Past events

Continuing the line of work begin in 2014, El cine rev[b]elado has put together a programme of activities on audiovisual performance and cinema’s interconnections with other disciplines, engaging with the cinematographic experience beyond the conventional darkened film theatre and the screened image.

The Image Study Days are dedicated to collective reflection on theory, practice, semantic openings and contemporary demarcations of visual cultures. This edition is structured in three study days made up of talks, reading sessions, performative conferences and listening sessions, which place themes related to club culture.

This tour and workshop invites groups to explore the exhibition through observation, conversation and collective experimentation. We will look closely at the works, asking ourselves not only what they tell us, but also what lies beyond what they appear to be saying. We will explore drawing as gesture and thought in motion, as writing, imprint, play and a possibility for encounter.

En este taller me gustaría que hiciéramos muchas cosas para preguntarnos desde la práctica qué narices es el teatro.

Alexis Callado, curator of the exhibition 1502 people facing the wall by Santiago Sierra, invites us to accompany him on a guided tour in which visitors will reflect on the dynamics of control in contemporary art and society.

The artist Ángela Cuadra invites us on a guided tour of the exhibition 1502 people facing the wall, where she will approach the artist's work from the paradoxes of the gaze, the devices of visibility and concealment with which the facts are presented to us.

In May several birthdays are celebrated in Madrid, and we are going to make a gift-tribute to our region. Through two workshops, the artist Clara Moreno Cela shows the public the process of her research on the identity of Madrid. In order for everyone to enjoy this activity, the first day is aimed at families, and the second and third days are aimed at teenagers and adults.

In the summer of 1959 the Estonian non-fiction film producer and opera singer Friedrich Jürgenson and his partner tried to record the birdsong of a finch in order to use it in one of their documentaries. In the forest near their home Friedrich placed a tape recorder and remained silent as he tried to record the birdsong. On returning home, he played back what he had recorded.