Activity

Activity

This workshop will be taking a critical approach to some of the possibilities for creative action that the open spectrum of identity brings to artistic practices today. New subjectivities are beginning to adopt a stance, proudly accepting their abjectness, and this enables them to structure their own discursive fields of action. These empowered attitudes are radically transforming presentation and representation in art.

The workshop will take the form of a walkthrough that explores some of the manifold narrative possibilities afforded by the new visual configuration which has emerged following a shift in identity politics. The journey will follow various paths through art practices in search of the transformation of collective portraits.

A few years ago we started a collaboration project with teachers from the Enterarte group. What started out as a teacher training course here at the museum has grown into a project on education between equals in which knowledge flows from the two parts: the educators at the museum and the school teachers. This is true to the extent that we not only share visits to exhibitions (inside and outside the museum) and artist workshops with Azucena Vieites, the Colektivof collective, Bárbara Fluxá and Fernando Sánchez Castillo; but also, at the same time, Enterarte adds to the activities at CA2M and brings the everyday reality and experience of schools in order to help us grow as an education department.

http://blogenterarte.blogspot.com.es/

Dates header text
19 — 26 NOV & 3 DEC 2016
Entrance

This workshop will be taking a critical approach to some of the possibilities for creative action that the open spectrum of identity brings to artistic practices today. 

Subttitle
WORKSHOP WITH CABELLO/CARCELLER
Header category
Ida y vuelta 2016
ROUNDTRIP 2016
Type Thinking / Community
Topics Educational Community
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Experience-based practices involve a much higher level of learning that those focused on the transmission of given knowledge. That is why, at the end of the academic year we organise a summer workshop for teachers with the goal of exploring the educational potential of action and ways of constructing knowledge that can come from action.

Leave the studio, take over the whole of space, break with the general tone, lower the tension of the opening act, sleep with the doors open, remove a brick from the wall, deactivate a safety protocol, give way to a stranger, darken the path, leave before time, assimilate the outdoor temperature, hang around the rooftops, cut through the forest tonight, bridge the gap, take over a platform, stick your nose into something, increase the flow of a river, lose oneself along the way, tie loose ends, go in the backdoor, put yourself in someone else’s place, don’t do it, lay a bridge, remove the fence from a plot of land, go back home, open a permanent hole, change closed for open, flood the centre, leave the classroom, repeal the rules and regulations, fly to the present… Luz Broto’s proposals often activate unknown dimensions, emphasising exploration as a tool for discovering a given environment and action as a motor for new experiences that approach the individual to the collective.

This workshop proposes working together for a week with all the “ifs and buts” that surround us, those that limit the possibilities for movement in our everyday spaces, in our workplaces, and in our own bodies.

This workshop has been held previously with artists like Los Torreznos, Tania Bruguera, Pere Faura, Itziar Okariz, Norberto Llopis, Nilo Gallego, Dora García and Aimar Pérez Galí.

Dates header text
10 – 14 JULY
Entrance

Experience-based practices involve a much higher level of learning that those focused on the transmission of given knowledge. That is why, at the end of the academic year we organise a summer workshop for teachers with the goal of exploring the educational potential of action and ways of constructing knowledge that can come from action.

Subttitle
WITH THE ARTIST LUZ BROTO
Pero
PERFORMANCE AND EDUCATION WORKSHOP
Type Thinking / Community
Topics Educational Community
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Duration
10:00 - 14:00
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r, s, t, u, v, w, x, y, z, a, b, c, d, e, f, g, h, i, j, k, l, m, n, ñ, o, p, q.
Schools are places where forms of interrelating and identity are produced. At times, the classroom is governed by a set of rules based on a binary vision of gender, sex and sexuality that limit any other possibility of being in the world. School is not only a place for transmitting learning, but also a place where we learn what things should be like, and what can and cannot be done. This reality is based on a homogenising and normalising ideology that underpins the space and relationships. How can teachers intervene to question this experience of normalisation and ensure that the classroom is a place where each individual can express him or herself freely?

