Exhibitions Publications

Todo lo que veo me sobrevivirá, que recoge el doble proyecto retrospectivo de las exposiciones Todo lo que veo me sobrevivirá celebrada en la Sala Alcalá 31 y En la hora violeta, todavía visitable en el Museo Centro de Arte Dos de Mayo, ambas con motivo del setenta aniversario del nacimiento de Juan Muñoz.

The Witness is the title of Teresa Margolles’ exhibition at the CA2M MUSEUM, curated by María Inés Rodríguez. The exhibition provides an overview of her recent work via a series of work produced over the last five years. It sends us on a circular path, both real and figurative, that loops around the recent history of Ciudad Juárez.

This exhibition catalogue brings together the works on display, documents, photographs, and texts by Mariano Navarro, María Escribano, María Vela Zanetti and Miguel Cereceda; a writing and poetry anthology by the artist himself; and testimonials by Guillermo Pérez Villalta, Chema Cobo, Fernando Huici, Ignacio Gómez de Liaño, Borja Casani, Mireia Sentís, José Luis Gallero, Jacobo Fitz-James Stuart, Clara Díaz-Aguado, Lola Moriarty, José Tono Martínez, Fernando Castro and Domingo Sánchez Blanco.

CA2M and Turner are producing the Spanish reprint of this book, published in Rotterdam by Kunstinstituut Melly. 

This monograph addresses one of the most multifaceted and fundamental artists in the world of Latin American contemporary art today.

Javi Cruz has a lot to do with the forms of production currently taking place in Madrid that define its contemporary cultural scene today

Querer parecer noche brings together different forms of artistic production in Madrid. Its creations are split between a longer tradition of historical nostalgia and the current histrionic moment, with their different sensibilities and ways of living, where the 'local' is built on the fine line between those who live there and those who are passing through.

Autoeclipse is an exhibition designed to be a sort of retrospective of recent works, one that nonetheless allows us to take a critical look at Armando Andrade Tudela's work to date. The pieces on display work through the tensions they create with their predecessors, with Armando's own biography, and with the political and social development of the places where the artist has lived, reflecting an artistic endeavour in the public and social space as well as in the more intimate, private one.

Through interdisciplinary practices, the artists offer alternatives to conventional narratives about socio-political minorities, including discussions about the role of contemporary artistic production.