una cierta tridimensionalidad. El motivo de la intervención fue la pérdida de adhesión de los elementos sustentados.