educacion.ca2m@madrid.org

This school year we are beginning a new long-term relationship with the Manuel Núñez Arenas public school in Vallecas. The artist-in-residence project will be based on dialogue with the school’s team of teachers and the parents who are actively involved with the school. The artist will first take some time to get acquainted with how the school is run and its people and then connect it with his/her own artistic research. For this reason, the residency project will address issues of social justice, the core theme for the activities at Nuñez Arenas this year.

The project will involve the whole school, focusing on the work of two different years in primary school as well as the parents who wish to be involved. Together we will all imagine new forms of functioning and of intervention in the space in a primary school.

CA2M has invited the filmmaker Pili Álvarez and the researcher Mercedes Álvarez to undertake research on the project by the El Banquete collective within its Artist at Work artist-in-residence programme. The goal is to produce an audiovisual work that will examine the project’s critical and practical challenges. It is viewed as a kind of device for the critical analysis of an art project at a school. The film will be based on sequences recorded as live cinema that follow up the main characters: teachers, artists, educators and students.

As the students begin to appropriate the space and the pyramid begins to gain in presence, conflicts start to arise that not only affect the children involved in the construction of the pyramid. The frictions question other agents in the school that are affected by the autonomy of the group that inevitably questions the existing power structures in the school.

This audiovisual proposal looks into film’s ability to evince and to take part in educational processes and thus multiply the ways in which practices that operate on an relational level can be followed, shared and explored.

The process of postproduction will be finished during this school year and the film will be presented and distributed in 2017.

Programme for primary schools with the support of Fundación Daniel y Nina Carasso

Can silence be fun? In this one-session school workshop Nilo Gallego and Magda Labarga will explore the possibilities of listening and of noise, as well as their connections with the urban space and life in society. What does listening to the city mean? Is it possible to listen in the middle of chaos? What different kinds of silence are there? How many different kinds can we listen to? In this third edition of the workshop we will be looking to expand the limits imposed up until now in the practice and will push back new boundaries for silence. Operating in parallel to The Triangle project, the Noise and the City workshop will partake in the reflections that arise and will establish a dialogue on the various forms that silence can adopt in the school space.

The session is divided into different stations or stops. First of all, everything is amplified in the Listening Room. Have you paid attention to your clothes rubbing together? Have you listened to the hairs on your head as they hit off one another? Or to the symphony produced by the zip on your coat? In the Sonic Viewing Room we will take a look at the city and experiment with its sounds and use them to compose the rhythm of passers-by walking on the streets. In the Noise Room, after listening to the soundtrack of our everyday lives, the Noise and the City orchestra will rehearse for a street parade. In it, other voices that emit new slogans, accompanied by pots and pans and whistles, will propose other rhythms for our neighbourhoods.

This activity is aimed at groups of primary school children and their teachers, who will have an opportunity to take part in an action in which communication exists, but in an alternative way, and where attention is based on logics other than conventional ones: What would happen if adults didn’t ask us to be quiet for the next two hours?

Car na val ien te ne bro so rrrr pre sa cu di da nn za mm bu llir se mi lla mar cia no ché que re do si la sol fa mi re tum bar bas to nes sssshhhh

During carnival, communities come together to celebrate. Each individual engenders a cell within a greater organism that comprises ritual, embodying some powerful being, a monstrous character, a mystic queen, or a magical fish that, generally speaking, represents the arrival or departure of a key moment for the community when darkness and light go hand in hand.

This is a workshop to create our own carnival; to transform ourselves into sonic beings, into wonderful creatures with fantastic movements. A workshop that encourages desires to flow freely, to reimagine how we can move, how we can dream; to create other roles and new realities that allow us to question—through sound, visuals and movement—our surrounding reality and how we live in it.

3rd to 6th year primary school students

Maximum number of students: 30

Now that normality has become the strangest of things and we know that strangeness is normal, we adapt like chameleons to propose an activity aimed at primary school students.

Danzónico moves into outdoor spaces. Carnival is now held in darkness. The new fertile space gives birth to the most fantastic beings in the galaxy: creatures with impossible bodies that howl, scream and chirp with sounds never heard before by human ears. The new organism gives off dancing lights and is driven by a communal desire, expressed in the bond between the bodies. Bodies that touch each other through light. Darkness and light go hand in hand.

Danzónico is a workshop-laboratory in which we will generate our own carnival. We will transmute ourselves into sound beings, into magnificent creatures with fantastic movements. A laboratory in which we will transform our desires, our fears, our longings, our best qualities into an animal from outer space that inhabits a museum. A laboratory that lets desires flow free, to re-imagine our movements, to understand ourselves as part of an organism that transcends our own individual bodies; to subvert our assigned roles and to create new ones, new realities that allow us to question the reality we live in and how we experience it, through sound, movement and visuals. A carnival that is always different every time.

This activity was conceived to adapt to the current circumstances we are living through.

A group of children meet every Tuesday after school with the dancer Elena Córdoba to try out and create new dances, based on three types of movements:

1. Everyday movements.
2. Extraordinary movements made by individuals, including awkward, inappropriate, shy, extravagant and other movements.
3. Movements made in play and games.

4th, 5th and 6th year primary school students.

Elena Córdoba has left us instructions for dancing at home. Everyone on the floor!
 

_ Instructions for dancing like a forest and with a wall (PDF)
 

_ Instructions for dancing in the corner of your bedroom (PDF)
 

_ Instructions for dancing your way around the house (PDF)
 

_ A magic spell for dancing (PDF)
 

_ Instructions for dancing from the ground to the sky (PDF)
 

_ Instruction for dancing and floating (PDF)
 

_ The last dance (PDF)