Dedicated to the exhibition Martin Wong. Mischievous Mischief, this book is an important contribution to the exhibition.
To mark the exhibition Mitsuo Miura. Almost 400 m² for Two Landscapes, we have published, together with DA2 in Salamanca, a book that looks back over the career of this Japanese artist who has been living in Spain since the 1960s. With texts by Eva Lootz, Glòria Picazo, Sergio Rubira and Tania Pardo.
The catalogue that accompanies the exhibition Decline, which was on at the Museo Centro de Arte Dos de Mayo between February and May 2023, is the first to examine his work and offers a complete overview of his oeuvre. It includes a comprehensive selection of his previous work as well as new pieces created in connection with the exhibition. With contributions by Peio Aguirre, Jussi Parikka, Bernardo José de Souza and Laura Tripaldi.
Déjà Vécu is her first solo exhibition in a public institution in Madrid. The exhibition is the result of an in-depth exchange between the artist and the curator over the past five years, during which they set out to critically review historical narratives, cultural hierarchies and the construction of collective identity in the context of the Iberian Peninsula.
Published to mark the exhibition They Saw Their House Become Fields at the Museo Centro de Arte Dos de Mayo in 2023, this publication offers an in-depth look at June Crespo’s artistic practice and unravels the particular spatial and material relationships at play in her work.
This exhibition is based on accumulated malaises and ghosts that have haunted Ana Gallardo since well before she became the artist that she is. However, more than a narrative of overcoming or the culmination of a formal and existential process, the artworks that make up this journey spanning several decades of production brim with passion and non-conformism.
The exhibition focuses on two large installations that encapsulate the research carried out by Teresa Solar Abboud over the last few years. Conceived specifically for the CA2M Museum, the exhibition is like a dialogue between the fictitious and the real, where different narratives in process propose new forms and plastic finishes, contrasting the effects of nature with industrial aesthetic finishes of smooth and shiny finishes.
Linz Diary, by the artist Emily Jacir, is a series of colour photographs taken in 2003 to capture the artist’s action which consisted of walking around a fountain in Linz Square, in Austria.