A survey show of the work of Jorge Macchi (Buenos Aires, 1963) overviewing 25 years of artistic output covering the whole breath of his practice, including works on paper, videos, paintings, photographs and installations coming from many public and private collections in Argentina, Spain, Portugal and the USA.
Following their participation in the Spanish Pavilion at the latest Venice Biennale, this exhibition is the first survey show of their practice, contextualising their latest projects within a framework bookended on one side by the Cultural Wars of the late eighties—their formative period—and on the other by the social revolutions against the return to neoliberal order in recent years.
International Museum Day 2018
The world’s museum community has celebrated the International Museum Day on 18 May every year since 1977. This year’s theme is Hyperconnected Museums: New Approaches, New Publics.
Though he is largely known for his photographs, Wolfgang Tillmans –one of the most important artists of his generation– has also been working with video since 1993. The first he exhibited was Lights (Body) in 2002, a piece that shows the automated movements of the lighting systems in two different clubs.
CINEMA REVEALED #04
Following the line of work begun in 2014, Cinema Revealed has organized a range of different activities revolving around audiovisual performance and the interrelationship between film and other disciplines. This engagement with the cinematographic experience goes beyond the dark film theatre and the projected image, interrelating and transforming it through other practices in order to activate an audiovisual experience that questions not only its own language, but its entire structure and conventional logistics.
Elements of Vogue was shown at CA2M between November 2017 and May 2018. This is the book of an exhibition explored how minorities use their bodies to create dissident forms of beauty, subjectivity and desire
Performative Walkthroughs
After months without being able to be physically present in the museum, we are now returning to our performative walkthroughs in order to recover a shared closeness in our exhibitions. We will have to relearn how to move simultaneously through the exhibition halls, to keep our distance while remaining close, to invent new ways of looking after each other, of listening to one another and to share. To this end, the walkthroughs will be limited to a maximum of 10 people.
Cecilia Vicuña. Seehearing the Enlightened Failure brings together over a hundred works by poet, visual artist, and activist Cecilia Vicuña. Since the 1960s, the artist has constituted a radical perspective on the relationship between art and politics through her writing and art making.