On 23 and 24 September the city of Móstoles will host its 2nd Culture Forum. The idea behind the forum is to act as an open debate that will lead to the drafting of proposals and initiatives for cultural action, as well as the participation of groups, associations and other bodies who play a key role in the city’s day-to-day cultural life.

The performance Quarter of an Hour of Metaphysical Culture is a presentation of physical training created from a poem by the same name by the Romanian poet Ghérasim Luca. The goal is to situate the metaphysical ideas contained within the poem (life, death, emptiness, anxiety, ideas, shivers), without any drama, based on a repetition of physical and sound exercises. The poet provides the “meta” and the performers the “physical”.

CA2M is a partner of the fourth edition of The Future Generation Art Prize, a worldwide competition established by the Victor Pinchuk Foundation in Ukraine. All artists up to the age of 35 of all backgrounds, working in any medium, anywhere in the world are encouraged to apply. Supporting the application process, more than 600 correspondents all over the world will be nominating artists for the prize and over 50 Partner Platforms worldwide will be ambassadors for the Future Generation Art Prize to encourage artists within their regions to apply.

Taking Venus as a paradigmatic figure of the position assigned to women within the hegemonic narrative of art history, the workshop Venus. 

A series of Crisis Cabinets (of political fictions) was called in order to tackle the situation and to study a series of measures to take within the stipulated deadline. G

Brief Festival is a celebration of creativity and an inspirational gathering of some of the best professionals in graphic creation every year in Madrid. The programme for the festival includes conferences, workshops, encounters, projections, exhibitions and much more.

A middle-aged woman kisses and is being kissed by an infinity of strangers. Volunteers of different ages, genders, identities, sizes, intentions and formats, in an endless succession. 

How do we look at art? How do we position ourselves in front of an artwork? How do we interpret works of art? How do we share them? These are just some of the questions that arose over the last year in Sub21.