Education

Education

THU 9 JUN 2010. 19:00 H. SHARING COUNTER - EDUCATIVE MATERIAL & PROJECTS

In this session we will examine materials and strategies used inside and outside of the classroom.

27 & 28 MAY 2010. 10:30 – 14:00 H. WHAT CAN WE DO? EDUCATION AS AN ACTION AND MOTIVATION. SEMINAR WITH MARINA GARCÉS, SANTIAGO LÓPEZ PETIT, DIEGO SZTULWARK AND VERÓNICA GAGO FROM COLECTIVO SITUACIONES

In this session, we will work on texts written by our guests so as to lead the discussion as a critical workshop in which these ideas are related to our own educative experiences. The texts deal will very important concepts, worthy of an in-depth study such as the construction of community, learning process and affects, citizenship, thoughts as an act of resistance…These texts allow us to think and they encourage a collective reflection on emotions, conflicts and uneasiness as well as the necessity of constructing a new kind of autonomy intertwined with other subjects, rather than with individuality. This workshop is the continuation of one of the main line of works of las lindes consisting of a reflection on education from different perspectives and experiences.

MARINA GARCÉS (Barcelona, 1973)  is a lecturer in Philosophy at the University of Zaragoza. She is author of Las prisiones de lo posible (Ed.Bellaterra, 2002) and is regularly published in magazines such as Archipiélago, Zehar, Daimon, etc. She has also participated in collective publications: Por una política nocturna (Debate, 2002), the report Barcelona 2004, el fascismo postmoderno (Ed. Bellaterra, 2004), Las luchas autónomas en el Estado Español, 1970-1977 (Traficantes de sueños, 2008) or La humillación. Técnicas y discursos para la exclusión social (Ed. Bellaterra, 2009) and El arte en cuestión (Valencia, 2010), etc. In 2003, she started Espai en Blanc (www.espaienblanc.net), a joint initiative dedicated to collective experimentation with thoughts. In the frame of this project, she coordinates the magazine Espai en Blanc. Materiales para la subversión de la vida (Ed.Bellaterra) and participates in different research projects. She is currently actively involved in the Master in contemporary performative arts (Institut del Teatre de Barcelona) and other research processes. www.marinagarces.com

DIEGO SZTULWARK Y VERÓNICA GAGO DE COLECTIVO SITUACIONES

Colectivo situaciones defines itself as a Buenos Aires-based militant research collective. Militant research is an elaboration of thoughts in contact with social experience. This practice intends to contribute to self-representation of society through a constant, flexible and equal work with all parties to the conflict. They set up the independent publishing company "Tinta Limón". They were already involved with some of the most active social movements and initiatives before the 2001 popular uprising: Movimiento de Trabajadores Desocupados (unemployed workers’ movement), Escuelas Libres (free schools), Trabajadoras del Sexo (sex workers), Trabajadores precarios del telemarketing (precarious telemarketing workers), GAC (Street Art Group), H.I.J.O.S. (organization of the children of the disappeared during the dictatorship) etc. They also participated in educative experiences such as the school "Creciendo Juntos" or "Universidad Trashumante". In our lindes session of December 2010 we discussed fragments of Un elefante en la escuelahttp://blip.tv/file/4600758 (from 26.15 on). 

Diego Sztulwark and Verónica Gago are holding a residency in Madrid as they are supported by the programme for researchers, El Ranchito (Matadero Madrid).

Activist of Workers’ Autonomy during the 1970’s, SANTIAGO LÓPEZ PETIT (Barcelona 1950) worked as a chemist in a firm which was taken over by its workers. He was involved in resistance movements that followed the crisis of the Workers’ Movement. He currently works as a lecturer in Philosophy at the University of Barcelona. He participated in the project Espai en Blanc since the very beginning (www.espaienblanc.net). Among his books: Entre el Ser y el Poder. Una apuesta por el querer vivir (Ed. Siglo XXI, Madrid 1994); Horror Vacui. La Travesía de la Noche del Siglo (Ed. Siglo XXI, Madrid 1996), El infinito y la nada. El querer vivir como desafío (Ed. Bellaterra, Barcelona 2003), Amar y pensar. El odio del querer vivir (Ed. Bellaterra, Barcelona 2005), La movilización global. Breve tratado para atacar la realidad (Traficantes de sueños, 2009). He has likewise contributed to a number of collective books and has been published in journals including El Viejo Topo, Archipiélago, Riff Raff, Futur Antérieur and Posse. His main working line is the relationship between life, politics and art from a critical and activist perspective.

