Enrolment free

Enrolment free

This course’s educational activity programme is oral. If you are interested in this activity, write to us at educacion.ca2m@madrid.org or call us on 912760227 and we’ll tell you all about it.

You can sign up HERE

This project is part of the series of language workshops by the A.C. Banda Editorial Silvestre. Organised by  BOYA~célula  in collaboration with Seminario Euraca.

Type of activity
Dates
FROM OCTOBER 21th TO MARCH 13th
Temas
Acceso notas adicionales

School groups of fewer than 30 students.

Descubre más
Categoría cabecera
visita taller
STAND HERE. VISIT-WORKSHOP FOR SECONDARY SCHOOL STUDENTS TO THE CA2M, DIALECT EXHIBIT
¿Es un ciclo?
Desactivado
Duration
11:00 – 13:30

Curated by Isabel de Naverán in collaboration with Escuelita.

One year later, the question that underpins these conferences, challenges us, if possible, even more directly For which bodies, for what histories. In the face of the general uncertainty and the absolute lack of historical precedence that we are going through, this question confronts us with the contingency of history in the materiality of our bodies given the very violence that a brutal and savage irruption like this pandemic entails. We are confident that the curatorial threads - which were once amassed with rigour and care, and which are now being taken up again with the understanding of a vital transformation - continue to make sense.

These conferences rethink the preconception that situates bodies as a consequence of the historical circumstances in which they live, as, although history makes bodies, they also make history. The latter is told through images that, unlike bodies, remain fixed and mute, forcing us to reckon with history, rather than just narrate it. The images seem to bring the events to a halt and are often relegated to a one-to-one correspondence with the facts. Here we are presented with the concept of listening to how some of them reveal themselves in order to contradict and contravene their own narratives, while at the same time rebelling, warning us of other stories that emerge in their re-reading and in the dispute against the ordering of time. Seen in this way, some images do not remain mute: they mutate and act at the same time as they are enacted, manoeuvred and sustained. Bodies are also enacted and subjected by other corporealities, those that inhabit their gestures apprehended by the knowledge of a tradition or by a certain way of relating and disposing themselves in their varied worlds. The question of the title imagines a making of bodies and images that, in a state of mutual listening, establishes connections that are out of time, anachronistic, and syncopated, defying the linearity that predisposes a before and an after.

The twenty-sixth edition of the conference continues along the same vein of the previous ones, delving into the relationship between images, gestures and performativity. This edition sets out to think about images through the making of choreography and performance, its practice, and its specific materiality.

It is conceived of as a study programme which, subject to prior registration, brings together a group of people interested in and committed to the issues raised. A meeting in which speakers and attendees share time, conversations and experiences over three interlinked sessions. The first two focus on specific artistic and choreographic processes that explore notions of history, tradition, and transmission from body techniques that allow us to speculate about processes that can be described as a recognition of a gestural archive, an estrangement from one's own tradition, or listening to alternative modes of presence. From within these parameters, we seek to expand the study to a dialogue with partnering agents of art, anthropology and philosophy, in the intersections of knowledge. A third session will take place on Wednesday morning, in a pine forest near the museum, and is organised as an open-air walk with the intention of collectively sharing and offering feedback on the reflections and debates experienced during the previous days.

Speakers: Ana Folguera, Thiago Granato, Pablo Marte, Ameen Mettawa, Julia Morandeira, Rita Natálio, Isabel de Naverán, Eszter Salamon, Manuel Segade, Estrella Serrano.

 

DOWNLOAD THE PROGRAM HERE 

Fechas texto cabecera
5, 6 and th JULY
Intended for
Inscripción:
-
Acceso notas adicionales

CAPACITY: 25 PEOPLE

Entradilla

One year later, the question that underpins these conferences, challenges us, if possible, even more directly For which bodies, for what histories. In the face of the general uncertainty and the absolute lack of historical precedence that we are going through, this question confronts us with the contingency of history in the materiality of our bodies given the very violence that a brutal and savage irruption like this pandemic entails. We are confident that the curatorial threads - which were once amassed with rigour and care, and which are now being taken up again with the understanding of a vital transformation - continue to make sense.

