Visita-Taller

Visita-Taller

This course’s educational activity programme is oral. If you are interested in this activity, write to us at educacion.ca2m@madrid.org or call us on 912760227 and we’ll tell you all about it.

You can sign up HERE

This project is part of the series of language workshops by the A.C. Banda Editorial Silvestre. Organised by  BOYA~célula  in collaboration with Seminario Euraca.

Activity type
Dates
FROM OCTOBER 21th TO MARCH 13th
Topics
Acceso notas adicionales

School groups of fewer than 30 students.

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Categoría cabecera
visita taller
STAND HERE. VISIT-WORKSHOP FOR SECONDARY SCHOOL STUDENTS TO THE CA2M, DIALECT EXHIBIT
More information and contact
Is it a cycle?
Disabled
Duration
11:00 – 13:30

Going out on to the street to propose practices that alter the logical order of things; sticking chewing gum on the museum entrance to create a collective sculpture with the fingerprints of the all students; hanging their own flag on the museum facade (if only for a minute); and inventing ranges of colour to reconstruct the Móstoles landscape at precisely 12.30 noon.  

These are just some of the experiences in which students who have visited the Museo CA2M have engaged.  

During the school year we propose an experience for secondary and upper secondary students that will turn the museum into a space for creation, investigation and collective thinking.  

This year the activities will revolve around the Murky Waters exhibition by Inês Zenha, their first institutional solo show in Spain. Zenha explores queer identity, desire and vulnerability through installations, paintings and sculptures that invite us to rethink the body, fluidity and power structures.  

With this same focus, we have invited the artist Aicha Josefa Trinidad Gououi to help us design strategies to activate the exhibition spaces and generate meaningful experiences with the students. The aim is to establish a direct link between contemporary artistic practices and young people, encouraging critical thinking and discussion about topical social and cultural themes.  

What do we propose?  

  • An encounter inspired by the desire to share knowledge, practices and experiences.  
  • A space to imagine other ways of being together.  
  • An opportunity to turn the museum into a laboratory, a stage, a shelter.  

Aicha Josefa Trinidad Gououi is a researcher and artist. Her work explores how first-person writing and lived experiences can become forms of knowledge. 

 

Activity type
Dates
FROM OCTOBER TO JUNE
Target audience
Acceso notas adicionales

CAPACITY: 35 PEOPLE

Entrance

During the school year, we offer an experience aimed at secondary school and sixth form groups that transforms the CA2M Museum into a space for creation, research and collective thinking. This year we will be working around the exhibition Aguas Turbias by Inês Zenha.

Categoría cabecera
Visita-taller
Inês Zenha, The Surrendered (detail), 2022. Photo: Sue Ponce
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Inês Zenha, The Surrendered (detail), 2022. Photo: Sue Ponce

Is it a cycle?
Disabled
Duration
Tuesday 11:00–13:30

Raising our own flag on the museum’s façade for one minute. Inventing colour palettes that we’ll use to build the landscape of Móstoles precisely at thirty minutes past noon. Bringing our bodies together close, really, really close, until we become a huge rock. Doing meditation exercises on the building’s rooftop or imagining the sunset-tinged evening sky.

These are just a few of the experiences that the students who visited the museum had. During the school year, we offer activities designed for groups of secondary and baccalaureate students that revolve around the exhibitions and seek to generate meaningful experiences. Our project aims to forge a direct tie between contemporary artistic practices and students with the goal of revitalising and bringing new life to the museum’s spaces. To do so, we approach the exhibitions as spaces of creation and collective inquiry.

This time, we’ll work with the exhibitions of Santiago Sierra and Sol Calero. Exploring these two shows will enable us to connect with topics like identity, migration, power and exclusion. This experience seeks to not only expand students’ understanding of contemporary social and cultural issues but also generate spaces for critical thinking. It is an encounter designed with the desire to share knowledge, practices and experiences and to debate the content of the exhibitions with the students.

With this approach in mind, we have invited the artist Marta van Tartwijk to work with us to come up with and design strategies to activate the exhibition spaces.

Marta van Tartwijk (Barcelona, 1990) has a degree in Fine Arts from the Complutense University of Madrid and furthered her training at the École Superieur d’Art de Bretagne (France), the University of Barcelona and A*Desk. She has exhibited and developed her work in different institutions like Fabra i Coats, INJUVE, Sala de Arte Joven, TEA Tenerife, La Capella, Bilbaoarte, DosMares and Matadero. In her practice, she explores how images can access personal experience and serve as a hinge that articulates times, contexts and subjective experiences by experimenting with body and language.

Activity type
Dates
THE WHOLE SCHOOL YEAR
Acceso notas adicionales

AFORO: 35 PERSONAS

Entrance

We will work on the exhibitions of Santiago Sierra and Sol Calero. Exploring these two exhibitions with the students will allow us to connect themes such as identity, migration and power.

Categoría cabecera
Taller secundaria
DONKEY’S EARS. TOUR-WORKSHOP FOR SECONDARY SCHOOL AND BACCALAUREATE GROUPS
More information and contact
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Santiago Sierra. Woman in a bonnet seated facing the wall. Spanish Pavilion at the 50th Venice Biennale. May 2003. Courtesy of Estudio Santiago Sierra. © Santiago Sierra. VEGAP, Madrid, 2024.

Is it a cycle?
Disabled
Duration
WEDNESDAY 11.00- 13.30

Aimed at secondary school students, this visit-workshop focuses on the act of painting, and more specifically on thinking about colours. If you give them time, colours become mysterious. Many of them came about initially as pigments for artistic painting; sometimes their names refer to the geographical regions where they were first used or found, or to the minerals and chemical substances used in their composition.

The names for colours vary depending on cultures and people: it could be the case that the same name for a colour might suggest a different shade to people from different countries. In addition, some have a very precise and unambiguous definition, while others only give vague hints. We can see, for instance, that the sky above Móstoles at 2:26 pm today is Móstoles blue, Thursday blue or sky grey. But that is not exactly it either.

One thing that strikes us as fundamental in Mitsuo Miura’s work is his way of looking at his surroundings, of noticing all the minute changes. Colours, but also humidity, shadows and the weather are all raw material to construct by using what is available to us and to expand the world we think we see.

Discover more about the exhibition  Mitsuo Miura. Almost 400 m² for Two Landscapes.

Enrol with your class HERE.

Activity type
Dates
every Wednesday
Target audience
Acceso notas adicionales

GRUPOS ESCOLARES HASTA 30 PERSONAS

Entrance

Aimed at secondary school students, this visit-workshop focuses on the act of painting, and more specifically on thinking about colours. If you give them time, colours become mysterious. Many of them came about initially as pigments for artistic painting; sometimes their names refer to the geographical regions where they were first used or found, or to the minerals and chemical substances used in their composition.

Subtitle
VISIT-WORKSHOP FOR SECONDARY STUDENTS TO THE MITSUO MIURA EXHIBITION
Categoría cabecera
Un encuentro fugaz
A FLEETING ENCOUNTER
More information and contact
Is it a cycle?
Disabled
Duration
from 11:00 to 13:30h