Workshop

Workshop

Imagine that there are 140 strangers around you, all ready and willing to satisfy your needs, desires and whims. What would you ask for?

As part of the "Time Bank Live" artistic action, we are carrying out a workshop open to the general public in which we will be examining the concept of interdependence, exploring the simple yet difficult art of wishing, requesting, giving and gifting. People taking part in the workshop will also be included in a performance on 23 June.

In a society that denies interdependence and praises the heroicness of “I’d made my bed, I’ll lie on it”, asking for something has become even harder and riskier than giving. We tend to associate “giving” with generosity and “asking” with selfishness, but not knowing how to formulate and express our desires and needs is to deny our own fragility and therefore a way of not being fully present with other.

In this two-day workshop we use our bodies to explore the art of asking, giving and gifting from a fully committed engagement with pleasure, play and fun.

Participants in the workshop will also be part of the “Time Bank Live” performance at Picnic Session on 23 June, where each person will have a chance to auction a need, a desire or whim with the hope that it will be met or satisfied by one or various of the 140 spectators

Activity type
Dates
14 and 15 June
Target audience
Topics
Acceso notas adicionales

AFORO: 12 PERSONAS

Entrance

Imagine that there are 140 strangers around you, all ready and willing to satisfy your needs, desires and whims. What would you ask for?

As part of the "Time Bank Live" artistic action, we are carrying out a workshop open to the general public in which we will be examining the concept of interdependence, exploring the simple yet difficult art of wishing, requesting, giving and gifting. People taking part in the workshop will also be included in a performance on 23 June.

Actividades asociadas
Subtitle
ASK AWAY, DON’T HOLD BACK
Categoría cabecera
Andrea Jiménez
"THE ART OF ASKING"
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Picture: Andrea Jiménez. Generación Why.

Is it a cycle?
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Duration
18:00 – 21:00h

Even if we wanted to, we cannot kill our dead. There are certain tasks that the dead summon us to do. And so, we carry them with us in our day to day lives, in small gestures or flashes of very intense emotion. How to share the losses, that which remains bound to us, the strange impermanence, that eagerness to bury our hearts, the confusing and incessant buzzing blue pain? Mourning is a political task, it builds community, it is a ritual of caring that reproduces life. Mourning unites us. I often talk to my friends about this, I believe that our grandmothers were the last ones to truly understand that death was part of life. They knew how to reconnect with the soil, and now perhaps it is time for us to create other rituals, other ways of being, of living and of dying.

Between January and June 2021, Marta Echaves carried out extensive research into mourning, its representations, politics and rituals. She was accompanied by the choreographer Esther Rodriguez Barbero, the artist Julia Montilla and the researcher Maria Rosón. From that series of meetings and conversations emerge certain questions and approaches which have shaped the programme of public activities That Blue Buzzing Sound.

Understanding research as a way of accompanying other projects that also address our contemporary relationship to death and grieving, That Blue Buzzing Sound focuses on sharing practices and poetics that make it possible to grasp experiences when language fails us and the end is centre-stage.

Marta Echaves. She is the coordinator of activities in Spain for the publishing house Caja Negra. She has written for artists' catalogues and publications and is, alongside María Ruido and Antonio Gomez Villar, the editor of Working Dead. Post-work scenarios (La virreina at the Centre of the Image). Interested in writing and historical research, her projects aim to revisit images and metaphors by focusing on intimate experiences and anecdotes as detonators of poetic memory devices. “La Contrarrevolución de los Caballos” was an investigation into heroin and HIV in the context of Spanish neoliberalism, which took on various formats and was shown in places such as Can Felipa, MACBA, MNCARS, ARCO... More recently, she presented her research into post-dictatorship paranormal memory with the conference "De las Acechanzas" (On the Hauntings) at the Domingo Festival.

Activity type
Dates
12 and 13 november
Target audience
Topics
Acceso notas adicionales

12th November 18:00 - 21:00 13 November 11:00 - 14:00. Capacity: 20 PLAZAS

Entrance

Between January and June 2021, Marta Echaves carried out extensive research into mourning, its representations, politics and rituals. She was accompanied by the choreographer Esther Rodriguez Barbero, the artist Julia Montilla and the researcher Maria Rosón. From that series of meetings and conversations emerge certain questions and approaches which have shaped the programme of public activities That Blue Buzzing Sound.