Subtítulo
FOR WHICH BODIES, FOR WHAT HISTORIES
Categoría cabecera
XXVI IMAGE SYMPOSIUM
Audiovisual principal
Pie media

Wrap, History and Syncope by Isabel Naverán. Picture: ©Andrea_Rodrigo

Collaborate
Type of Thinking / Community
Ocultar imagen principal
Desactivado
Duration
5th JULY 17:00-22:00H | 6th JULY 11:00-21:00H | 7th JULY 11:00-14:00H
¿Es un ciclo?
Desactivado

«After a very long winter, you see a green parrot perched on a blossoming almond tree. You would never have seen this in Madrid not long ago, but now it’s a common sight. We don’t know how we’re going to get back on track, and one thing we’re left with is celebrating a world that’s not going to be exactly the same. There are many things, even more when celebrating is part of the process of leaving behind, and moving forward. That path that is knowing what we follow. A public place, for everyone, green, high up, free, and specific. A place like a picnic.

This programme was shaped around the theme of tradition in an intuitive way, and we say intuitively because it was not actively sought and it was not until everything had been designed that we actually recognised this fact. Tradition understood in an expanded form, placed between the material and immaterial of this moment we are living. And who says when it is and when it is no longer like that? Throughout the sessions we see the most literal translation represented by craftsmanship, by mythology and inherited customs, but we also see that this whole world is reinterpreted, remixed, subverted, and left open to the air of the tensions of today’s world. In this open sky, questions and suggestions appear about what tradition means, to be tradition but also to make and create it. To believe it. Sometimes the folkloric appears, sometimes the ceremonial. Things that we know exist but that we have never seen also appear, which, because they are part of our dreams, also belong to us. At other times, there are interpretations that are so mixed in their languages and influences that they overflow. Yet, at the same time, when overlapped they create an image in which you can recognise yourself in the background. These are very local picnics. In them, there is a continuous reference to what is part of us and what we cannot be detached from. This happens and is interspersed, and suddenly it brings us to common ground where we can be together. And there is, in all this, a moment of self-reference of what the actual tradition of the picnic is and the place that is this terrace. We want to transfer these two things to other places, to other formats and, in short, to be able to live in the different ways we have always appreciated. A terrace can also be a forest.

We have skipped a spring. This is what we thought before everything happened, now we don’t want to wear shoes. We’re telling you this because it’s true. All that remains is for us to invite you to look together with us at what is coming from what has already passed.

Curated by:

Maral Kekejian and bwelke (Juanito Jones, Lorenzo García-Andrade and María Buey)»

 

PROGRAM

  • T 27/05 | OPENING:  Javi Álvarez y Javi Pérez Iglesias; Maider López; Enrico Dau Yang Wey.
  • T 03/06 | DIRECTOS: Ylia; SLVJ; Bazofia.
  • T 10/06 | KATA GURUMA : Aitana Cordero y David Cárdenas
  • T 17/06 | EN EL AIRE: Jonás de Murias; Kike García + Jesús Bravo; Lara Brown; Eliseo Parra
  • T 24/06 | NOCTURNO: Bosque R.E.A.L y Cuqui Jerez
  • T 01/07 | 1th OF JULY: Orquesta; JASSS.

 


NOTA SOBRE EL ACCESO

  • Recuerda que el aforo es limitado, por lo que cuando realices tu inscripción, te enviaremos un email confirmándote que tienes entrada.  Una vez lo recibas, podrás pasar a recoger tu entrada en la recepción del Museo el día de la sesión de Picnic hasta las 21.15h.  Si a esa hora no la has recogido, se pondrá a disposición del público.
  • Si no puedes venir por alguna razón, por favor avísanos cuanto antes para que alguien de la lista de espera pueda ocupar tu plaza.
  • Este evento respeta las medidas seguridad y las restricciones de aforo indicadas por las autoridades sanitarias, por lo que el público estará sentado y con la distancia de seguridad apropiada.
  • Cuando vengas, por favor sigue todas las indicaciones del personal de la organización para que tanto el acceso como el desalojo se haga siguiendo las normas de seguridad.
  • Por tu bien y el de todos, si tienes síntomas compatibles con el Covid-19, no acudas al Centro.

