Attention to diverse bodies and desires has been a hallmark of the programming of the Museo Centro de Arte Dos de Mayo since its foundation fifteen years ago. The performance possibilities of bodies and the unprecedented social choreographies emerging from their communities are a core focus of the institution. Over time, this celebration of difference and celebration of minority voices has gradually permeated the collections.

Schlosser's work anticipates some of the interests and trends in sculpture today, such as the ecological dimension and the constant research into organic materials that are barely intervened, in the same way that his work goes beyond reflecting on the landscape to reflect on the experience of the landscape that the artist tries to transfer to the exhibition space.

Déjà Vécu is her first solo exhibition in a public institution in Madrid. The exhibition is the result of an in-depth exchange between the artist and the curator over the past five years, during which they set out to critically review historical narratives, cultural hierarchies and the construction of collective identity in the context of the Iberian Peninsula.

This exhibition is based on accumulated malaises and ghosts that have haunted Ana Gallardo since well before she became the artist that she is. However, more than a narrative of overcoming or the culmination of a formal and existential process, the artworks that make up this journey spanning several decades of production brim with passion and non-conformism.

The exhibition focuses on two large installations that encapsulate the research carried out by Teresa Solar Abboud over the last few years. Conceived specifically for the CA2M Museum, the exhibition is like a dialogue between the fictitious and the real, where different narratives in process propose new forms and plastic finishes, contrasting the effects of nature with industrial aesthetic finishes of smooth and shiny finishes.