Subtitle
Workshops and public activities
Categoría cabecera
Ese zumbido azul
THAT BLUE BUZZING SOUND
More information and contact
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Este río es este río, action by Pepe Espaliú, Urumea river, summer 1992. Arteleku. La barca, Marina Gonzalez Guerreiro, Tamuxe river, summer 2019. Author's photograph

Is it a cycle?
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Duration
Two days workshop

From its start, cinema has been known as one of most fascinating educative means, not only for the subjects and issues raised, but for its imaginary creation capacity and for encouraging new habits of active and critical perception. For the purpose of providing an alternative to those audiovisual dominant products, those that reinforce that consumption behavior and few times lead to reflection, CA2M has created this activity.

This educative program consists of a discussed film screening by an educator alongside a cameraless workshop. The program offers many experimental and fiction creations. Following the discussion after the screening, it continues a workshop where students will experience and work directly on the film itself. After the workshop, it will be screened the manipulated celluloid by the students.

This project is embedded in the CA2M audio-visual literacy project which aims to promote attitudes of active perception from an early age. Within this program, the museum space becomes a place for children to discover new references, find new images and talk about new issues other than the usual ones. This workshop comes with a teachers´dossier to work it after in the classroom.

Maximum 30 students per session

PROGRAMMING

Animal Studies, the cat. Guy Sherwin, 1976 -79, 2´ 50´´ 
Vitrail, Olivier Fouchard, 2004, 1´ 10´´ 
El coro, Le choeur, Abbas Kiarostami, 1982, 17’
Flip Film,  Ellen Ugestald, 2005, 1’ 10´´

Dates header text
TUESDAYS 10:30 – 12:45 H.
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Máximo 30 alumnos por sesión

Entrance

From its start, cinema has been known as one of most fascinating educative means, not only for the subjects and issues raised, but for its imaginary creation capacity and for encouraging new habits of active and critical perception. For the purpose of providing an alternative to those audiovisual dominant products, those that reinforce that consumption behavior and few times lead to reflection, CA2M has created this activity.

Resources
Header category
Cine sin cámara
FILM SCREENING & CAMERALESS FILM WORKSHOP
More information
Type Thinking / Community
Topics Educational Community
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Duration
2012 – 2013 ACADEMIC YEAR
Is it a cycle?
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This workshop is within the scope of the CA2M long-term activities developed for  educational centers, in particular with those schools surrounding CA2M, with the intent to strengthen collaboration ties with diverse educational agents. For a second year, the activity targets third year students from primary education schools closest to CA2M. This time, La Sonidera will lead this project.

In a society with an audiovisual, radio and sound predominance introduced as exploring means that may provide new sensorial and creative new experiences, this workshop proposed to recover the so popular radio-plays from the 60´ to work aspects such as identity, gender or reality construction. Students from Beato Simón de Rojas will practice listening in search of new perception means. They will also invent stories to be performed using their voices and homemade music and sound effects, working with the body and presence. Through these stories, they could imagine different worlds while develop their capacity to question already-formed ideas about the creation of sound spaces.

La Sonidera is an Ángeles Oliva & Toña Medina´s creation, where they both work in the radio creative field. Thought their radio performances (radio-works designed to be performance with the public), they investigate issues like fears, genders or surviving. Their interest in sound experimentation has taken them to bring back the soundman figure, that person in charge of making the sound effects in radio soap operas, giving a home-made atmosphere to stories with any kind of objects. They claim the radio warmth and its capacity to create mental images as unique means to generate reflection spaces.

Dates header text
2012 – 2013 ACADEMIC YEAR
Entrance

This workshop is within the scope of the CA2M long-term activities developed for  educational centers, in particular with those schools surrounding CA2M, with the intent to strengthen collaboration ties with diverse educational agents. For a second year, the activity targets third year students from primary education schools closest to CA2M. This time, La Sonidera will lead this project.

Resources
Subttitle
WORKSHOP- PROJECT WITH BEATO SIMÓN DE ROJAS STUDENTS AND ÁNGELES & TOÑA
Header category
Alguien me escucha
ANYBODY HEARS ME?
Type Thinking / Community
Topics Educational Community
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Is it a cycle?
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Aimed at pupils from 2nd and 3rd years of Primary Education

Workshop by María Cunillera and Alberto Vázquez

From its start, cinema has been known as one of most fascinating educative means, not only for the subjects and issues raised, but for its imaginary creation capacity and for encouraging new habits of active and critical perception. For the purpose of providing an alternative to those audiovisual dominant products, those that reinforce that consumption behavior and few times lead to reflection, CA2M has created this activity.

