“Imagining the analysis of the social and political systems of our day through the figures of clowns, harlequins and hands does not seem at all strange in these times. It is true that the division between individual and persona has never been so relevant.
Lucía C. Pino works primarily with image and sculpture. For the past decade, the artist’s practice has largely been concerned with questioning the material and ontological inertias rooted in design, architecture and sculpture, such as attachment, solidity or durability.
First institutional monographic exhibition dedicated to Jorge Satorre in Spain. His artistic practice addresses the unmapped and ‘minor’ history, either by attending to the intangible heritage of customs and the transmission of stories, or by engaging in more formal approaches through the production methods of traditional manufacturing trades, as well as their places, stories and workers.
Altered listenings and porous practices
Based on the different exhibitions, activities, workshops and collection of the museum, we propose different encounters and different points of view on contemporary artistic practices and their capacity for influence and social transformation.