 

cartel picnic 2021

Type of activity
Dates
27 may – 1 july
Intended for
Temas
Acceso notas adicionales

Prior registration required. Form available one week before each session. LIMITED CAPACITY: 90 people.

Entradilla

As a Picnic Society, the CA2M invites several curators each year to design a program for the terrace of the Center. Every Thursday from the end of May to the beginning of July our terrace will become a space in which we will develop a program of activities in which the physical and the sound are mixed with the educational and participatory.

Actividades asociadas
Materiales de prensa
Subtítulo
This is as far as we've come
Categoría cabecera
Picnic Session 2021
PICNIC SESSIONS 2021
More information
Audiovisual principal
¿Es un ciclo?
Desactivado
Con el apoyo de
Duration
6 sessions
Biografías

Triggering impulses, working in an experiential way, promoting critical attitudes through action, involving the body in learning processes ... These educational practices, in tune with the centre’s educational philosophy, are based on the construction of knowledge through experience. Thus, the exhibition’s performative routes focus on the spectator's experience and turn their gaze towards current art. In this way, we create meeting spaces in which to experiment and construct critical discourse regarding contemporary work. 

At this time, we wish to invite you to visit two of CA2M’s exhibitions with us.
On Saturdays at 6:30 PM we propose visiting TRÉMULA, artist Javi Cruz’s exhibition, together. And on Sundays at 12:30 PM, VEROÍR EL FRACASO ILUMINADO (EXPERIENCE THE ILLUMINATED FAILURE) by the artist Cecilia Vicuña. There will be a maximum of 6 people.

To sign up, write to educacion.ca2m@madrid.org or call 91 276 02 21. You can also come directly to the museum and, if there are not too many of us, join the tour by leaving your details at reception. We take all of these measures in order to take care of ourselves and to take care of you, though we are aware that these measures may change according to the situation. We look forward to meeting up with you again.

Type of activity
Dates
Saturdays and Sundays
Intended for
Inscripción
-
Entradilla

Triggering impulses, working in an experiential way, promoting critical attitudes through action, involving the body in learning processes ... These educational practices, in tune with the centre’s educational philosophy, are based on the construction of knowledge through experience.

Categoría cabecera
recorridos performativos
Performative routes 2021
Pie media

Foto Sue Ponce

¿Es un ciclo?
Desactivado
Duration
Every weekend until the closing of the exhibitions
Biografías

At the end of every school year we like to think of a different way of starting the summer. This time, the artist Pablo Durango will pay us a visit to lead a workshop exploring new artistic strategies.

The workshop will examine the possibility of building an alternative narrative of our own identity.

Using various techniques like drag, storytelling and playing, we will set off on a journey to different realities and potential fictions.

Opening the portals to other dimensions, transforming our bodies and telling ourselves impossible stories is the point of departure on a journey to Multiversal Arcadia where the only limit is our imagination.

Young people from 13 to 21 years of age

18-21 July

11 am – 2 pm

 

REGISTER HERE

Type of activity
Dates
From 18 to 21 de julio
Inscripción
-
Acceso notas adicionales

AFORO 15 PERSONAS

Entradilla

SUMMER WORKSHOP FOR YOUNG PEOPLE

Subtítulo
SUMMER WORKSHOP FOR YOUNG PEOPLE
Categoría cabecera
taller de verano
JOURNEY TO MULTIVERSAL ARCADIA
Pie media

Picture: Antonio Martos.

¿Es un ciclo?
Desactivado
Duration
11:00-14:00

Everyone dreams of flying, the artist Olga Diego tells us, but if you haven’t yet dreamed of flying, there is still time.

During the last school year Universidad Popular took up the challenge to bewitch us again with art, to rediscover the ability to inspire awe. Starting out from this idea, the museum’s educational department has conceived this year’s programme as a place where the incredible can happen because it makes us believe in it. The sessions will focus on thinking about or experimenting with occult practices related with art that subvert scientific logic and conventional forms of knowledge: art practices that deceive the eye, that work with the inexplicable and turn lead into gold.

