Previous Exhibitions

Esther GAtón
Exhibition

Emil Lime is an exhibition by Esther Gatón curated by Cory John Scozzari. This project sets in motion forms, techniques and conceptual interests frequent in Gatón's practice, such as the construction of ambiguous environments, amateur science, visual artifices, and the crossovers between femininity and machinery, articulating them in a single installation.

Xabier Salaberria
Exhibition

In his work, Xabier Salaberria explores the forms in which certain structures behave in specific spaces, perverting their apparent neutrality and questioning the categories in which they are conventionally inscribed.

June Crespo
Exhibition

June Crespo understands sculpture as an exercise that enables her to bring together seemingly opposed qualities. Her works partake equally of the petrean and the perishable, the mechanised and the manual, the abject and the sensuous. The convergence between materials and motifs creates a vocabulary that seems interpretable as a contradiction.

Costa Badía
Exhibition

Fantasy, high heels, pink, interlude, prosthesis, accessibility, the norm perverting the norm: this is the world of Costa Badía (Madrid, 1981) which will take over the ground floor of Museo CA2M from 26 January.

Jon Mikel
Exhibition

The first one-man show to be held in an institutional art centre since the year 2003. Many of the sculptures materially specify some of those possibilities in a series of gestures in the body of the building, in the form of in situ documentation exercises.

Martin Wong
Exhibition

Malicious Mischief is the result of exhaustive research into the artist’s life’s work with a view to expanding its narrative and recognition among European audiences, spanning from his early creations on the East coast to his work in the late-90s before he died from AIDS-related illness. 

Gonçalo Sena
Exhibition

This fountain is made through a twofold transformation of materials sourced from nature. Firstly, marble—the material par excellence of classical sculpture—is a previously cut piece which was perhaps originally destined for industrial use.

Mitsuo Miura
Exhibition

Mitsuo Miura arrived to Barcelona from Japan in 1966 with a suitcase in either hand and just a bare few words of Spanish. Armed with his oriental tempo, he sat down on a bench in Plaza de Cataluña to watch how this city by the sea passed by. Ever since, the young Japanese artist never stopped observing each and every one of the landscapes in which his personal life experiences have been played out. And so we could view his exhibitions as invitations to contemplation and displacement, almost always related with wellbeing, memory and pleasure.

Alexander Apóstol
Exhibition

Alexander Apóstol’s projects build a critical analysis of the aesthetic processes of political construction in his native Venezuela. Like other artists from his generation, who started to exhibit their work in the early-nineties, Apóstol (Barquisimeto, 1969) used the tools of photography and video as key elements in a critique of representation, in which the visual culture produced by power and the mass media—with their stereotypes, clichés, concealments and propagandas—is co-opted as the raw material of the work of contemporary art.