Conscious of the difficulty and the importance of working with these issues in schools, this year we wanted to convey what we have learned in the queer workshops with students to this space for teachers, and to generate new forms of learning through practice. With the help of queer pedagogy and certain artistic strategies, we will imagine ways of joint construction of a classroom where diverse subjectivities coexist and where sexual, racial, functional, religious and other forms of difference are not viewed as a problem. Staying clear of any form of essentialism that reproduces exclusion and violence, we will address how queerness shows us that the order we have naturalised is not fixed, that our positions change and can be displaced and are full of possibilities.

Minimum of 4 people per group

 

Entrance

Schools are places where forms of interrelating and identity are produced. At times, the classroom is governed by a set of rules based on a binary vision of gender, sex and sexuality that limit any other possibility of being in the world.

Subttitle
QUEER WORKSHOP FOR TEACHERS
Header category
Letra Q
THE LAST LETTER IS Q. 2017
Type Thinking / Community
Topics Educational Community
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Aimed at teachers and people interested in education

 

La Casa is a large, broad, diverse, complex and elaborate project full of ramifications, formats and works, which Aitana Cordero has been working on for the last three years.
 

La Casa is a quest, a deal, an adventure, a disaster of one’s own making, a practice that refutes that “always is never possible.”
 

The intimacy of touching a space and allowing a space to touch you. The art of demolition, the choreography involved in laying foundations, the movement of the bird building its nest, the consistency of ruins. Destruction as a constructive ritual.

This workshop or encounter proposes corporal training around the notion of building and living in togetherness. We will relate these practices to our experience in the classroom or in educational or learning spaces, taking into account not only the “what”, but also the “how.”

We’ll play with notions such as the physicality of building, the creation of spaces, the inhabitable, home, collaboration, intimacy, tiredness, repetition and cooking.

Touching, smelling, moving, studying, questioning, updating ourselves, we will construct and knock down ideas and spaces, as a practice aimed at being together, as a way to recycle a certain hope and create a new meaning of what could be inhabitable.

We’ll ask ourselves these questions

What alternative spaces could emerge from the confrontation of shared wishes and from the action of building and breaking?
Where will that leave comfort, roots, intimacy, sharing?
What if putting down roots were a three-dimensional activity, also in motion?
What if our fluids were able to put together bricks that will later be walls, rooms, buildings, streets, neighbourhoods, cities, countries, continents, worlds, universes, constellations…?
In this workshop we will walk, sweat, dance, build, destroy, invent corners, hideouts, shells and amulets, we’ll taste, there will be silences, hollows, voids, tiredness and many objects.

Aitana Cordero is choreographer, creator, performer and pedagogue. Since 2000 she has been developing her own projects as pieces, installations, performances, choreographies, events, films, videos, texts, cooking proposals, and “things”, which she has presented in many European, North-American and Asian cities. Since 2001 she combines her research and artworks with an intense teaching activity in private schools and universities. She also creates theatre works and “company and observation” in processes of other choreographers or creators. You can find her many universes here: www.aitanacordero.com
 

In previous years we held performance and education workshops with Los Torreznos, Tania Bruguera, Pere Faura, Itziar Okariz, Norberto Llopis, Nilo Gallego, Dora García, Aimar Pérez Galí and Luz Broto.

Dates header text
9 - 12 JULY 2018
Entrance

La Casa is a quest, a deal, an adventure, a disaster of one’s own making, a practice that refutes that “always is never possible.”.

Subttitle
SUMMER WORKSHOP
Header category
Taller de verano
PERFORMANCE AND EDUCATION
Type Thinking / Community
Topics Educational Community
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Duration
10:00 ̶ 14:00
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Two 2-hour sessions, times to be decided with the group

Minimum of 4 people per group

r, s, t, u, v, w, x, y, z, a, b, c, d, e, f, g, h, i, j, k, l, m, n, o, p, q.