The course will use a series of publications which will be available for consulting at the CA2M library. In addition, before each session, we invite participants to join in a group reading of a publication selected for the occasion.

CA2M organises further educational activities in contemporary art and thinking within the tradition of community adult education centres. Its courses address some of the fundamental issues for a proper understanding of art today. They are divided into two parts: the first consists in the presentation of a theme by a guest speaker and the second consists in opening a debate to all participants. This structure can change to accommodate more experimental formats introduced by the individual guest speakers at each session.

SESSIONS

24 OCTOBER
Make Yourself Matter to Someone
Raisa Maudit is preparing a performative conference which will explore the laws of desire in force both in the practice of magic and the occult as well as in art. Through a survey of different occult practices ranging from the nineteenth century until the present moment and the core axes of her artistic and curatorial work, we will address questions on dissident identities, surviving the system, inhabiting darkness, and how to achieve your desires but only perishing a little in the attempt.

Magic is the definitive art. We understand Magic and the Occult as all those processes that are based on symbolism and imagination which, through actions and words, wish to affect their surroundings by engendering changes and transformations in natural laws, in space, in time, in bodies, in psyches and in identities. No form of magic is possible without putting it into practice. In magic, practice starts out from an almost suicidal openness to leap into the unknown and letting it hit you with all it has got. It is based on questioning each and every one of the things that we take for granted. Magic hopes to alter the very weft of reality itself. Magic and Art have points in common such as speculation and the allegorical but at once they have a beef in which Art always loses out. We will take a look at Dion Fortune and psychic self-defence, The Craft, otherkin identities, vampires as the definitive evolution, demonology, Magic Battles, neuro-divergent rebellion, and how to get your hands on a free home.

Raisa Maudit is an artist and curator
http://raisamaudit.com/

31 OCTOBER
Queer Spirituality as Resistance. Yet Another Path in the Conspiracy.
Diego Rambova will lead us on an exercise in fragmentary mapping through a range of contemporary performative practices which are presented as a kind of common ground between new age and queer politics, revealing how, both for the artists who propose them but also in their own right, the confluence is a powerful site of agency, resistance and transcendence. Represented by artists of different ages and from different origins around the world from the seventies onwards, they appear under many different guises. But the truth is that they all respond—as we shall see—to the same “conspiracy”.

Diego Rambova is an artist and researcher.
www.diegorambova.com 

7 NOVEMBER
Performance Lecture for Flying
Is it possible to fly? We all know that you can, but … What happens when you realise that you can fly on your own? This lecture explores the irrational desire to fly and its materialisation in artistic creation, in manifold studies and calculations, prior sketches in flight books, failed attempts and disappointments. And also the involvement of the public. Flight artefacts built from a sculptural gaze and attempts to fly as performance art.

We will take a look at, among others, the projects created by Olga Diego since 2003, when she managed to take to flight on the beach of Carabassí in Alicante, as well as other flights with cameras in the Western Sahara and in Salamanca, or more interactive projects like the one developed by the University of California in 2017.

Olga Diego is an artist
http://olgadiego.blogspot.com/ 

14 NOVEMBER
Just as Up is Down, Down is Up
In this lecture Marian Garrido has devised a walkthrough of the symbolic dimensions of lost forms of knowledge and the narrative constructed through the bonds between art and magic or alchemy. Is there really any difference between an extract from The Teachings of Don Juan: A Yaqui Way of Knowledge, in which Carlos Castaneda learns to fly guided by the expert hands of a shaman, and the experiences related by Terence McKenna or Douglas Rushkoff in Cyberia in a framework of comparison with online culture; virtual realities, flight simulators, videogames or the visual rendering of almost vaporous omniscience in Gaspar Noé’s Enter the Void and neo-touristic journeys in Google Earth?

