Published to mark the exhibition They Saw Their House Become Fields at the Museo Centro de Arte Dos de Mayo in 2023, this publication offers an in-depth look at June Crespo’s artistic practice and unravels the particular spatial and material relationships at play in her work.
The catalogue that accompanies the exhibition Decline, which was on at the Museo Centro de Arte Dos de Mayo between February and May 2023, is the first to examine his work and offers a complete overview of his oeuvre. It includes a comprehensive selection of his previous work as well as new pieces created in connection with the exhibition. With contributions by Peio Aguirre, Jussi Parikka, Bernardo José de Souza and Laura Tripaldi.
This book was designed to form part of the exhibition of the same name, curated by Catalina Lozano and co-designed by Patxi Eguíluz.
To mark the exhibition Mitsuo Miura. Almost 400 m² for Two Landscapes, we have published, together with DA2 in Salamanca, a book that looks back over the career of this Japanese artist who has been living in Spain since the 1960s. With texts by Eva Lootz, Glòria Picazo, Sergio Rubira and Tania Pardo.
Dedicated to the exhibition Martin Wong. Mischievous Mischief, this book is an important contribution to the exhibition.
We took a map of Móstoles and marked three strategic points on it. When joining them consecutively, a column of smoke and dust and hustle and bustle started to rise from the centre of the drawn figure. The smoke seemed to be a signal and it looked like the signal was a signal of something else but it is only the signal of its own existence and that is what we are looking at right now.
We innocently bid farewell to the smoke although deep down we know that it will eventually dissolve in the clouds and then later come back to Móstoles in the form of rain. Rain can be the start of colds and flus that can also be drawn strategically on the map of Móstoles. In the end we arrive at the sneeze which–in an infinitesimal moment–gives way to wheezing, which is ultimately what we are after.
If a column of smoke is a signal of something, let it be wheezing. Of an old wheeze that already happened but also—and even more incredibly— a possible future wheeze.
Here you can listen to the El triángulo rapporteur-album which Julián Mayorga made following the project on listening carried out with a school, a music conservatory and an experimental choir at the museum in the 2019-2020-2021 school years, extended due to the pandemic, which produced thousands of incredible previously unheard-of sounds.
Here you can listen to the disc-relation El triángulo made by Julián Mayorga as a result of what happened in the listening project between a school, a conservatory and an experimental choir of the museum in the 2019-2020-2021 academic year, which was extended by the pandemic and which brought thousands of unheard and spectacular sounds.
Picture: Sue Ponce.
This book, which accompanies the exhibition, is centred on three bodies of work. The first is a compilation of photographs that the artist Álvaro Perdices took while the Army Museum’s headquarters in the Salón de Reinos building in Madrid was being dismantled, and which forms a kind of archive around which the exhibition revolves. The second section unfolds and expands with the written word. For the third, the photographer Manolo Laguillo captured images of the installation inside the room. It includes texts by Juan Herreros, María Virginia Jaua, María Dolores Jiménez-Blanco, Álvaro Perdices and Manuel Segade.
The exhibition Portrait of a Movement. Renate Lorenz & Pauline Boudry, is accompanied by a retrospective publication that offers an in-depth exploration – in a joint work by Övül Öof – of the artistic and theoretical vocabularies by Boudry/Lorenz. Durmusoglu and Boudry/Lorenz, with texts by Élisabeth Lebovici, Amelia Groom, Ana Janevski, Rindon Johnson, Pablo Lafuente, Miguel A. López, Mason Leaver-Yap, Irene Revell, Mayra Rodríguez Castro and Yolande Zola Zoli van der Heide.
The Witness is the title of Teresa Margolles’ exhibition at the CA2M MUSEUM, curated by María Inés Rodríguez. The exhibition provides an overview of her recent work via a series of work produced over the last five years. It sends us on a circular path, both real and figurative, that loops around the recent history of Ciudad Juárez.
Renato Mauricio Fumero, Isabel de Naverán and Diego Vecchio have been invited to write a series of texts. In keeping with the spirit of the collection as a whole, we have included a story by Lynne Tillman starring Madame Realism.