Past events
DOWN TO EARTH: FILM EXPERIENCES TO COME DOWN TO EARTH
This audiovisual programme is based on the hypothesis that the ecological crisis is also manifested in the image. The cycle is made up of four audiovisual works, each of them framed by an introductory activity in which the relationship with the climate crisis and the problem of its representation in the image are addressed. The programme is completed with talks, workshops and collective exercises.
House of the Seas
Just like the end of every school year, we are looking for a special way to kick off the summer. This year we’re inviting the artist Sara Manubens, who will suggest that we collectively create our own House Drag over the course of four days.
FLIGHT PRACTICE
At the beginning of the school year we held a performance workshop for teachers, educators and artists interested in education. It is a week of working with the body in which we join forces and reflect on educational processes and the performativity of education.
SUSTAINABLE CITIES: REMEDIES AGAINST ECOANXIETY
Cities are responsible for the emission of 75% of all greenhouse gases. But cities are also at the forefront of the most far-reaching transformations to make sustainability a reality. To counteract ecoanxiety, the best remedy is putting into practice practical measures. To discover the kinds of actions that are already being implemented in other places.
Now that normality has become the strangest of things and we know that strangeness is normal, we adapt like chameleons to propose an activity aimed at primary school students.
Este seminario será un espacio de encuentro en el que muchos de los agentes participantes: artistas, profesores, madres, educadores e investigadores, hablarán de los proyectos para pensar nuevas estrategias de trabajo en colaboración y cuestionar la compleja relación del arte y la educación.
One year later, the question that underpins these conferences, challenges us, if possible, even more directly For which bodies, for what histories. In the face of the general uncertainty and the absolute lack of historical precedence that we are going through, this question confronts us with the contingency of history in the materiality of our bodies given the very violence that a brutal and savage irruption like this pandemic entails. We are confident that the curatorial threads - which were once amassed with rigour and care, and which are now being taken up again with the understanding of a vital transformation - continue to make sense.