To mark the exhibition Jorge Satorre. Ría at the CA2M Museum, his first monograph is being published. It is structured around Satorre’s solo exhibitions over the last 15 years and will be organised in reverse chronological order rather than focusing on individual works or themes.
This book tells the story of Festival Autoplacer, which celebrated its 15th anniversary in 2024. Over the years, the festival has been a springboard for countless bands and become a touchstone for Madrid’s self-published music scene and alternative circuit, following a trajectory that has unfolded in parallel with that of Museo CA2M.
A publication containing experiences and reflections on education at the CA2M Museum. It forms part of a project on listening, El Triángulo, which focused on a small part of the world bounded by a school, a conservatoire and a museum in Móstoles.
A publication bringing together two decades of work by a pioneering artist who addresses issues such as violence against women, old age, the family, work and the art world.
The book 1502 People Facing the Wall is the result of the research and work carried out in connection with Santiago Sierra’s exhibition, which is on display at the CA2M Museum until 2 February 2025.
Asunción Molinos Gordo. Déjà Vécu. What Has Already Been Lived grew out of the exhibition curated by Andrea Pacheco González and held at Museo Centro de Arte Dos de Mayo from 17 February to 25 August 2024, and a critical re-examination of historical narratives, cultural hierarchies and the construction of collective identity in the Iberian Peninsula.
Teresa Solar Abboud is the catalogue published on the occasion of the artist’s solo exhibition Machine Dream Bird, held at Museo Centro de Arte Dos de Mayo from 17 February to 1 September 2024 and curated by Tania Pardo and Claudia Segura Campins.
Cristina Garrido. The Origin of Forms is the catalogue resulting from the artist’s exhibition at Museo Centro de Arte Dos de Mayo, held from 10 June 2023 to 28 January 2024.
This book documents the exhibition in which the artist Jon Mikel Euba carried out a series of interventions on the building’s structure, based on an analysis of the museum’s spaces, as a form of on-site documentation.
Everything I See Will Outlive Me brings together the two-part retrospective comprising Everything I See Will Outlive Me, held at Sala Alcalá 31, and In the Violet Hour at Museo Centro de Arte Dos de Mayo, both organised to mark the 70th anniversary of Juan Muñoz’s birth.