This bilingual Spanish-English publication, co-published by Museo CA2M and Mousse Publishing, explores different aspects of C. Pino’s work. It includes texts by Beatriz Ortega Botas, Edwin Nasr and Imani Mason Jordan, as well as a conversation between curator Aimar Arriola Olabarria and the artist.
A catalogue accompanying the first solo exhibition dedicated to Dorothy Iannone (Boston, 1933 – Berlin, 2022) at a Spanish institution, curated by Tania Pardo, which invites readers to explore Iannone’s creative world in greater depth.
A publication that invites readers to explore the artist’s career and the uniqueness of her work over the last three decades.
The first monograph dedicated to Inês Zenha is being launched to coincide with the exhibition.
To mark the exhibition, a publication has been produced featuring an interview between the artist and the curator, as well as texts by the theorists Svetlana Slapšak and Ingo Niermann.
Flor Hispania takes on a life of its own with a book conceived as a visual, textual and conversational exploration of Madrid and its inexhaustible capacity to generate meaning, contradiction and a continuous dialectic between the centre and the periphery.
OUR DESTINATION WAS UNCERTAIN
We embraced drifting and failure, with uncertainty as our ally.
We camouflaged ourselves at the blurred edges of boundaries, crossed imaginary borders and walked across thresholds.
This publication documents SIX HUNDRED DEGREES, an educational and artistic project that took place at IES Europa in Móstoles between February and June 2025
We have launched a collection of short stories entitled *Roses in the Lettuce* as a metaphor for using drawing and illustration to transform the everyday goings-on at the CA2M Museum into something extraordinary. The first story in this collection is The Day the Weavers Occupied the CA2M Museum
To mark the exhibition Jorge Satorre. Ría at the CA2M Museum, his first monograph is being published. It is structured around Satorre’s solo exhibitions over the last 15 years and will be organised in reverse chronological order rather than focusing on individual works or themes.