Children from 8 to 12

Aimed at 2nd and 3rd year primary school students

This educational program is made up of a commentated screening led by an educator and a direct animation film workshop. The program offers various experimental and fiction creations. Following the debate after the screening, a workshop will take place in which students will work by directly experimenting on cinematographic film. After this workshop activity, the film created by the participants will be shown.

Maximum 30 students per session

PROGRAM

LA CANCIÓN DE ÁVILA
SONG OF AVILA
Jonas Mekas
1967, 3’02’

LA DULCE ALIENACIÓN
Cristina Busto

2007, 4’8’’

TREE REFLECTION
Guy Sherwin
1997/8, 3’

LA ÓPERA IMAGINARIA
OPÉRA IMAGINAIRE
Guionne Leroy

1993, 4’41’’

SAEFTINGHE
Jacco Olivier

2006, 2’39’’

HOTEL ELÉCTRICO
Segundo de Chomón

1908, 9’

From its start, cinema has been known as one of most fascinating educative means, not only for the subjects and issues raised, but for its imaginary creation capacity and for encouraging new habits of active and critical perception. For the purpose of providing an alternative to those audiovisual dominant products, those that reinforce that consumption behavior and few times lead to reflection, CA2M has created this activity.

This educative program consists of a discussed film screening by an educator alongside a cameraless workshop. The program offers many experimental and fiction creations. Following the discussion after the screening, it continues a workshop where students will experience and work directly on the film itself. After the workshop, it will be screened the manipulated celluloid by the students.

This project is embedded in the CA2M audio-visual literacy project which aims to promote attitudes of active perception from an early age. Within this program, the museum space becomes a place for children to discover new references, find new images and talk about new issues other than the usual ones. This workshop comes with a teachers´dossier to work it after in the classroom.

Maximum 30 students per session

PROGRAMMING

Animal Studies, the cat. Guy Sherwin, 1976 -79, 2´ 50´´ 
Vitrail, Olivier Fouchard, 2004, 1´ 10´´ 
El coro, Le choeur, Abbas Kiarostami, 1982, 17’
Flip Film,  Ellen Ugestald, 2005, 1’ 10´´

This workshop is within the scope of the CA2M long-term activities developed for  educational centers, in particular with those schools surrounding CA2M, with the intent to strengthen collaboration ties with diverse educational agents. For a second year, the activity targets third year students from primary education schools closest to CA2M. This time, La Sonidera will lead this project.

In a society with an audiovisual, radio and sound predominance introduced as exploring means that may provide new sensorial and creative new experiences, this workshop proposed to recover the so popular radio-plays from the 60´ to work aspects such as identity, gender or reality construction. Students from Beato Simón de Rojas will practice listening in search of new perception means. They will also invent stories to be performed using their voices and homemade music and sound effects, working with the body and presence. Through these stories, they could imagine different worlds while develop their capacity to question already-formed ideas about the creation of sound spaces.

La Sonidera is an Ángeles Oliva & Toña Medina´s creation, where they both work in the radio creative field. Thought their radio performances (radio-works designed to be performance with the public), they investigate issues like fears, genders or surviving. Their interest in sound experimentation has taken them to bring back the soundman figure, that person in charge of making the sound effects in radio soap operas, giving a home-made atmosphere to stories with any kind of objects. They claim the radio warmth and its capacity to create mental images as unique means to generate reflection spaces.

Aimed at pupils from 2nd and 3rd years of Primary Education

Workshop by María Cunillera and Alberto Vázquez

From its start, cinema has been known as one of most fascinating educative means, not only for the subjects and issues raised, but for its imaginary creation capacity and for encouraging new habits of active and critical perception. For the purpose of providing an alternative to those audiovisual dominant products, those that reinforce that consumption behavior and few times lead to reflection, CA2M has created this activity.

This educative program consists of a discussed film screening driven by a CA2M educator alongside a cameraless film workshop. The program offers many experimental and fiction creations. Following the discussion after the screening, it continues a workshop where students will experience and work directly on the film itself. After the workshop, the manipulated celluloid by the participants will be screened.