To meet up, to write, to speak, to read an extract, a sentence, a word, to keep silent, to get up and go to the blackboard, to dither … to think about school once and once again. Then remember that situation and share it. Search for the crossovers between queer and education. Look at the rules, the ones we put in place, and do the opposite …

This year we wish to continue the meetings with teachers we begun last year in order to continue thinking from a practical viewpoint about new ways of imagining the classroom, school subjects and bodies. To keep altering the order we believe to be natural and immutable. To keep imagining new positions.

Aimed at teachers in nursery, primary, secondary, third-level and non-regulated education.

More information on educacion.ca2m@madrid.org / 912 760 225

Dates header text
THROUGHOUT THE SCHOOL YEAR
Entrance

To meet up, to write, to speak, to read an extract, a sentence, a word, to keep silent, to get up and go to the blackboard, to dither 

Subttitle
QUEER WORKSHOP FOR TEACHERS
Header category
Letra Q
THE LAST LETTER IS Q. 2018
Type Thinking / Community
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Autoplacer, the music and self-publishing festival held at CA2M for the last thirteen years, is back again in 2022, on Saturday 24 September. Like previous years, the Autoplacer/Sindicalistas collective will bring to Móstoles a selection of groups from the underground Spanish scene in an event which has been defending the inclusion of contemporary forms of music in institutions for over a decade, lending visibility to new sounds and their truly independent processes of publishing, production and diffusion.

This year’s event has scheduled punk veterans Sudor, nouvelle garage melodies from Eterna Joventut, Galician energy with Grande Amore, razor-sharp dream pop from Sofía, old-school pop by La Media Distancia and the techno meets post-punk head-on clash of Alfa Estilo from Valencia. And alongside them, making their debut at Autoplacer are EQX, the winners of the Autoplacer 2021 Rough-Cuts competition, with their brand of disruptive avant-pop.

Autoplacer 2022 has also set aside a section dedicated to electronic music curated by Mosul Mosul in which various DJs and a live set will outline a musical path through afrobeat to witch house, passing through dark techno and trance.

Besides there will also be various invited projects in the field of music and editorial self-publishing.

With concerts by:

SUDOR / ETERNA JOVENTUT / SOFÍA / GRANDE AMORE / ALFA ESTILO / LA MEDIA DISTANCIA / EQX (Winners of Autoplacer 2021 Rough-Cuts)

+ DANCEFLOOR WITH MOSUL MOSUL:

UMBRÍA / GARRITA / GOTHIC SANS / ÜVERDRIVER (Live)

Save the date: 24 September, at Museo CA2M!

Admission free until reaching full capacity.

Activity type
Dates
24 September
Target audience
Topics
Entrance

Autoplacer, the music and self-publishing festival held at CA2M for the last thirteen years, is back again in 2022, on Saturday 24 September. Like previous years, the Autoplacer/Sindicalistas collective will bring to Móstoles a selection of groups from the underground Spanish scene in an event which has been defending the inclusion of contemporary forms of music in institutions for over a decade, lending visibility to new sounds and their truly independent processes of publishing, production and diffusion.

 

Images gallery
Festival Autoplacer 2022
Festival Autoplacer 2022
Festival Autoplacer 2022
Festival Autoplacer 2022
Festival Autoplacer 2022
Festival Autoplacer 2022
Festival Autoplacer 2022
Festival Autoplacer 2022
Festival Autoplacer 2022
Festival Autoplacer 2022
Categoría cabecera
Festival Autoplacer 2022
AUTOPLACER FESTIVAL 2022
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Design: Raisa Álava.