Download reading folder

14 APR 2011. 19:00 H. READING ANALYSIS VI. HE THAT HAS LITLLE AND WANTS LESS IS RICHER THA HE THAT HAS MUCH AND WANTS MORE

In this session, we will discuss education related to public or private fields, as well as advertising and mass media as a factory of consensus and its role in the construction of hedonism.

 

Chapter “Construction the Romantic Utopia” in Illouz, Eva, Consuming the Romantic Utopia: Love and the Cultural Contradictions of Capitalism, Berkeley, 1997.

"On Democarcy and Education" pp. 294-295 Noam Chomsky
And the following videos:

http://www.youtube.com/watch?v=zvd9NeW6zfc

http://www.youtube.com/watch?v=gPTC4XlYm2s

10 MAR 2011. 19:00 H. BUT PROF, WHAT'S THAN ALL ABOUT? 2ND INTRODUCTORY SESSION

Double session on unbiased educational material, experimental practices and other liberating entertainment. This session is the continuation of last February gathering. We invite all of you to bring materials and strategies that you may have used in your educative practice and that you'd like to share, discuss and experiment in Las Lindes.

10 MAR 2011. 19:00 H. BUT PROF, WHAT'S THAN ALL ABOUT? 1ST INTRODUCTORY SESSION

Double session on unbiased educational material, experimental practices and other liberating entertainment. During this session, teaching resources and strategies used by participants were presented in their educative contexts: a session in which objects, ideas have been brought up so that they can be shared with all participants.

13 ENE 2011. 19:00 H. RETHINKING LAS LINDES 2011

In this session, we discussed topics related to practical issues of las lindes and we reflected on this year's project and its development until now.

9 DIC 2010. 19:00 H. READING ANALYSIS V

In this session, we will analyse some of the aspects put forward by various authors in different contexts. Nevertheless, they all conceive education as a utopian project.

Ferrer y Guardia, La Escuela Moderna, Barcelona, 1912. Chapter dedicated to the education of the future

José Val del Omar "Sentimiento de la Pedagogía. Kinestésica", June 1932.

Francisco José Cuevas Noa, Anarquismo y Educación, Madrid, 2003. Chapters dedicated to Paideia School (Merida) and unschooling:objections to conventional education.

Colectivo Situaciones, Un elefante en la escuela, Buenos Aires, 2008. Chapters "Hacer escuela, estar en banda" and "¿qué puede una escuela?"

11 NOV 2010, 19:00 H.

Se  crearon dos grupos  en los que se compartieron las observaciones realizadas en las actividades educativas individuales desde la última sesión. Tras esto se hizo una puesta en común de las conclusiones de los dos grupos de trabajo.

Uno de los grupos expuso que las observaciones que se habían fijado en la sesión anterior les habían dado mucho que pensar, y se propuso  continuar el trabajo de observación intentando sistematizarlo y experimentar con ello.  Se propuso la posibilidad de observar nuestros prejuicios, los que tenemos desde hace tiempo y los que se van generando en relación a grupos con los que trabajamos un poco más a largo plazo… Por último se habló sobre estrategias relacionadas con los silencios vinculados al género. El otro grupo estuvo hablando de sus experiencias personales y no expusieron conclusiones al grupo general.

14 OCT 2010, 19:00 H.

Si en el curso anterior de Las lindes se había intentado reflexionar en torno a unos textos para facilitar el lenguaje en torno a unos referentes comunes, el propósito de este segundo año se define como un intento de bajar desde la teoría hasta la práctica.

Para dar este paso se decidió dividir al grupo en tres partes, para operativizar las sesiones de trabajo, generar lenguaje común y analizar lo propio a través de lo ajeno y a la vez, nutrir la práctica educativa a partir de nuestras experiencias.

Tras la división en grupos, se pusieron en común las propuestas de observación:

- Los silencios y las dinámicas que puede generar cuando el alumno no responde al diálogo
- El miedo, desde el punto de vista del miedo a la libertad, cómo reaccionamos ante los proyectos libres o que no nos marcan líneas claras de actuación
- Dinámica espacial y relaciones corporales. Analizar el lugar del cuerpo en el espacio, tanto el del profesor y como los de los alumnos y como se distribuye el espacio en el aula.
- La dirección de las preguntas que se hacen, que intención tenemos con cada pregunta
- Relación entre la toma de la voz y el diálogo con las situaciones de igualdad/desigualdad.