Marian Garrido is an artist and researcher
www.mariangarrido.com 

21 NOVEMBER
Angels of Anarchy. Modern Shamans, Artists of the Invisible
Servando Rocha reveals to us a secret tradition that unites art and magic through the masked figure, both in popular culture as well as in movements like Dada or Surrealism which were fascinated by the primitive, the mask, the world of spirits and the unknown. The intervention includes a Cabinet of Curiosities of the world of secret societies and masking as a tactic but also as transformative potential.

Servando Rocha is a writer and editor.
www.servandorocha.com 

28 NOVEMBER
From Spell to Spell, from (Magical) Gesture to Gesture
Ana Contreras invites us to a performative lecture which will uncover the ways in which bonds between feminism and witchcraft have been woven over time, from the medieval period to postmodernism. It will take us on a secret journey through its appearances and persecutions from which we will be able to extract lessons about its dangers and its powers. A witches coven that discloses the importance of occult practices and performative tactics, as well as their conscious and unconscious use in contemporary art.

Ana Contreras is a stage director, researcher and lecturer

Anyone interested in art today. No prior knowledge necessary.

More information at actividades.ca2m@madrid.org / 912 760 227

Type of activity
Dates
Wednesday 24 OCTUBRE — 28 Novembre 2018
Intended for
Temas
Entradilla

During the last school year Universidad Popular took up the challenge to bewitch us again with art, to rediscover the ability to inspire awe.

Subtítulo
NTRODUCTION TO ART TODAY COURSE MAKING MAGIC. ART PRACTICES RELATED WITH WITCHCRAFT, ILLUSIONISM AND ALCHEMY
Categoría cabecera
Universidad Popular 2018
POPULAR UNIVERSITY 2018
¿Es un ciclo?
Desactivado
Duration
18:30 — 20:30

Imagine that there are 140 strangers around you, all ready and willing to satisfy your needs, desires and whims. What would you ask for?

As part of the "Time Bank Live" artistic action, we are carrying out a workshop open to the general public in which we will be examining the concept of interdependence, exploring the simple yet difficult art of wishing, requesting, giving and gifting. People taking part in the workshop will also be included in a performance on 23 June.

In a society that denies interdependence and praises the heroicness of “I’d made my bed, I’ll lie on it”, asking for something has become even harder and riskier than giving. We tend to associate “giving” with generosity and “asking” with selfishness, but not knowing how to formulate and express our desires and needs is to deny our own fragility and therefore a way of not being fully present with other.

In this two-day workshop we use our bodies to explore the art of asking, giving and gifting from a fully committed engagement with pleasure, play and fun.

Participants in the workshop will also be part of the “Time Bank Live” performance at Picnic Session on 23 June, where each person will have a chance to auction a need, a desire or whim with the hope that it will be met or satisfied by one or various of the 140 spectators

Type of activity
Dates
14 and 15 June
Intended for
Temas
Acceso notas adicionales

AFORO: 12 PERSONAS

Entradilla

Imagine that there are 140 strangers around you, all ready and willing to satisfy your needs, desires and whims. What would you ask for?

As part of the "Time Bank Live" artistic action, we are carrying out a workshop open to the general public in which we will be examining the concept of interdependence, exploring the simple yet difficult art of wishing, requesting, giving and gifting. People taking part in the workshop will also be included in a performance on 23 June.

Actividades asociadas
Subtítulo
ASK AWAY, DON’T HOLD BACK
Categoría cabecera
Andrea Jiménez
"THE ART OF ASKING"
Pie media

Picture: Andrea Jiménez. Generación Why.

¿Es un ciclo?
Desactivado
Duration
18:00 – 21:00h

A pond emerges
A frenetic sprouting of the phreatic
An invisible flow
There are holes in the history of this pond and each one is filled in their own way
Dug out by a giant
A gigantic company, a gigantic machine, a gigantic desire
And then nothing can dry it, but it will evaporateIf you stop nearby, you can sometimes hear a choir of children from a nearby bilingual public school learning the song the water cycle… 
When the children go back to school in September they are taken to the pond
They spend the morning sitting down, looking, they see that it is no longer there
They had visited the pond in February, collected samples of its crystal-clear water
And one evening in spring they went to listen to the frogs
An historian, a lawyer and an artist agree to start there.

