First institutional monographic exhibition dedicated to Jorge Satorre in Spain. His artistic practice addresses the unmapped and ‘minor’ history, either by attending to the intangible heritage of customs and the transmission of stories, or by engaging in more formal approaches through the production methods of traditional manufacturing trades, as well as their places, stories and workers.

Part of a group of figurative women painters like Esther Boix and Isabel Villar, Carmen Pagés’s work reflects openly on social injustices and how power is wielded over the least fortunate in today’s societies. 

The world of Miki Leal is a world of jazz, cinema, the American lifestyle and sport, as well as his family world, his domestic environment and within it his personal belongings.

This first graphic intervention by Maria Medem opens a space for reflection on illustration at the CA2M Museum. Maria Medem's imaginary universe, reflected in different non-exhibition areas of the Museum, generates a sensorial and experimental atmosphere where the limits between the real, the strange and the ambiguous are blurred and materialized in different forms.

Lucía C. Pino works primarily with image and sculpture. For the past decade, the artist’s practice has largely been concerned with questioning the material and ontological inertias rooted in design, architecture and sculpture, such as attachment, solidity or durability.

“Imagining the analysis of the social and political systems of our day through the figures of clowns, harlequins and hands does not seem at all strange in these times. It is true that the division between individual and persona has never been so relevant.

Turbid Waters is Inês Zenha's first institutional solo exhibition in Spain, a project specially curated for the first floor of the CA2M Museum.