Critical Fetishes. Residues of general economy is the first instalment in a series of projects by El Espectro Rojo, a Mexico City-based collective which explores the intersection between artistic and theoretical practices from a political, post-colonial and poetic perspective. Fetiches críticos aims to transcend the miserabilist description of the effects of the crisis of capitalism and demonstrate how art documents moments of anti-production, defuses the myths of development and launches the artwork as an object of desire and subversion.