 

Documentation and further information

ALL VIDEOS

Educational Programme 2010 - 2011

Activity type
Dates
Curso 2010-2011
Topics
Subtitle
VIDEO ARCHIVE
Categoría cabecera
logo_ca2m
LAS LINDES 2010-2011
Is it a cycle?
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Audiovisuales con descripción
LAS LINDES. 9 JUNIO 2011. Fin de curso. Segunda parte
LAS LINDES. 9 JUNIO 2011. Fin de curso. Primera parte
LAS LINDES. 27 Y 28 MAYO 2011. ¿Qué podemos? Educación como acción y motivación. Octava parte
LAS LINDES. 27 Y 28 MAYO 2011. ¿Qué podemos? Educación como acción y motivación. Séptima parte
LAS LINDES. 27 Y 28 MAYO 2011. ¿Qué podemos? Educación como acción y motivación. Sexta parte
LAS LINDES. 27 Y 28 MAYO 2011. ¿Qué podemos? Educación como acción y motivación. Quinta parte
LAS LINDES. 27 Y 28 MAYO 2011. ¿Qué podemos? Educación como acción y motivación. Cuarta parte
LAS LINDES. 27 Y 28 MAYO 2011. ¿Qué podemos? Educación como acción y motivación. Tercera parte
LAS LINDES. 27 Y 28 MAYO 2011. ¿Qué podemos? Educación como acción y motivación. Segunda parte
LAS LINDES. 27 Y 28 MAYO 2011. ¿Qué podemos? Educación como acción y motivación. Primera parte
LAS LINDES. 14 ABRIL 2011. Análisis de lecturas VI. Segunda parte
LAS LINDES. 14 ABRIL 2011. Análisis de lecturas VI. Primera parte
LAS LINDES. 10 MARZO 2011. Pero, profe, ¿qué es esto que nos están poniendo? Segunda sesión de presentación
LAS LINDES. 10 MARZO 2011. Pero, profe, ¿qué es esto que nos están poniendo? Primera sesión de presentación. Segunda parte
LAS LINDES. 10 MARZO 2011. Pero, profe, ¿qué es esto que nos están poniendo? Primera sesión de presentación. Primera parte
LAS LINDES. 13 ENERO 2011. Repensando Las Lindes. Segunda parte
LAS LINDES. 13 ENERO 2011. Repensando Las Lindes. Primera parte
LAS LINDES. 9 DICIEMBRE 2010. Análisis de lecturas V. Segunda parte
LAS LINDES. 9 DICIEMBRE 2010. Análisis de lecturas V. Primera parte
LAS LINDES. 14 NOVIEMBRE 2010
LAS LINDES. 14 OCTUBRE 2010

Image: spectrogram, the usual way of cleaning soundtracks of noises that get into recordings and which are detected on the basis of colours of different intensity and place on the spectrum.

In the summer of 1959 the Estonian non-fiction film producer and opera singer Friedrich Jürgenson and his partner tried to record the birdsong of a finch in order to use it in one of their documentaries. In the forest near their home Friedrich placed a tape recorder and remained silent as he tried to record the birdsong. On returning home, he played back what he had recorded.

The sound was clean and clear, the wind, the leaves as they moved, the song of the finch, but... there was something else. On the recording he could also hear a human voice imitating the sound of the finch which then started talking in Norwegian, commenting on the birdsong. Jürgenson supposed that it must have been someone who was also in the forest at the time who he had not been aware of. So, the following day he returned to the forest, but first checking the area to ensure that there was nobody about, and once again he placed the tape recorder beside the finch’s nest. When he returned home satisfied, Friedrich played back the recording. This time there was no one whistling but there was a voice. A voice which he recognized as his own dead mother calling him. Friedel … my little Friedel …. Can you hear me?

In this two-day workshop we will experiment with the boundaries between art and magic in order to defy the logic of our surrounding world.

A workshop led by Raisa Maudit, a multidisciplinary artist whose work is defined by representations of individual and collective desires, needs and expectations in conflict with socio-political standards, generating experiences that are transformed into little acts of subversion.