This project is embedded in the CA2M audio-visual literacy project which aims to promote attitudes of active perception from an early age. Within this program, the museum space becomes a place for children to discover new references, find new images and talk about new issues other than the usual ones.

Maximum 30 people per session

PROGRAM

Das Modell. Florian Gwinner, 2006, 6’14’’
Moby Dick, Guy Ben-Ner, 2000, 18’
Once Upon a Time , Corinna Schnitt, 2006, 4’28’’
Music for one appartment and six drummers , Ola Simonsson Johannes Stjärne Nilsson, 2000, 9’

This Project emphasizes the need to work closely with the neighborhood near the museums offering long-lasting activities to generate stable, flexible and lasting relationships. For third year in a row, CA2M strengthen collaboration with Beato Simón de Rojas School, the closest one to the museum. Alongside the activities designed for the school, CA2M will also offer an extracurricular activity for Third cycle pupils. This time, filmmaker Pilar Álvarez will drive the Project together with CA2M educators. Will we shoot a film? Still to know…

Pilar Álvarez, filmmaker, has screened her work in a number of art centers, collective and solo shows as in Madrid Círculo de Bellas Artes, PHotoEspaña Festival and Cervantes Institute for the D-Generación show. Álvarez shot  Experiencias subterráneas de la no ficción española, in collaboration with Las Palmas de Gran Canaria Film Festival, has directed several shortfilms as Sensibilidad, and Arturo y Toma dos were both shot during her studies at the International Film School of Cuba and TV (EICTV).

Collaboration Project with Colegio Beato Simón de Rojas from Móstoles.

This year we will begin a new line of work in which two artists will undertake two art projects in two public centres in the suburbs of Madrid. Given the disappearance of art teaching from formal education, we consider it an interesting challenge to introduce artists into educational institutions with a view to developing multidisciplinary projects involving subjects that, in theory, are not associated with art. At the same time, one of the fundamental goals of this project is to reflect on the long-term impact capacity of the projects undertaken by these artists. This is why we are interested in researching how the artists might affect the education centre and viceversa, how the public school in particular can give back its experience to both the artists and to the education department of CA2M itself. In this sense, these two projects will be assessed by external researchers with the aim of prototyping and analysing these experiences in detail.

Over the months of January and February, primary school students will have the chance to visit the Carlos Garaicoa exhibition at the CA2M in an unexpected way. Playing with the idea that each work makes it possible to open up a narrative universe, we have invited María Salgado to come up with a route through the exhibition, punctuating it with the spoken word.

Hearing is widely believed to be the most invasive of our senses, because it is almost impossible to prevent a powerful noise from penetrating our body. We can stop ourselves from looking, from tasting, from touching and even from smelling. But we cannot deactivate our hearing even while asleep. In addition, the hearing involves the whole body: the deep sounds of techno music make the whole body vibrate, pop music forces you to move your feet and it is even claimed that classical music can soothe wild beasts. But our relationship with sound responds to a cultural construct: if the sound of a cow mooing in the countryside is not considered to be noisy, then why do we think that the sound of a car in the city is?

In this workshop we will be borrowing from the Situationists to rethink what noises have to tell us and how they relate to our everyday experience. Hearing, the drift, the museum and the city will be our main tools to explore the limits of sound.

Maximum 30 students.

This project is based on the need to work with the communities close to the museum through ongoing activities that will create long-lasting, stable and flexible relations. For the fifth year running we are organising a laboratory for creative after-school hours for students in the third cycle of primary school. This year we are focusing on exploring the possibilities of dance as a political practice of activation of the body by means of bodily patterns already incarnated in infancy. While the question “what is dance?” proffers a multitude of possible responses, our specific question is “what is it like to dance at the age of eleven?”. Every Tuesday ¡ after school the children in the local neighbourhood can attend a special space where it will be their own bodies that dictate the rules.

Marisa Amor  is a dancer and choreographer, and has participated in the creation of various shows aimed at adults and children. She collaborates in improvisation projects with musicians, dancers and artists from other disciplines. She dedicates a large part of her practice to children and teenagers with classes, workshops, cultural exchanges, shows and educational projects associated mainly with dance and movement. She works with and for various collectives including persons with mental disabilities.