CA2M organizes encounter with the some of the artists of the exhibition Telling everything, not knowing how.
CA2M organizes encounter with the some of the artists of the exhibition Telling everything, not knowing how.
CA2M organizes encounter with the some of the artists of the exhibition Telling everything, not knowing how.
CA2M organizes encounter with the some of the artists of the exhibition Telling everything, not knowing how.
Cambridge dictionary definition for Cluster is a group of similar things that are close together, sometimes surrounding something. Cluster is an eight-contemporary-visual-art organization net located on the periphery of capital cities (it cannot be overlooked Holon, located in an industrial area outside Tel Aviv). Cluster started in June 2011 in order to facilitate internal and public exchange of knowledge about how these types of institutions function and also to establish further collaborations between them. After the cluster meeting, it will take place an encounter-presentation from each of the member which will start an open discussion.
Cluster members include Casco – Office for Art, Design and Theory, Utrecht; CAC Brétigny; Les Laboratoires D’Aubervillers, Paris; Tensta Konsthall, Stockholm, The Showroom, London; CA2M Centro Dos De Mayo, Madrid; The Israeli Center for Digital Art, Holon; and Parasite Museum of Contemporary Art, Ljubljana.
During the CA2M meeting, it will be brought up several issues related to Center working strategies as well as their response to a new institutional frame, conditioned by remarkable adjustments from the public financial support, and, in parallel, by a questioning of the management of our forms of government. Attention would be mainly focused on the answers generated from discussion, rather than on the change of typology from the projects highlighted by a reduction in resources. May be generated a critical response to this situation from culture? Can a Contemporary Art museum be a place to put into practice other institutionality forms?
This forth meeting between the Cluster member, follows the ones taken placed in London, Utrecht, Aubervilliers (Bretigny) and Stockholm.
Participating: Maria Lind and Ulrika Flink, Tensta Konsthall; Julien Duc- Maugé,CAC Brétigny; Binna Choi and Sanne Oorthuizen, Casco Utrecht; Barbara Coffy, Les Laboratoires Aubervilliers; Emily Pethick, The Showroom London; Ran Kasmy Ilan, The Israeli Center for Digital Art, Holon.
luster started in June 2011 in order to facilitate internal and public exchange of knowledge about how these types of institutions function and also to establish further collaborations between them. After the cluster meeting, it will take place an encounter-presentation from each of the member which will start an open discussion.
Chantal Pontbriand, art critic and curator, is currently Tate Modern's Head of Exhibitions Research & Development.
Besides, she is the founding-director of contemporary art magazine Parachute (1975).
After presenting her last projects and researches, Chantal Pontbriand will meet a reduces group of participants for a critic session. It will be the occasion for a debate on issues related to Pontbriand's cultural production. Participants will be able to show their own works to reflect with her and the rest of the group.
Workshop aimed at curators and cultural producers.
MAPEAR Madrid is a work group created in response to a shared desire to seek out and identify the artistic structures and various agents involved in the cultural sector of the region of Madrid. Following an initial period of research and investigation, an announcement will be made, and sessions open to the public will be offered on the first Tuesday of each month until July. At a later stage in the project, a tool for public use will be created to provide the agents and intermediaries of the contemporary creation and art scene with an efficient channel for pursuing professional projects.
The goal is to encourage interaction between artistic communities, strengthening professional ties to help the sector operate more effectively and efficiently; to democratise access to and use of information on the art and creative sector, and achieve greater transparency in its professional practices; and to promote dialogue between contemporary creation and civil society.
COORDINATED BY PENSART
Following the technical research phase – interviews with sector professionals and cultural agents in the region in order to detect and identify their professional relations with universities, industry, the authorities and the media – a tool has been created which allows us to visualise these interconnections.
Register now at http://www.mapearmadrid.net/
MAPEAR Madrid is a work group created in response to a shared desire to seek out and identify the artistic structures and various agents involved in the cultural sector of the region of Madrid. Following an initial period of research and investigation, an announcement will be made, and sessions open to the public will be offered on the first Tuesday of each month until July.
The multi-displinary work of Martín Azúa embraces both art and design. Through experimentation, his works are an answer to a quest for a committed and justified design. On the occasion of the creative workshop which is to be held on 22-26 February, Azúa will make a public presentation of his work.
The multi-displinary work of Martín Azúa embraces both art and design. Through experimentation, his works are an answer to a quest for a committed and justified design. On the occasion of the creative workshop which is to be held on 22-26 February, Azúa will make a public presentation of his work.
On the occasion of the exhibition Punto Muerto, Gregor Schneider will introduce his work to the public, presenting both the installation displayed at CA2M and his overall work.