This educative program consists of a discussed film screening driven by a CA2M educator alongside a cameraless film workshop. The program offers many experimental and fiction creations. Following the discussion after the screening, it continues a workshop where students will experience and work directly on the film itself. After the workshop, the manipulated celluloid by the participants will be screened.

This project is embedded in the CA2M audio-visual literacy project which aims to promote attitudes of active perception from an early age. Within this program, the museum space becomes a place for children to discover new references, find new images and talk about new issues other than the usual ones.

Maximum 30 people per session

PROGRAM

Das Modell. Florian Gwinner, 2006, 6’14’’
Moby Dick, Guy Ben-Ner, 2000, 18’
Once Upon a Time , Corinna Schnitt, 2006, 4’28’’
Music for one appartment and six drummers , Ola Simonsson Johannes Stjärne Nilsson, 2000, 9’

Dates header text
2013 – 2014 ACADEMIC YEAR
Entrance

From its start, cinema has been known as one of most fascinating educative means, not only for the subjects and issues raised, but for its imaginary creation capacity and for encouraging new habits of active and critical perception. For the purpose of providing an alternative to those audiovisual dominant products, those that reinforce that consumption behavior and few times lead to reflection, CA2M has created this activity.

Images gallery
Taller cine sin cámara
Taller cine sin cámara
Taller cine sin cámara
Taller cine sin cámara
Taller cine sin cámara
Taller cine sin cámara
Taller cine sin cámara
Taller cine sin cámara
Taller cine sin cámara
Resources
Header category
Taller cine sin cámara
EARLY BIRDS 2013. FILM SCREENINGS AND CAMERALESS FILM WORKSHOP
More information
Type Thinking / Community
Topics Educational Community
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Duration
TUESDAYS 10:30 – 12:45 H.
Is it a cycle?
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This Project emphasizes the need to work closely with the neighborhood near the museums offering long-lasting activities to generate stable, flexible and lasting relationships. For third year in a row, CA2M strengthen collaboration with Beato Simón de Rojas School, the closest one to the museum. Alongside the activities designed for the school, CA2M will also offer an extracurricular activity for Third cycle pupils. This time, filmmaker Pilar Álvarez will drive the Project together with CA2M educators. Will we shoot a film? Still to know…

Pilar Álvarez, filmmaker, has screened her work in a number of art centers, collective and solo shows as in Madrid Círculo de Bellas Artes, PHotoEspaña Festival and Cervantes Institute for the D-Generación show. Álvarez shot  Experiencias subterráneas de la no ficción española, in collaboration with Las Palmas de Gran Canaria Film Festival, has directed several shortfilms as Sensibilidad, and Arturo y Toma dos were both shot during her studies at the International Film School of Cuba and TV (EICTV).

Collaboration Project with Colegio Beato Simón de Rojas from Móstoles.

Dates header text
TUESDAYS NOV — MAR 2014
Directed by
Entrance

This Project emphasizes the need to work closely with the neighborhood near the museums offering long-lasting activities to generate stable, flexible and lasting relationships. For third year in a row, CA2M strengthen collaboration with Beato Simón de Rojas School, the closest one to the museum. Alongside the activities designed for the school, CA2M will also offer an extracurricular activity for Third cycle pupils. This time, filmmaker Pilar Álvarez will drive the Project together with CA2M educators.

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Taller con Pilar Álvarez
Taller con Pilar Álvarez
Taller con Pilar Álvarez
Taller con Pilar Álvarez
Taller con Pilar Álvarez
Taller con Pilar Álvarez
Header category
Taller con Pilar Álvarez
Workshop-project with Beato Simón de Rojas school pupils together with Pilar Álvarez
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Imágenes del taller con Pilar Álvarez
Type Thinking / Community
Topics Educational Community
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Duration
16:30 - 18:00
Is it a cycle?
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Aimed at 3rd year Primary School students

This school year, we also offer third year primary school groups the chance to take part in a complementary workshop session in their school. This way, the groups will participate in an initial session in CA2M in which they will focus on the Morning Session (screening and direct animation workshop) followed by a film with camera workshop and stop motion in the classroom.

Accompanied by our educators, the students will discover, hands-on, the first cinematographic tricks. We will experiment with illusionism through simple techniques, taking advantage of the full potential of the special effects to introduce fiction and the fantastical into the educational space.

