CA2M and Turner are producing the Spanish reprint of this book, published in Rotterdam by Kunstinstituut Melly.
This monograph addresses one of the most multifaceted and fundamental artists in the world of Latin American contemporary art today.
This metal dinosaur is a ‘part’ of a larger group of artworks made from pieces of playground furniture from the 1970s, made in collaboration with the Mamoan family business in the city of Bello Horizonte in Brazil, which continues using the same designs from decades ago.
YWY, Visions presents new works by Pedro Neves Marques with actress and activist Zahy Guajajara, in which she plays an indigenous android named YWY.
The exhibition brings together films, interviews, exchanges, images and other elements conceptualized by other authors around the character, which contribute to expanding his world.
Espejo y Reino / Ornamento y Estado is an installation by artist Álvaro Perdices and curated by María Virginia Jaua. The project – designed specifically for the spaces of the CA2M Centro de Arte Dos de Mayo – puts forward the concept of confronting the idea of the archive with the deconstruction of the notions of State and institution framed within the personal and the historical.
This exhibition catalogue brings together the works on display, documents, photographs, and texts by Mariano Navarro, María Escribano, María Vela Zanetti and Miguel Cereceda; a writing and poetry anthology by the artist himself; and testimonials by Guillermo Pérez Villalta, Chema Cobo, Fernando Huici, Ignacio Gómez de Liaño, Borja Casani, Mireia Sentís, José Luis Gallero, Jacobo Fitz-James Stuart, Clara Díaz-Aguado, Lola Moriarty, José Tono Martínez, Fernando Castro and Domingo Sánchez Blanco.
By supposing that logic makes chaos natural and order artificial, we are positing a physical and conceptual experiment of what an exhibition space is. Syntactic Tactic . Diego Bianchi is an exercise in disassembling. A white cube, a neutral space, windowless, consisting of white walls and a source of light shining from top to bottom, becomes the raw material for a plausible disassembling. Based on an absence of pre-defined moulds and behavioural guidelines, this project highlights a number of exhibition practices.
For the first time, more than 400 works by 250 artists are coming together in an exhibition that showcases the CA2M collections and takes up the entire museum space. It is a celebration of what the museum represents and has represented from the beginning. This journey begins with the historical avant-garde - all the artists who accompanied Picasso at the Pavilion of the Spanish Republic - and continues through history up to the present day. It is not only an international exhibition, as are all the CA2M and the ARCO Foundation collections, but also a story that is told from inside this institution, from the collections it holds, and ultimately, from Móstoles.