FANZINE WORKSHOP
Over the course of three sessions, we will learn how to produce our own publications, such as fanzines and posters . We will look at different fanzines and low-cost publications, from punk to DIY, queer, photocopies, cut and paste, appropriation, drawing, photography, etc.
Here you can listen to the disc-relation El triángulo made by Julián Mayorga as a result of what happened in the listening project between a school, a conservatory and an experimental choir of the museum in the 2019-2020-2021 academic year, which was extended by the pandemic and which brought thousands of unheard and spectacular sounds.
In his work, Xabier Salaberria explores the forms in which certain structures behave in specific spaces, perverting their apparent neutrality and questioning the categories in which they are conventionally inscribed.
DAY WITH(OUT) ART 2022: BEING AND BELONGING
Museo CA2M in partnership with Visual AIDS present Day With(out) Art 2022 by presenting “Being & Belonging”, a programme of seven short videos highlighting under-told stories of HIV and AIDS from the perspective of artists living with HIV across the world.
In 2014, three women who lived in Móstoles began to meet regularly at the CA2M cafeteria to chat while crocheting together. As they were gradually joined by more and more people, the museum ended up offering them more space, and every Wednesday from 11.00 a.m. to 2.00 p.m. they were provided with a large table that would soon be complemented by a textile work from the museum’s permanent collection by artist Teresa Lanceta.
This exhibition commemorates the 70th anniversary of the birth of Juan Muñoz (Madrid, 1952-Ibiza, 2001), perhaps the internationally best-known Spanish artist of recent decades, following his dazzling career from his first exhibition in 1984 to his untimely death at the age of 48.
This exhibition by the artist Karlos Gil (Talavera de la Reina, 1984) is the most complete public presentation of his work to date. It showcases some of the various lines of work that have marked his practice in recent years: the relationship between artificial and natural, technology and the body, obsolescence, the complexity of second and third degree urban signs, science fiction... among other issues.
Emil Lime is an exhibition by Esther Gatón curated by Cory John Scozzari. This project sets in motion forms, techniques and conceptual interests frequent in Gatón's practice, such as the construction of ambiguous environments, amateur science, visual artifices, and the crossovers between femininity and machinery, articulating them in a single installation.