One can recognize in the texts by Manel Clot a multiplicity of incipient ideas, obsessive desires, rough references, the validity of nostalgia, inopportune utopias and sudden fatigues that traverse the fleetingness of the sentence and dominate his thinking almost permanently. They are not anachronisms but rather reminiscences of the 1990s.
Even if we wanted to, we cannot kill our dead. The dead have summoned us to undertake certain tasks, and so we carry them around with us in our lives every day, in little gestures and flashes of very intense sensations. How can we share these losses, the part of them that has stuck to us, their strange temporalities, the hankering to bury our heart, the pain of Blue — the uncertain stumbling Buzz —?
Francesc Ruiz's first major exhibition at a state museum in Spain is a retrospective and an exhibition of new works.
The Departamento de Investigación, Datos, Documentación, Cuestionamiento y Causalidad was created as a temporary, time-limited space for the study of the collections held by the Centro de Arte Dos de Mayo. It has been held for six months as a workshop reflecting on what it means to be a contemporary art museum through the presentation of case studies, group readings, meeting with artists and researchers, and participation in the Colección XIV: Pública exhibition.
Through interdisciplinary practices, the artists offer alternatives to conventional narratives about socio-political minorities, including discussions about the role of contemporary artistic production.
ONE FANZINE A DAY
As part of our program of library activities, CA2M will open a space for research and reflection revolving around independent editorial projects. An initiative that aims to create an archive of editions that are difficult to classify with a view to spreading and preserving this type of publication.
Itineraries
This space within the library came about naturally as a response to our efforts to provide room for, to lend visibility to and to register bibliographic references that are proposed as new routes for reading and expanding the library’s catalogue and to tie in with the art centre’s activities and exhibitions.
Todos los conciertos, todas las noches, todo vacío brings some of Ana Laura Aláez's latest works into dialogue with other works from the beginning of her career. The exhibition is cast as a return to the source, going back to the beginning and working in the cracks of the themes that have been a part of her work over the last twenty years.