Maximum 30 students

Dates header text
SCHOOL YEAR 2014 – 2015
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Máximo 30 alumumnos

Entrance

This school year, we also offer third year primary school groups the chance to take part in a complementary workshop session in their school. This way, the groups will participate in an initial session in CA2M in which they will focus on the Morning Session (screening and direct animation workshop) followed by a film with camera workshop and stop motion in the classroom.

Header category
Sesión continua
ONGOING SESSION + WORKSHOP IN THE SCHOOL
Type Thinking / Community
Topics Educational Community
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Aimed at 5th and 6th grade Primary education pupils.

Musician Nilo Gallego has created a space of experimentation, where every Tuesday, a group of local children gather. Every week, they work on listening, and learn about the possibilities of experimental sound and of expanded theater. 

Nilo Gallego is a musician. He produces performance pieces in which experimentation with sound is the starting point. In his pieces, which always have a component of play, he looks for audience participation, and interaction with the environment and with everyday life. He plays the drums, percussion, and electronics.

This project is premised on the need to work with the communities that are closest to the museum, in activities the can stretch in time, in order to build stable, flexible, and lasting relationships. For the fourth year in a row, we offer an after-school for third grade primary pupils.

Dates header text
TUESDAYS NOV 2014— MAR 2015
Directed by
Entrance

Musician Nilo Gallego has created a space of experimentation, where every Tuesday, a group of local children gather. Every week, they work on listening, and learn about the possibilities of experimental sound and of expanded theater. 

 

Header category
Teatro musical
MUSICAL THEATER WORKSHOP WITH NILO GALLEGO
Type Thinking / Community
Topics Educational Community
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Duration
16:30 — 18:00 H.
Is it a cycle?
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This year we will begin a new line of work in which two artists will undertake two art projects in two public centres in the suburbs of Madrid. Given the disappearance of art teaching from formal education, we consider it an interesting challenge to introduce artists into educational institutions with a view to developing multidisciplinary projects involving subjects that, in theory, are not associated with art. At the same time, one of the fundamental goals of this project is to reflect on the long-term impact capacity of the projects undertaken by these artists. This is why we are interested in researching how the artists might affect the education centre and viceversa, how the public school in particular can give back its experience to both the artists and to the education department of CA2M itself. In this sense, these two projects will be assessed by external researchers with the aim of prototyping and analysing these experiences in detail.

Dates header text
SCHOOL YEAR 2014 – 2015
Entrance

This year we will begin a new line of work in which two artists will undertake two art projects in two public centres in the suburbs of Madrid. Given the disappearance of art teaching from formal education, we consider it an interesting challenge to introduce artists into educational institutions with a view to developing multidisciplinary projects involving subjects that, in theory, are not associated with art.

Subttitle
COLLABORATIVE PROJECT WITH THE SCHOOLS, COLEGIO BEATO SIMÓN DE ROJAS IN MÓSTOLES AND PABLO PICASSO IN PARLA
Header category
Aquí trabaja un artista
ARTIST AT WORK 2014
Type Thinking / Community
Topics Educational Community
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Is it a cycle?
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Throughout this academic year we have developed a new, long-term line of work with two schools in the periphery of Madrid. In the face of the gradual disappearance of art education from the school curriculum, we posited the idea of a residency project, based on the work of an artist in a primary school during school timetable, and in all the possibilities such an initiative would generate. The artists are Pilar Álvarez and Alejandro Simón, and the schools are Beato Simón de Rojas in Móstoles and Trabenco in Leganés, respectively. In parallel to the project, under the guidance of Aida Sánchez de Serdio, Mercedes Álvarez has produced a research project on the possibilities of the work model developed by the Center's educational team with artists and teachers.

On the 25th of June we will hold a work session with all parties involved in the project, in order to share the experience.

Dates header text
25 junio 2015
Entrance

Throughout this academic year we have developed a new, long-term line of work with two schools in the periphery of Madrid. In the face of the gradual disappearance of art education from the school curriculum, we posited the idea of a residency project, based on the work of an artist in a primary school during school timetable, and in all the possibilities such an initiative would generate.

Subttitle
A SEMINAR ON ARTISTS IN RESIDENCE AT SCHOOL CENTERS
Header category
Aquí trabaja un artista 2015
ARTIST AT WORK
Type Thinking / Community
Topics Educational Community
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Is it a cycle?
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