This encounter is in conjuction with the Creative Workshop conducted by Gregor Schneider between Oct. 18 and 26.
On the occasion of the exhibition Punto Muerto, Gregor Schneider will introduce his work to the public, presenting both the installation displayed at CA2M and his overall work.
This program is aimed at photographers working on editorial projects, with the objective of analysing and advise about edition, design and general concept for the projects.
PHotoEspaña and CA2M Centro de Arte Dos de Mayo of the Regional Govenment of Madrid organizes a pedagogic and profesional program to advise 30 photographers about editing, design and concept of their photography book projects. For the first time, CA2M takes part of PHotoespaña with a programming with workshops, theorical seminars and a photomecanic and printing tour from Thursday 23 April to Saturday 25 April
The attendees with have the chance to work side by side with Michael Mack, Chema Conesa and Fernando Gutiérrez as well as with the British photographer Martin Parr who will conduct a lecture Friday at 16.30 h.
PHotoEspaña and CA2M Centro de Arte Dos de Mayo of the Regional Govenment of Madrid organizes a pedagogic and profesional program to advise 30 photographers about editing, design and concept of their photography book projects.
Within the framework of Tejo Remy workshop, the Dutch designer will introduce some of his latest Works. Tejo Remy has become one of the greatest Dutch contemporary art designer. His principal interest is to create new relation between objects and their surroundings with the purpose of grant them with new meaning. Through reusability and the appropriation, he creates objects fraught by irony and sense of humor.
Free entry.
Tejo Remy has become one of the greatest Dutch contemporary art designer. His principal interest is to create new relation between objects and their surroundings with the purpose of grant them with new meaning.
THU 9 JUN 2010. 19:00 H. SHARING COUNTER - EDUCATIVE MATERIAL & PROJECTS
In this session we will examine materials and strategies used inside and outside of the classroom.
27 & 28 MAY 2010. 10:30 – 14:00 H. WHAT CAN WE DO? EDUCATION AS AN ACTION AND MOTIVATION. SEMINAR WITH MARINA GARCÉS, SANTIAGO LÓPEZ PETIT, DIEGO SZTULWARK AND VERÓNICA GAGO FROM COLECTIVO SITUACIONES
In this session, we will work on texts written by our guests so as to lead the discussion as a critical workshop in which these ideas are related to our own educative experiences. The texts deal will very important concepts, worthy of an in-depth study such as the construction of community, learning process and affects, citizenship, thoughts as an act of resistance…These texts allow us to think and they encourage a collective reflection on emotions, conflicts and uneasiness as well as the necessity of constructing a new kind of autonomy intertwined with other subjects, rather than with individuality. This workshop is the continuation of one of the main line of works of las lindes consisting of a reflection on education from different perspectives and experiences.
MARINA GARCÉS (Barcelona, 1973) is a lecturer in Philosophy at the University of Zaragoza. She is author of Las prisiones de lo posible (Ed.Bellaterra, 2002) and is regularly published in magazines such as Archipiélago, Zehar, Daimon, etc. She has also participated in collective publications: Por una política nocturna (Debate, 2002), the report Barcelona 2004, el fascismo postmoderno (Ed. Bellaterra, 2004), Las luchas autónomas en el Estado Español, 1970-1977 (Traficantes de sueños, 2008) or La humillación. Técnicas y discursos para la exclusión social (Ed. Bellaterra, 2009) and El arte en cuestión (Valencia, 2010), etc. In 2003, she started Espai en Blanc (www.espaienblanc.net), a joint initiative dedicated to collective experimentation with thoughts. In the frame of this project, she coordinates the magazine Espai en Blanc. Materiales para la subversión de la vida (Ed.Bellaterra) and participates in different research projects. She is currently actively involved in the Master in contemporary performative arts (Institut del Teatre de Barcelona) and other research processes. www.marinagarces.com
DIEGO SZTULWARK Y VERÓNICA GAGO DE COLECTIVO SITUACIONES
Colectivo situaciones defines itself as a Buenos Aires-based militant research collective. Militant research is an elaboration of thoughts in contact with social experience. This practice intends to contribute to self-representation of society through a constant, flexible and equal work with all parties to the conflict. They set up the independent publishing company "Tinta Limón". They were already involved with some of the most active social movements and initiatives before the 2001 popular uprising: Movimiento de Trabajadores Desocupados (unemployed workers’ movement), Escuelas Libres (free schools), Trabajadoras del Sexo (sex workers), Trabajadores precarios del telemarketing (precarious telemarketing workers), GAC (Street Art Group), H.I.J.O.S. (organization of the children of the disappeared during the dictatorship) etc. They also participated in educative experiences such as the school "Creciendo Juntos" or "Universidad Trashumante". In our lindes session of December 2010 we discussed fragments of Un elefante en la escuela, http://blip.tv/file/4600758 (from 26.15 on).