Ciudad Sur is a shared experimental space begun in 2021 which, taking its starting point in Móstoles, wishes to explore the many faces and manifold riches that generate a sense of belonging in the cities within the metropolitan area of Madrid. Its second edition is called Brota invisible (Invisible Flow).

Brota invisible is aimed at all those interested in a shared rethinking of the inhabited space. Over the course of six sessions, spaced out between May and December 2022, we will explore the idiosyncrasy of Móstoles based on an omnipresent yet very often invisible element, which is water. Up until relatively recently, the people of Móstoles sourced their water locally, underground. This all changed when Móstoles connected to Isabel II canal water supply network. Taking our point of departure in this rupture, and all its ensuing implications, we will open the conversation. But there are also other elements in the various strata of the city that are forgotten about: the memory of those who are no longer with us and those that were silenced. And also the initiative of locals to decide how to build their own city. We will try to bring to the surface and throw light on some of these invisible flows, rivers that run underneath the ground we stand on, ponds that disappear and which, almost as if by magic, suddenly reappear.

The first session will take place on Tuesday 24 May and will consist of a walk which will start at CA2M at 6:00 pm. The following sessions will take place on 21 June, 27 September, 25 October, 22 November and 13 December. Each session will centre on this core theme as well as the interests suggested by participants. The enrolment form for the first session is already available.

AHIMOS (Amigos de la Historia de Mostoles, Friends of the History of Mostoles) is a relatively new association which came about with the purpose of investigating and promoting the past of this city in the Region of Madrid. Despite its newness, some of its members have been involved in these activities for almost twenty years, on a journey involving thousands of hours spent digging into archives and libraries, into excavations in search of treasure that nobody expected, of strolling streets and countryside to portray them as they are... and all with the goal of bringing the past customs, events and society closer to the local community today, in the hope that they will appreciate and feel a greater attachment to the place where they live.

Patricia Esquivias grew up in the suburbs on the outskirts of Madrid. Since she came of age she has lived in different cities, always searching in them for traces of local crafts and artisanship. Since 2005 she has mainly worked with video, a discipline she uses to share her narratives on history and the city. In 2016 she had a solo show at CA2M called “At Times Embellished”.

Carlos Copertone studied Law and obtained a PhD on the ways cities grow. In his teaching practice he literally proposed taking to the streets to explore and rethink them. All these approaches have gradually taken him closer to the field of architecture and contemporary art. He has curated various exhibitions and has also published books and is closely involved with Caniche, a publishing production and action platform outside conventional exhibition circuits that came into being in 2015.

Fechas texto cabecera
24th May to 13th December
Intended for
Inscripción:
-
Acceso notas adicionales

Capacity: 20 people

Entradilla

Ciudad Sur is a shared experimental space begun in 2021 which, taking its starting point in Móstoles, wishes to explore the many faces and manifold riches that generate a sense of belonging in the cities within the metropolitan area of Madrid. Its second edition is called Brota invisible (Invisible Flow).

Categoría cabecera
Laguna Coperlim
CIUDAD SUR 2022. I N V I S I B L E F L O W
Pie media

Laguna Coperlim de Móstoles. Picture: Patricia Esquivias.

Type of Thinking / Community
Temas Pensamiento
Ocultar imagen principal
Desactivado
Duration
One Tuesday a month
¿Es un ciclo?
Desactivado

Curated by Jesús Alcaide, Néstor García Díaz and Víctor Aguado Machuca.

Bogomir Doringer, Chenta Tsai AKA Putochinomaricón, Carles Congost, Ana Laura Aláez, Joan Morey, The Congosound, Magui Dávila, Nayare Soledad Otorongx, Gema Marín Méndez, Manuel Segade, Snap Bitch! X Don’t hit a la negrx (Galaxia, Wat3rmami AKA Donovan Toxic), Espai d’Art Contemporani de Castelló research group (Bartolomé Limón, Rubén Serna and María Sánchez), DIDDCC working group (Andrea Martín, Manuela Muñoz, Clara Neches, Manuel Padín, Natalia de la Piedra and Rita Zamora).