Activity type
Dates
SATURDAY MAY 22 AND SUNDAY MAY 23
Acceso notas adicionales

Capacity: 15 people

Entrance

In the summer of 1959 the Estonian non-fiction film producer and opera singer Friedrich Jürgenson and his partner tried to record the birdsong of a finch in order to use it in one of their documentaries. In the forest near their home Friedrich placed a tape recorder and remained silent as he tried to record the birdsong. On returning home, he played back what he had recorded.

Actividades asociadas
Subtitle
ART AND MAGIC WORKSHOP WITH MAUDIT
Categoría cabecera
Pequeño Friedel
LITTLE FRIEDEL… CAN YOU HEAR ME?
More information and contact
Media footer

Imagen: espectrograma, el modo habitual para limpiar la pista de sonido de ruidos que se cuelan en la grabación y que se revelan en base a colores de diferente intensidad y situación en el espectro.

Is it a cycle?
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Duration
SATURDAY 4:30-7:00 p.m. SUNDAY 11:30-2:00 p.m.

From its start, cinema has been known as one of most fascinating educative means, not only for the subjects and issues raised, but for its imaginary creation capacity and for encouraging new habits of active and critical perception. For the purpose of providing an alternative to those audiovisual dominant products, those that reinforce that consumption behavior and few times lead to reflection, CA2M has created this activity.

This educative program consists of a discussed film screening by an educator alongside a cameraless workshop. The program offers many experimental and fiction creations. Following the discussion after the screening, it continues a workshop where students will experience and work directly on the film itself. After the workshop, it will be screened the manipulated celluloid by the students.

This project is embedded in the CA2M audio-visual literacy project which aims to promote attitudes of active perception from an early age. Within this program, the museum space becomes a place for children to discover new references, find new images and talk about new issues other than the usual ones. This workshop comes with a teachers´dossier to work it after in the classroom.

Maximum 30 students per session

PROGRAMMING

Animal Studies, the cat. Guy Sherwin, 1976 -79, 2´ 50´´ 
Vitrail, Olivier Fouchard, 2004, 1´ 10´´ 
El coro, Le choeur, Abbas Kiarostami, 1982, 17’
Flip Film,  Ellen Ugestald, 2005, 1’ 10´´

Dates header text
TUESDAYS 10:30 – 12:45 H.
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Máximo 30 alumnos por sesión

Entrance

From its start, cinema has been known as one of most fascinating educative means, not only for the subjects and issues raised, but for its imaginary creation capacity and for encouraging new habits of active and critical perception. For the purpose of providing an alternative to those audiovisual dominant products, those that reinforce that consumption behavior and few times lead to reflection, CA2M has created this activity.

Resources
Header category
Cine sin cámara
FILM SCREENING & CAMERALESS FILM WORKSHOP
More information
Type Thinking / Community
Topics Educational Community
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Duration
2012 – 2013 ACADEMIC YEAR
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This workshop is within the scope of the CA2M long-term activities developed for  educational centers, in particular with those schools surrounding CA2M, with the intent to strengthen collaboration ties with diverse educational agents. For a second year, the activity targets third year students from primary education schools closest to CA2M. This time, La Sonidera will lead this project.

In a society with an audiovisual, radio and sound predominance introduced as exploring means that may provide new sensorial and creative new experiences, this workshop proposed to recover the so popular radio-plays from the 60´ to work aspects such as identity, gender or reality construction. Students from Beato Simón de Rojas will practice listening in search of new perception means. They will also invent stories to be performed using their voices and homemade music and sound effects, working with the body and presence. Through these stories, they could imagine different worlds while develop their capacity to question already-formed ideas about the creation of sound spaces.

La Sonidera is an Ángeles Oliva & Toña Medina´s creation, where they both work in the radio creative field. Thought their radio performances (radio-works designed to be performance with the public), they investigate issues like fears, genders or surviving. Their interest in sound experimentation has taken them to bring back the soundman figure, that person in charge of making the sound effects in radio soap operas, giving a home-made atmosphere to stories with any kind of objects. They claim the radio warmth and its capacity to create mental images as unique means to generate reflection spaces.

Dates header text
2012 – 2013 ACADEMIC YEAR
Entrance

This workshop is within the scope of the CA2M long-term activities developed for  educational centers, in particular with those schools surrounding CA2M, with the intent to strengthen collaboration ties with diverse educational agents. For a second year, the activity targets third year students from primary education schools closest to CA2M. This time, La Sonidera will lead this project.

