Exhibition

Exhibition
Susana Solano
BY HAND 1979–1980. SUSANA SOLANO

The sculptor Susana Solano held her first solo exhibition at the Fundació Joan Miró in Barcelona from 2–20 April 1980. Given the title Escultures i dibuixos (Sculptures and Drawings), the exhibition occupied the space reserved for younger artists, which today would be classed as an artist-run space, with a faster turnover than the more leisurely intervals typical of an institutional framework.

After being invited in 2017 to a reviewing and writing workshop aimed at people who, owing to their occupation, were obliged to write, Euba prepared a series of questions, arranged into sections, that would allow them to reflect on the different situations involved in the act of writing. Each section initially only contained one question. However, after receiving an invitation to publish them, he inevitably expanded on them, resuming and varying the point of view in each question in an endeavour to cover the different aspects of the subject. 

Once he did this, he found that the material could easily be developed in even greater detail. But although it was to be answered in questionnaire form, the result could not. It was an exercise in self-awareness through a calm reading where any question that resonated with the reader became an invitation to delve further into the question for themselves, rather than to answer it for the benefit of someone else.

29 CONDITIONS FOR AN IMPOSITION. THURSDAY 20 APRIL 7PM

For the disposition of a body that is getting ready to write.

An action, a listening exercise, proposed as a self-portrait in negative; a double proprioceptive exercise with a configuration consisting, first, of delimiting, question by question, a specific body – mine – and then removing it from the place it occupied, thus allowing the incorporation of any other body. All this in the hope that this movement of characterisation would provide the listener with a representation of his or her own body in the act of writing.

This action is an exercise in contrast that allows for greater precision according to the different levels of the individuals attending the session. During the course of one hour, Euba reads the Conditions for an Imposition while members of the audience listen as they lie on, between or inside the different items that comprise the installation currently on display at the CA2M Museum, which will allow them to situate themselves at different floor levels.

An action that makes visible the often unconscious variables of the invisible choreography of the self-imposed algorithm that generates all textual production. The action is proposed as a mediation that serves as a meditation to prove that reflection does not stop action.

 

Activity type
Dates
20 April 19:00h
Target audience
Acceso notas adicionales

ROOMS 1, 2 AND 3 ON THE THIRD FLOOR OF THE CA2M MUSEUM

Entrance

Performance by Jon Mikel Euba in which, for one hour, the artist will read the Conditions for an imposition while the audience listens lying on, between or inside the different devices that make up his exhibition at the Museo Centro de Arte Dos de Mayo, which will allow them to place themselves at different levels on the floor.

Subtitle
FOR THE DISPOSITION OF A BODY THAT IS GETTING READY TO WRITE
Categoría cabecera
performance jon mikel
29 CONDITIONS FOR AN IMPOSITION
Media footer

29 Conditions for an imposition. Jon Mikel Euba. 2023.

Is it a cycle?
Disabled
Duration
1 hour
Jon Mikel
JON MIKEL EUBA. ANIMALS THAT SUPPORT THE WEIGHT OF MYSTERIOUS BURDENS IN ENVIRONMENTS CREATED BY OPPOSING FORCES

The first one-man show to be held in an institutional art centre since the year 2003. Many of the sculptures materially specify some of those possibilities in a series of gestures in the body of the building, in the form of in situ documentation exercises.

June Crespo
JUNE CRESPO. THEY SAW THEIR HOUSE TURN INTO FIELDS

June Crespo understands sculpture as an exercise that enables her to bring together seemingly opposed qualities. Her works partake equally of the petrean and the perishable, the mechanised and the manual, the abject and the sensuous. The convergence between materials and motifs creates a vocabulary that seems interpretable as a contradiction.

Costa Badía
COSTA BADÍA. HIGH HEEL, FOOT AND CANE

Fantasy, high heels, pink, interlude, prosthesis, accessibility, the norm perverting the norm: this is the world of Costa Badía (Madrid, 1981) which will take over the ground floor of Museo CA2M from 26 January.

Esther GAtón
ESTHER GATÓN. EMIL LIME

Emil Lime is an exhibition by Esther Gatón curated by Cory John Scozzari. This project sets in motion forms, techniques and conceptual interests frequent in Gatón's practice, such as the construction of ambiguous environments, amateur science, visual artifices, and the crossovers between femininity and machinery, articulating them in a single installation.

Karlos Gil
KARLOS GIL. TIMEFALL

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Juan Muñoz
JUAN MUÑOZ. IN THE VIOLET HOUR

This exhibition commemorates the 70th anniversary of the birth of Juan Muñoz (Madrid, 1952-Ibiza, 2001), perhaps the internationally best-known Spanish artist of recent decades, following his dazzling career from his first exhibition in 1984 to his untimely death at the age of 48.

Xabier Salaberria
XABIER SALABERRIA. INFRASTRUCTURE

In his work, Xabier Salaberria explores the forms in which certain structures behave in specific spaces, perverting their apparent neutrality and questioning the categories in which they are conventionally inscribed.