Six seminal movies, six true works of art and sources of aesthetic (and ethical) pleasure. Six ethical and (aesthetic) hypotheses whose characters mutate.

Hi, I’m Galaxia La Perla. I like to express myself through dance, voguing, runway, makeup and fashion both in physical and digital spaces.

The material history of the piece, the various times it has been transported and exhibition conditions were considerations leading to its repair.

The triptych, made up of three equal sections, has been part of the collection since 1996. It has been housed in different locations since it its creation in 1984, and its display at the Sao Paulo Biennial in 1985. These relocations, together with the consequent changes in the environmental conditions that this entailed, have led to a series of alterations being carried out on the work.

This work, consisting of two elements, was made for the exhibition Una obra para un espacio, held at Canal de Isabel II in Madrid in 1987. Afterwards the two elements were stored separately in different locations, until the work was deposited in the collection.

This work, a large format oil-on-canvas painting, was in need of restoration. As a consequence of a series of movements prior to entering the collection, the layer of paint had been adversely affected. Given the delicacy and the matte quality of the paint, the alterations were particularly visible and detracted from its appearance.

The sculpture under study is a metallic structure redolent of a truncated asymmetrical elevator.