Resources
Subttitle
WORKSHOP- PROJECT WITH BEATO SIMÓN DE ROJAS STUDENTS AND ÁNGELES & TOÑA
Header category
Alguien me escucha
ANYBODY HEARS ME?
Type Thinking / Community
Topics Educational Community
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Is it a cycle?
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Aimed at pupils from 2nd and 3rd years of Primary Education

Workshop by María Cunillera and Alberto Vázquez

From its start, cinema has been known as one of most fascinating educative means, not only for the subjects and issues raised, but for its imaginary creation capacity and for encouraging new habits of active and critical perception. For the purpose of providing an alternative to those audiovisual dominant products, those that reinforce that consumption behavior and few times lead to reflection, CA2M has created this activity.

This educative program consists of a discussed film screening driven by a CA2M educator alongside a cameraless film workshop. The program offers many experimental and fiction creations. Following the discussion after the screening, it continues a workshop where students will experience and work directly on the film itself. After the workshop, the manipulated celluloid by the participants will be screened.

This project is embedded in the CA2M audio-visual literacy project which aims to promote attitudes of active perception from an early age. Within this program, the museum space becomes a place for children to discover new references, find new images and talk about new issues other than the usual ones.

Maximum 30 people per session

PROGRAM

Das Modell. Florian Gwinner, 2006, 6’14’’
Moby Dick, Guy Ben-Ner, 2000, 18’
Once Upon a Time , Corinna Schnitt, 2006, 4’28’’
Music for one appartment and six drummers , Ola Simonsson Johannes Stjärne Nilsson, 2000, 9’

Dates header text
2013 – 2014 ACADEMIC YEAR
Entrance

From its start, cinema has been known as one of most fascinating educative means, not only for the subjects and issues raised, but for its imaginary creation capacity and for encouraging new habits of active and critical perception. For the purpose of providing an alternative to those audiovisual dominant products, those that reinforce that consumption behavior and few times lead to reflection, CA2M has created this activity.

Images gallery
Taller cine sin cámara
Taller cine sin cámara
Taller cine sin cámara
Taller cine sin cámara
Taller cine sin cámara
Taller cine sin cámara
Taller cine sin cámara
Taller cine sin cámara
Taller cine sin cámara
Resources
Header category
Taller cine sin cámara
EARLY BIRDS 2013. FILM SCREENINGS AND CAMERALESS FILM WORKSHOP
More information
Type Thinking / Community
Topics Educational Community
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Duration
TUESDAYS 10:30 – 12:45 H.
Is it a cycle?
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This Project emphasizes the need to work closely with the neighborhood near the museums offering long-lasting activities to generate stable, flexible and lasting relationships. For third year in a row, CA2M strengthen collaboration with Beato Simón de Rojas School, the closest one to the museum. Alongside the activities designed for the school, CA2M will also offer an extracurricular activity for Third cycle pupils. This time, filmmaker Pilar Álvarez will drive the Project together with CA2M educators. Will we shoot a film? Still to know…

Pilar Álvarez, filmmaker, has screened her work in a number of art centers, collective and solo shows as in Madrid Círculo de Bellas Artes, PHotoEspaña Festival and Cervantes Institute for the D-Generación show. Álvarez shot  Experiencias subterráneas de la no ficción española, in collaboration with Las Palmas de Gran Canaria Film Festival, has directed several shortfilms as Sensibilidad, and Arturo y Toma dos were both shot during her studies at the International Film School of Cuba and TV (EICTV).

Collaboration Project with Colegio Beato Simón de Rojas from Móstoles.

Dates header text
TUESDAYS NOV — MAR 2014
Directed by
Entrance

This Project emphasizes the need to work closely with the neighborhood near the museums offering long-lasting activities to generate stable, flexible and lasting relationships. For third year in a row, CA2M strengthen collaboration with Beato Simón de Rojas School, the closest one to the museum. Alongside the activities designed for the school, CA2M will also offer an extracurricular activity for Third cycle pupils. This time, filmmaker Pilar Álvarez will drive the Project together with CA2M educators.

