Past events

Grupo de trabajo autoplacer
Pensamiento y debate
20, 23, 24 and 25th Novembre (11 to 17h)

The Autoplacer Working Group emerged in order to analyse how the current COVID-19 health crisis has affected the independent music sector.

Jorge Satorre
Teacher training
30 SEPTEMBER - 3 OCTOBER

DARKROOM

This class began by inviting the artist Jorge Satorre to hold a performance and education workshop targeted at teachers, educators and artists interested in education.

pum pum pum
Young boys
FROM 6 TO 9 DE JULY

At the end of every school year we like to think of a different way of starting the summer.

taller de performance
Formación del profesorado
Del 25 al 28 de octubre

EL CUERPO ORQUESTAL. TALLER DE PERFORMANCE Y EDUCACIÓN

 

 

Visitas Dialecto CA2M
Visitas
SUNDAYS 12:30H

LET MANUEL OR TANIA GIVE YOU THE LOWDOWN

Manuel Segade and Tania Pardo guide us through the exhibition called Dialecto CA2M – made up of the CA2M Collection and the ARCO Foundation Collection 

DANZONICO
Workshop
April- May2021

Now that normality has become the strangest of things and we know that strangeness is normal, we adapt like chameleons to propose an activity aimed at primary school students.

Aquí trabaja un artista 2017
Taller
28, 29 y 30 junio 2018

Este seminario  será un espacio de encuentro en el que muchos de los agentes participantes: artistas, profesores, madres, educadores e investigadores, hablarán de los proyectos para pensar nuevas estrategias de trabajo en colaboración y cuestionar la compleja relación del arte y la educación.

Visitas Asuncion
Visitas
APRIL, MAY AND JUNE

RELIVING THE TRACES. TOURS OF THE EXHIBITION DÉJÀ VÉCU WITH ASUNCIÓN MOLINOS GORDO AND ANDREA PACHECO GONZÁLEZ

Asunción Molinos Gordo and Andrea Pacheco González invite us to accompany them on a special tour of Déjà Vécu, during which they will share some of the research they have done since 2018 which gave rise to this exhibition.

Image Symposium
5, 6 and th JULY

One year later, the question that underpins these conferences, challenges us, if possible, even more directly For which bodies, for what histories. In the face of the general uncertainty and the absolute lack of historical precedence that we are going through, this question confronts us with the contingency of history in the materiality of our bodies given the very violence that a brutal and savage irruption like this pandemic entails. We are confident that the curatorial threads - which were once amassed with rigour and care, and which are now being taken up again with the understanding of a vital transformation - continue to make sense.