Diego Sztulwark and Verónica Gago are holding a residency in Madrid as they are supported by the programme for researchers, El Ranchito (Matadero Madrid).
Activist of Workers’ Autonomy during the 1970’s, SANTIAGO LÓPEZ PETIT (Barcelona 1950) worked as a chemist in a firm which was taken over by its workers. He was involved in resistance movements that followed the crisis of the Workers’ Movement. He currently works as a lecturer in Philosophy at the University of Barcelona. He participated in the project Espai en Blanc since the very beginning (www.espaienblanc.net). Among his books: Entre el Ser y el Poder. Una apuesta por el querer vivir (Ed. Siglo XXI, Madrid 1994); Horror Vacui. La Travesía de la Noche del Siglo (Ed. Siglo XXI, Madrid 1996), El infinito y la nada. El querer vivir como desafío (Ed. Bellaterra, Barcelona 2003), Amar y pensar. El odio del querer vivir (Ed. Bellaterra, Barcelona 2005), La movilización global. Breve tratado para atacar la realidad (Traficantes de sueños, 2009). He has likewise contributed to a number of collective books and has been published in journals including El Viejo Topo, Archipiélago, Riff Raff, Futur Antérieur and Posse. His main working line is the relationship between life, politics and art from a critical and activist perspective.
14 APR 2011. 19:00 H. READING ANALYSIS VI. HE THAT HAS LITLLE AND WANTS LESS IS RICHER THA HE THAT HAS MUCH AND WANTS MORE
In this session, we will discuss education related to public or private fields, as well as advertising and mass media as a factory of consensus and its role in the construction of hedonism.
Chapter “Construction the Romantic Utopia” in Illouz, Eva, Consuming the Romantic Utopia: Love and the Cultural Contradictions of Capitalism, Berkeley, 1997.
"On Democarcy and Education" pp. 294-295 Noam Chomsky
And the following videos:
http://www.youtube.com/watch?v=zvd9NeW6zfc
http://www.youtube.com/watch?v=gPTC4XlYm2s
10 MAR 2011. 19:00 H. BUT PROF, WHAT'S THAN ALL ABOUT? 2ND INTRODUCTORY SESSION
Double session on unbiased educational material, experimental practices and other liberating entertainment. This session is the continuation of last February gathering. We invite all of you to bring materials and strategies that you may have used in your educative practice and that you'd like to share, discuss and experiment in Las Lindes.
10 MAR 2011. 19:00 H. BUT PROF, WHAT'S THAN ALL ABOUT? 1ST INTRODUCTORY SESSION
Double session on unbiased educational material, experimental practices and other liberating entertainment. During this session, teaching resources and strategies used by participants were presented in their educative contexts: a session in which objects, ideas have been brought up so that they can be shared with all participants.
13 ENE 2011. 19:00 H. RETHINKING LAS LINDES 2011
In this session, we discussed topics related to practical issues of las lindes and we reflected on this year's project and its development until now.
9 DIC 2010. 19:00 H. READING ANALYSIS V
In this session, we will analyse some of the aspects put forward by various authors in different contexts. Nevertheless, they all conceive education as a utopian project.
Ferrer y Guardia, La Escuela Moderna, Barcelona, 1912. Chapter dedicated to the education of the future
José Val del Omar "Sentimiento de la Pedagogía. Kinestésica", June 1932.
Francisco José Cuevas Noa, Anarquismo y Educación, Madrid, 2003. Chapters dedicated to Paideia School (Merida) and unschooling:objections to conventional education.
Colectivo Situaciones, Un elefante en la escuela, Buenos Aires, 2008. Chapters "Hacer escuela, estar en banda" and "¿qué puede una escuela?"
11 NOV 2010, 19:00 H.
Se crearon dos grupos en los que se compartieron las observaciones realizadas en las actividades educativas individuales desde la última sesión. Tras esto se hizo una puesta en común de las conclusiones de los dos grupos de trabajo.
Uno de los grupos expuso que las observaciones que se habían fijado en la sesión anterior les habían dado mucho que pensar, y se propuso continuar el trabajo de observación intentando sistematizarlo y experimentar con ello. Se propuso la posibilidad de observar nuestros prejuicios, los que tenemos desde hace tiempo y los que se van generando en relación a grupos con los que trabajamos un poco más a largo plazo… Por último se habló sobre estrategias relacionadas con los silencios vinculados al género. El otro grupo estuvo hablando de sus experiencias personales y no expusieron conclusiones al grupo general.