Images gallery
Taller con Pilar Álvarez
Taller con Pilar Álvarez
Taller con Pilar Álvarez
Taller con Pilar Álvarez
Taller con Pilar Álvarez
Taller con Pilar Álvarez
Header category
Taller con Pilar Álvarez
Workshop-project with Beato Simón de Rojas school pupils together with Pilar Álvarez
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Imágenes del taller con Pilar Álvarez
Type Thinking / Community
Topics Educational Community
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Duration
16:30 - 18:00
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Aimed at 3rd year Primary School students

This school year, we also offer third year primary school groups the chance to take part in a complementary workshop session in their school. This way, the groups will participate in an initial session in CA2M in which they will focus on the Morning Session (screening and direct animation workshop) followed by a film with camera workshop and stop motion in the classroom.

Accompanied by our educators, the students will discover, hands-on, the first cinematographic tricks. We will experiment with illusionism through simple techniques, taking advantage of the full potential of the special effects to introduce fiction and the fantastical into the educational space.

Maximum 30 students

Dates header text
SCHOOL YEAR 2014 – 2015
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Máximo 30 alumumnos

Entrance

This school year, we also offer third year primary school groups the chance to take part in a complementary workshop session in their school. This way, the groups will participate in an initial session in CA2M in which they will focus on the Morning Session (screening and direct animation workshop) followed by a film with camera workshop and stop motion in the classroom.

Header category
Sesión continua
ONGOING SESSION + WORKSHOP IN THE SCHOOL
Type Thinking / Community
Topics Educational Community
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Aimed at 5th and 6th grade Primary education pupils.

Musician Nilo Gallego has created a space of experimentation, where every Tuesday, a group of local children gather. Every week, they work on listening, and learn about the possibilities of experimental sound and of expanded theater. 

Nilo Gallego is a musician. He produces performance pieces in which experimentation with sound is the starting point. In his pieces, which always have a component of play, he looks for audience participation, and interaction with the environment and with everyday life. He plays the drums, percussion, and electronics.

This project is premised on the need to work with the communities that are closest to the museum, in activities the can stretch in time, in order to build stable, flexible, and lasting relationships. For the fourth year in a row, we offer an after-school for third grade primary pupils.

Dates header text
TUESDAYS NOV 2014— MAR 2015
Directed by
Entrance

Musician Nilo Gallego has created a space of experimentation, where every Tuesday, a group of local children gather. Every week, they work on listening, and learn about the possibilities of experimental sound and of expanded theater. 

 

Header category
Teatro musical
MUSICAL THEATER WORKSHOP WITH NILO GALLEGO
Type Thinking / Community
Topics Educational Community
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Duration
16:30 — 18:00 H.
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This year we will begin a new line of work in which two artists will undertake two art projects in two public centres in the suburbs of Madrid. Given the disappearance of art teaching from formal education, we consider it an interesting challenge to introduce artists into educational institutions with a view to developing multidisciplinary projects involving subjects that, in theory, are not associated with art. At the same time, one of the fundamental goals of this project is to reflect on the long-term impact capacity of the projects undertaken by these artists. This is why we are interested in researching how the artists might affect the education centre and viceversa, how the public school in particular can give back its experience to both the artists and to the education department of CA2M itself. In this sense, these two projects will be assessed by external researchers with the aim of prototyping and analysing these experiences in detail.

Dates header text
SCHOOL YEAR 2014 – 2015
Entrance

This year we will begin a new line of work in which two artists will undertake two art projects in two public centres in the suburbs of Madrid. Given the disappearance of art teaching from formal education, we consider it an interesting challenge to introduce artists into educational institutions with a view to developing multidisciplinary projects involving subjects that, in theory, are not associated with art.

Subttitle
COLLABORATIVE PROJECT WITH THE SCHOOLS, COLEGIO BEATO SIMÓN DE ROJAS IN MÓSTOLES AND PABLO PICASSO IN PARLA
Header category
Aquí trabaja un artista
ARTIST AT WORK 2014
Type Thinking / Community
Topics Educational Community
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Is it a cycle?
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Over the months of January and February, primary school students will have the chance to visit the Carlos Garaicoa exhibition at the CA2M in an unexpected way. Playing with the idea that each work makes it possible to open up a narrative universe, we have invited María Salgado to come up with a route through the exhibition, punctuating it with the spoken word.

Dates header text
JANUARY — FEBRUARY 2015
Entrance

Over the months of January and February, primary school students will have the chance to visit the Carlos Garaicoa exhibition at the CA2M in an unexpected way.

Subttitle
VISIT TO THE CARLOS GARAICOA EXHIBITION
Header category
El desorden de las palabras
THE UNTIDINESS OF WORDS
Type Thinking / Community
Topics Educational Community
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Is it a cycle?
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