Made by Jacobo Castellano between 2004 and 2005, Casa is one of the artist’s first sculptural pieces. Based on his grandparent’s now abandoned house in a village in Jaen
Fernando Sánchez Castillo’s work casts a critical gaze over history, both ancient and recent, while at once examining art’s role in depicting and shaping our view of it. The exhibition title, Más allá or Beyond in English, suggests manifold readings.
It’s Possible Because It’s Possible brings together a series of pieces by Raqs Media Collective, a group of artists created in 1992 by Jeebesh Bagchi (1966), Monica Narula (1969) and Shuddhabrata Sengupta (1968).
OFFMÓSTOLES09
Film, video, music and other delights… During the weekend, it will take place at CA2M in a relaxing atmosphere, different contemporary representations of moving images and sounds: four video screenings, three concerts and a film screening accompanied by venues for encounters.
BOLLYWOOD WEEKEND
CA2M brings a view to the popular India by screening two films. Two productions in the purest Bollywood style reflecting the Indian film industry with its plots.
ROAD MOVIE CYCLE
The exhibition AUTO. road and movies complete the programming of Sueño y materia -dream and material- proposing an approximation to some of the aspects of the film and automobile. The films that compose the cycle, rather than trying to make an overview from the film gender, compose an individual propose of analysis that finds in its complement and global context within the exhibition
This educational program is made up of a commentated screening led by an educator and a direct animation film workshop. The program offers various experimental and fiction creations.
Alexander Apóstol’s projects build a critical analysis of the aesthetic processes of political construction in his native Venezuela. Like other artists from his generation, who started to exhibit their work in the early-nineties, Apóstol (Barquisimeto, 1969) used the tools of photography and video as key elements in a critique of representation, in which the visual culture produced by power and the mass media—with their stereotypes, clichés, concealments and propagandas—is co-opted as the raw material of the work of contemporary art.