Gallery footer
Fotografías: Jonay P. Matos
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Duration
From 12:00 to 21:00H

On the occasion of International Museum Day, the CA2M opens on Monday 18th of May, and invites you to get to know the storage areas of the Center with the Museum's Conservation team. The CA2M Collection consists of over 1600 works of art from all artistic disciplines, which are joined by over 300 works by 224 artists from the ARCO Foundation Collection, in deposit at the CA2M since last year. The sum total of both collections constitutes a key set of works in order to understand contemporary creation, since they collect the main trends in art from the second half of the 20th Century until today.

Activity type
Dates
MON 18th MAY 17:00 H. AND WED 20th MAY 12:00 H.
Entrance

On the occasion of International Museum Day, the CA2M opens on Monday 18th of May, and invites you to get to know the storage areas of the Center with the Museum's Conservation team. 

Categoría cabecera
Día Museos 2015
INTERNATIONAL MUSEUM DAY 2015
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In this temporary encounter in the museum we will create a safe comfort zone where we can visit ourselves. We will visit ourselves from the gazes of others and the empathy that comes from the works on exhibit. We will revisit ourselves from gender, observe our performativity, laugh at ourselves and even transform ourselves. We will move about and we will dance Vogue, even if we do not know how to.

Javier Vaquero Ollero (Toledo, 1984) is a dancer, choreographer, teacher, manager and manual therapist. He is obsessed with the body as an object of study, finicky when it comes to movement and passionate when it comes to dance. He trained in Holland, has lived in different countries, has flirted with voguing, and was a founding member of the House of Tupamaras in Bogota (Colombia).

Activity type
Dates
SUNDAYS AT 18:30
Topics
Entrance

In this temporary encounter in the museum we will create a safe comfort zone where we can visit ourselves. 

Categoría cabecera
Visitas Posicionadas
POSITIONED VISITS WITH JAVIER VAQUERO
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Art. Education. Pedagogy. Learning. Unlearning. Critical exercise. Political imagination. Wet knowledge. Visionary fictions. Counter-pedagogies. The one thing that we cannot deny, or escape, is that we are contemporaries of our pedagogic processes. And pedagogy, understood as a model, is at once a project for the privatisation of thinking. There are still words that are battlegrounds, and these, more than associated with reason, speak from bodies. Inappropriate, untimely, improper, inconvenient, displaced and angry, they dwell in unease and malaise and are like flows that leak out of all pores.

 

In this workshop Mônica Hoff, through experimental games, actions and readings, invites us to dwell in the unease we feel with our pedagogic processes and perhaps from there we can boost our individual and collective potential for political and poetic action.

Activity type
Dates
SATURDAY 9 FEBRUARY 10:00 - 14:00
Target audience
Topics
Entrance

Art. Education. Pedagogy. Learning. Unlearning. Critical exercise. Political imagination. Wet knowledge. Visionary fictions. Counter-pedagogies. 

Subtitle
THERE ARE WORDS THAT ARE BATTLEGROUNDS, OR: EXERCISES TO PRIVATISE THINKING
Categoría cabecera
Lindes
LAS LINDES: WORKSHOP WITH MÔNICA HOFF
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Directed by Yayo Aznar

From March 4 to May 13, CA2M will develop, in conjunction with Mostoles City Council, an introductory course on current art. This course starts a series of activities within the frame of the free universities especially aimed at young and adult public. These courses offer a clear and concise insight into some of the basic concepts for understanding and interpreting current art.

The course will be broken down into one-and-a-half-hour sessions, discussing key themes in current art: from the death of the author, crisis of the subject to the decline of the great narratives and the formation of art as a critical space.

Activity type
Dates
4 MAR - 13 MAY 2009
Topics
Entrance

From March 4 to May 13, CA2M will develop, in conjunction with Mostoles City Council, an introductory course on current art. This course starts a series of activities within the frame of the free universities especially aimed at young and adult public. These courses offer a clear and concise insight into some of the basic concepts for understanding and interpreting current art.

Subtitle
I INTRODUCTORY COURSE TO CURRENT ART
Categoría cabecera
universidad 2009
BUT... IS THIS ART? 2009
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