The idea behind the Image Symposium is to provide a space for collective thinking on the theory, practice, semantic openings and contemporary demarcations of visual cultures, taking the form of a forum for debate, a symposium and workshops, and an open call for research projects.

The point of departure for this year’s symposium is the work of a research group at CA2M which has sourced in Manel Clot’s texts a discursive output which has left us, more than anachronisms, reminiscences of the 1990s, like, for instance, underscoring the connections between the concept of club culture and art practice; or inventing and implementing appreciative and operative categories, where none previously existed, for the consideration of new expressive repertoires and new meaningful registers that would become symptomatic of a time and a place. In fact, the title given to this year’s symposium comes from Musée des phrases (2003-2015) by Manel Clot and the image is by Carles Congost, taken in Manel Clot’s studio with the assistance of Daniel Riera; in it one can see a young Fine Art student called Joan Morey.

The symposium is spread over three days with a full programme of conversations, reading sessions, performative lectures and listening sessions, which will help to situate a number of issues concerning club culture but, at once, they will also respond to the demand to expand the field of given representations of subjectivity, of the fluctuation of its value, of the position of desire; of recognizing possibilities of dissidence with regards social distribution or other relationships between the body and temporality.

 

PROGRAMME:

19 May. Impure Scenifications (1)
12:00–13:30 Research group at Espai d’Art Contemporani de Castelló. Reading session on the exhibition and archive for Hypertronix, by Manel Clot.
16:00–17:00 Magui Dávila: Escribir una session (Writing a Session), DJ session and performative lecture.
17:00–17:30 Manuel Segade: Hacer noche (Making the Night), presentation.
17:30–19:30 Ana Laura Aláez, Joan Morey, Carles Congost and Jesús Alcaide: Un soplo en el corazón (A Heart Murmur), selection of frequencies around Manel Clot.
19:30–20:30 The Congosound, DJ selector.

20 May. Dance this Mess around (2)
12:00–13:30 DIDDCC working group: Party and Protest, expanded reading session.
16:00–16:30 Néstor García Díaz: Dance this Mess Around, presentation.
16:30–18:00 Bogomir Doringer: From I Dance Alone to Dance of Urgency, lecture.
18:00–19:00 Manel Clot: Musée des phrases, video-screening.
19:00–19:30 Gema Marín Méndez: Notas a una/sola voz (Notes in one/single voice), performative lecture.
19:30–20:30 Cute aggression, DJ session.

21 May. Sonic, somatic fictions (3)
12:00–13:30 Shared reading session on More Brilliant that the Sun, by Kodwo Eshun.
16:00–16:30 Víctor Aguado Machuca: “Éxtasis; faktura subjetiva”, presentation.
16:30–17:30 Nayare Soledad Otorongx: Cuerpxs que da pánico soñar (Bodies we don’t dare to imagine), performance.
17:30–19:00 Galaxia, Wat3rmami AKA Donovan Toxic: Snap Bitch! X Don’t hit a la negrx.

 

INFORMATIVE NOTE:

Prior enrolment is required to attend the symposium. Attendance at individual sessions may be allowed although priority will be given to persons previously enrolled. We would also ask all persons enrolled to please be punctual. Ten minutes after the beginning of the first session of the afternoon, any remaining places will be given to persons who have turned up for the session without previous enrolment.

Bogomir Doringer’s lecture is in English with simultaneous translation. All morning reading sessions will be held in the Aula, and the afternoon activities in SUI. The audience will be invited to take part after each conversation and at the end of each session and each day’s symposium.

Certificates of attendance will be issued to enrolees who attend 80% of the afternoon’s session. The morning sessions are voluntary and free while places last, but will not be taken into account when issuing certificates of attendance.

 

Type of activity
Dates
19, 20 and 21 May
Intended for
Inscripción
-
Acceso notas adicionales

In order to attend the sessions, prior registration is required. Limited capacity.

