The exhibition Light Years. Cristina Lucas comprises videos, photographs, drawings and installations that serve as performative acts in which the artist herself, other characters, the spectator and even animals directly confront the symbols, myths and metaphors of defining moments in the western patriarchal domination.
Auto. Dream and Matter analyses the presence of the car in contemporary art. Featuring over 100 works by 60 artists from both Spain and abroad, the exhibition explores the relationship between car culture and artistic creation in recent decades.
The show at the CA2M includes an early series of videos by Guy Ben-Ner recorded between 2002 and 2005, all with the common theme of the paternal figure within the family and all of which extrapolate the situation to any other figure that tries to conform to a group.
First individual exhibition in Spain of Discoteca Flaming Star, an interdisciplinary group of artists. With Cristina Gómez Barrio and Wolfgang Mayer as its founders and leading members, the group can either expand or shrink, becoming a type of meeting place that shifts and changes according to the way the performances develop.
The UPRISING exhibition aims to express the values of freedom and citizen resistance that inspired the uprisings of 2 May 1808 through works (photographs, videos, paintings and sculptures) belonging to the Contemporary Art Collection of the Regional Government of Madrid.
This exhibition brings together a selection of artists – both national and international – whose works represent a broad spectrum of aesthetic languages and, as a collection of samples, definitively characterise the current evolution of contemporary video art.
Under Cover: Four States of Privacy highlights the unique aspects in the language of 40 authors whose work revolves around a common theme. Regardless of their period or the techniques, the exhibition explores the expressions which, through the medium of graphic art, reveal the dual conceptual dimension of physical and mental space.
This exhibition presents a sentimental journey through the black and white Spain of the Fifties and Sixties, through its clichés and rituals, its majesty and its poverty, accompanied by a silent, discriminating Ramón Masats.
The background on which this exhibition is literally outlined is the work De entre las muertas [From the Dead] (2020) by the artist Diana Larrea, who has traced the margins of History of Art to restore forgotten genealogies of women artists from the Renaissance up to the beginning of the 20th century. These women artists are joined by other ones from younger generations enabling us to think in the present tense.
In museums like ours, experience appeals to the whole body, with its distinctive features, its desires and different possibilities. Performance is the way contemporary art refers to artistic productions that place the body, its articulation of presence and the temporality of its actions, at the heart of its proposal.