14 OCT 2010, 19:00 H.
Si en el curso anterior de Las lindes se había intentado reflexionar en torno a unos textos para facilitar el lenguaje en torno a unos referentes comunes, el propósito de este segundo año se define como un intento de bajar desde la teoría hasta la práctica.
Para dar este paso se decidió dividir al grupo en tres partes, para operativizar las sesiones de trabajo, generar lenguaje común y analizar lo propio a través de lo ajeno y a la vez, nutrir la práctica educativa a partir de nuestras experiencias.
Tras la división en grupos, se pusieron en común las propuestas de observación:
- Los silencios y las dinámicas que puede generar cuando el alumno no responde al diálogo
- El miedo, desde el punto de vista del miedo a la libertad, cómo reaccionamos ante los proyectos libres o que no nos marcan líneas claras de actuación
- Dinámica espacial y relaciones corporales. Analizar el lugar del cuerpo en el espacio, tanto el del profesor y como los de los alumnos y como se distribuye el espacio en el aula.
- La dirección de las preguntas que se hacen, que intención tenemos con cada pregunta
- Relación entre la toma de la voz y el diálogo con las situaciones de igualdad/desigualdad.
Documentation and further information
Image: spectrogram, the usual way of cleaning soundtracks of noises that get into recordings and which are detected on the basis of colours of different intensity and place on the spectrum.
In the summer of 1959 the Estonian non-fiction film producer and opera singer Friedrich Jürgenson and his partner tried to record the birdsong of a finch in order to use it in one of their documentaries. In the forest near their home Friedrich placed a tape recorder and remained silent as he tried to record the birdsong. On returning home, he played back what he had recorded.
The sound was clean and clear, the wind, the leaves as they moved, the song of the finch, but... there was something else. On the recording he could also hear a human voice imitating the sound of the finch which then started talking in Norwegian, commenting on the birdsong. Jürgenson supposed that it must have been someone who was also in the forest at the time who he had not been aware of. So, the following day he returned to the forest, but first checking the area to ensure that there was nobody about, and once again he placed the tape recorder beside the finch’s nest. When he returned home satisfied, Friedrich played back the recording. This time there was no one whistling but there was a voice. A voice which he recognized as his own dead mother calling him. Friedel … my little Friedel …. Can you hear me?
In this two-day workshop we will experiment with the boundaries between art and magic in order to defy the logic of our surrounding world.
A workshop led by Raisa Maudit, a multidisciplinary artist whose work is defined by representations of individual and collective desires, needs and expectations in conflict with socio-political standards, generating experiences that are transformed into little acts of subversion.
Capacity: 15 people
In the summer of 1959 the Estonian non-fiction film producer and opera singer Friedrich Jürgenson and his partner tried to record the birdsong of a finch in order to use it in one of their documentaries. In the forest near their home Friedrich placed a tape recorder and remained silent as he tried to record the birdsong. On returning home, he played back what he had recorded.
Imagen: espectrograma, el modo habitual para limpiar la pista de sonido de ruidos que se cuelan en la grabación y que se revelan en base a colores de diferente intensidad y situación en el espectro.
From its start, cinema has been known as one of most fascinating educative means, not only for the subjects and issues raised, but for its imaginary creation capacity and for encouraging new habits of active and critical perception. For the purpose of providing an alternative to those audiovisual dominant products, those that reinforce that consumption behavior and few times lead to reflection, CA2M has created this activity.
This educative program consists of a discussed film screening by an educator alongside a cameraless workshop. The program offers many experimental and fiction creations. Following the discussion after the screening, it continues a workshop where students will experience and work directly on the film itself. After the workshop, it will be screened the manipulated celluloid by the students.
This project is embedded in the CA2M audio-visual literacy project which aims to promote attitudes of active perception from an early age. Within this program, the museum space becomes a place for children to discover new references, find new images and talk about new issues other than the usual ones. This workshop comes with a teachers´dossier to work it after in the classroom.
Maximum 30 students per session
PROGRAMMING
Animal Studies, the cat. Guy Sherwin, 1976 -79, 2´ 50´´
Vitrail, Olivier Fouchard, 2004, 1´ 10´´
El coro, Le choeur, Abbas Kiarostami, 1982, 17’
Flip Film, Ellen Ugestald, 2005, 1’ 10´´
Máximo 30 alumnos por sesión
From its start, cinema has been known as one of most fascinating educative means, not only for the subjects and issues raised, but for its imaginary creation capacity and for encouraging new habits of active and critical perception. For the purpose of providing an alternative to those audiovisual dominant products, those that reinforce that consumption behavior and few times lead to reflection, CA2M has created this activity.