Entradilla

The Image Study Days are dedicated to collective reflection on theory, practice, semantic openings and contemporary demarcations of visual cultures. This edition is structured in three study days made up of talks, reading sessions, performative conferences and listening sessions, which place themes related to club culture.

Categoría cabecera
High Culture Carles Congost
27th IMAGE SYMPOSIUM. DANCE THIS MESS AROUND
Pie media

"High culture", 1996. Carles Congost © The Congosound o Carles Congost, VEGAP, Madrid, 2022.

¿Es un ciclo?
Desactivado
Duration
From 12:00 to 20:30

The idea behind the Image Symposium is to provide a space for collective thinking on the theory, practice, semantic openings and contemporary demarcations of visual cultures, taking the form of a forum for debate, a symposium and workshops, and an open call for research projects.

The point of departure for this edition of the symposium is the work of a research group at MCA2M which has sourced in Manel Clot’s texts a multitude of incipient ideas, obsessive desires, textured references, serious nostalgia, untimely utopias and sudden fatigues that underpinned the brevity and transience of his sentences and dominated his thinking almost permanently. Rather than anachronisms, his discursive output has left us reminiscences of the 1990s: one worth underscoring is the connections between the concept of club culture and art practice; another is the invention and implementation of appreciative and operative categories, where none previously existed, for the consideration of new expressive repertoires and new meaningful registers that would become symptomatic of a time and a place.

This symposium is curated by Jesús Alcaide, Néstor García and Víctor Aguado. The title is borrowed from Musée des phrases, 2003-2015, by Manel Clot. The image (High Culture, 1996) is by Carles Congost, produced for an exhibition at Transmission Gallery and taken in Manel Clot’s studio with the assistance of Daniel Riera. The image shows a young Fine Art student called Joan Morey.

CALL

MCA2M announces an open call for the submission of research projects to be presented at the 27th Image Symposium, whose theme is club culture: club culture as the act and practice of expanding the field of given representations of subjectivity, of producing fictions of somatic permanence, fluctuations in desire, possibilities of dissidence towards the social distribution or other relationships between the body and temporality.

The selected projects may be presented in two different formats:

(1) Presentation of papers or performative lectures, with a duration of 30-45 minutes during the afternoon, based on or presenting for the first time a research project related with the theme of the symposium.

(2) Commented listening sessions on a theme of interest for the symposium, with a duration of 45-60 minutes during the morning, either closed or open to the participation of attendants in the construction of meaning.

Projects submitted to the open call should send: application form and project dossier to the following email: recepcion.ca2m@madrid.org. When attaching video or audio files, please follow the specific instructions included in the form. The submission and presentation of the project can be made in English or Spanish. Forms with incomplete information shall not be accepted.

The deadline for presenting projects is 31 March. The curators of this edition of the symposium shall select a maximum of 6 projects, bearing in mind the selection criteria of the relevance of the project to the theme and format of the symposium, as well as its overall coherence within an artistic or research practice.

The names of the selected projects will be announced on 7 April. Although persons selected shall be informed of the exact day and time of the presentation, it is expected that they be available to attend the symposium on all three days: 19, 20 and 21 May.

Selected projects shall receive a fee of €300 for their presentation at the symposium, which shall be subject to obligatory tax deductions. When necessary MCA2M shall also run with the travel and accommodation expenses.

Fechas texto cabecera
Until March 31st
Intended for
Inscripción:
-
Entradilla

MCA2M announces an open call for the submission of research projects to be presented at the 27th Image Symposium, whose theme is club culture: club culture as the act and practice of expanding the field of given representations of subjectivity, of producing fictions of somatic permanence, fluctuations in desire, possibilities of dissidence towards the social distribution or other relationships between the body and temporality.

Subtítulo
19, 20 & 21 May 2022
Categoría cabecera
High Culture Carles Congost
27th IMAGE SYMPOSIUM DANCE THIS MESS AROUND
Pie media

© The Congosound o Carles Congost, VEGAP, Madrid, 2022.

Type of Thinking / Community
Temas Pensamiento
Ocultar imagen principal
Desactivado
¿Es un ciclo?
Desactivado