912760225

912760225

This course’s educational activity programme is oral. If you are interested in this activity, write to us at educacion.ca2m@madrid.org or call us on 912760227 and we’ll tell you all about it.

You can sign up HERE

This project is part of the series of language workshops by the A.C. Banda Editorial Silvestre. Organised by  BOYA~célula  in collaboration with Seminario Euraca.

Activity type
Dates
FROM OCTOBER 21th TO MARCH 13th
Topics
Acceso notas adicionales

School groups of fewer than 30 students.

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visita taller
STAND HERE. VISIT-WORKSHOP FOR SECONDARY SCHOOL STUDENTS TO THE CA2M, DIALECT EXHIBIT
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Is it a cycle?
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Duration
11:00 – 13:30

This course’s education programme is an underground river.

It appears and disappears.

Its texts are transmitted verbally, that is, via the spoken word.

We would love for anyone to transmit our projects and for them to reach far and wide. So, we have invited the artists we will be working with during this school year to write protocols in order to memorise and explain the programme texts. This way, they won’t be forgotten.

If you are interested in receiving this programme please write to us at educacion.ca2m@madrid.org or call us on 912760227 and we’ll tell you all about it.

 

  1. The Art of Happening. Mónica Valenciano

      Protocol for memorising and explaining

 

  1. Overflowing school. EnterArte

 

      Protocol for memorising and explaining

 

  1. Florecer dobladx. BOYA x Seminario Euraca

    Protocol for memorising and explaining

 

  1. Do Without Being Seen. Black Tulip

     Protocol for memorising and explaining

 

     5. Taller towers

  • Collaboration with the Children’s Residential Centre 

  • Collaboration with the Federico García Lorca Public School

  • Collaboration with the Europa High School

  • Collaboration with Pablo Neruda Occupational Training Centre

  • Visits

  • An amateur choir

  • Furtive night-time encounters

 

 

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programa educativo
EDUCATION PROGRAMME 2021-2022-2023
Type Thinking / Community
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Is it a cycle?
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At the end of every school year we like to think of a different way of starting the summer. This time, the artist Marc Vives will pay us a visit to lead a workshop exploring new artistic strategies. Over the course of four days and one night when we will sleepover at the museum, we will explore the unexpected and put our imagination to the test in order to create magical moments that experiment with new forms of creation waiting to be discovered.

Dates header text
FROM 6 TO 9 DE JULY
Registration:
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CAPACITY: 15 PEOPLE

Entrance

At the end of every school year we like to think of a different way of starting the summer.

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pum pum pum
PUM PUM PUM. SUMMER WORKSHOP FOR YOUNG PEOPLE
Type Thinking / Community
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Duration
16:30 – 19:30
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In this oddest of school years, which never really got off to a proper start, we are now drawing to its possible conclusion, a summer, a chance to get out there, to who knows where. We want to spend these last two months of the school year strolling around the rooms and halls of the museum, thinking about ourselves, about the walls, about the exhibitions, about its spaces and places, about our loved ones.

Every Tuesday from 11:00 am to 1:30 pm, the museum’s education department invites you to shake up its spaces, see how they move, see how they can be used by a museum now, how to build new ways of being together inside and outside the institution.

Every Tuesday we will start out from a different space:

  • stairs
  • perimeter
  • corners
  • ceiling
  • halls
  • being
  • outside
Activity type
Dates
Every Tuesday
Target audience
Acceso notas adicionales

Capacity: 10 people. You can write to us in advance or go directly to the museum reception and sign up.

Entrance

We want to spend these last two months of the school year strolling around the rooms and halls of the museum, thinking about ourselves, about the walls, about the exhibitions, about its spaces and places, about our loved ones.

Subtitle
TUESDAY VISITS
Categoría cabecera
Temblar el museo
SHAKING UP THE MUSEUM
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Duration
From 11:00 to 13:30

It was already super-late and there was still plenty of light. Right, right. There was plenty of light. We also talked about this because, of course, it was so far west and it was very rare, as if people who were already deep into the night were sending us photos of their darkness. But we remained in broad daylight. Right. But there was no sun. It was daytime. Right. Plus, the light was really fragmented. Right, right. Like haze in the background because there was no mist nearby. It was like a kind of warm mist. Of course. I mean, the time came when you couldn’t see the horizon. The horizon was erased. Right, right, like when you looked it seemed like the horizon line had disappeared. Like it had been erased with Photoshop. Of course. This idea that the sky merges with the sea. Right. But like just a part of it. Right. Of the horizon line. Not all of it. That’s right. And like a speck that was the sailboat, and we were going there, that was really strange, right? You could see a bit of light in part of the sea, but then there was nothing. Of course. It was a place of mirages. So then we looked and we all said that it’s not going to cross. Yes, yes, it’s going to cross. No, it’s impossible, it's going to wend, it's going to wend, because that was the edge, and beyond the sea falls away. Maybe that’s why the line couldn’t be seen, because we were already on the other side.

EDUCATIONAL PROGRAMME 2024-2025

Preschool and primary school

Secondary school

Teacher training

Youths

Families

Everyone

 

Entrance

Here you’ll find all the educational programming and activities of the CA2M Museum for everyone: families, young people, teacher training and groups of preschool, primary, secondary and baccalaureate students.

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PROGRAMA EDUCATIVO 2025
EDUCATIONAL PROGRAMME 2024-2025
Type Thinking / Community
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Last school year we worked on a project that involved the UFIL Pablo Neruda and the children’s residence of Móstoles. The goal was to create our own space in the residence’ garden that catered to the children’s wishes. Throughout the entire year, we partnered with the designer Curro Claret and the carpentry group at the UFIL to develop the prototype of a modular structure that the children could transform into whatever they want: a house, a stage, a platform for sleeping, a cave or even a swing.

In early summer, we completed the project with an opening party for the house. It was exciting to watch how the children made it their own as they explored the space. That has become a starting point, an excuse to take yet another step. We want to invite artists and creators to intervene in this space in order to resignify it as a place of work and research along with the children. This is only the beginning.

Soft House is a collaborative project with the children’s residence of Móstoles that aims to serve as an invitation to reconsider what a house means. It is a place to reflect on the concept of the nuclear family, to challenge it and suggest new ways of designing and intervening in our surroundings.

Dates header text
TODO EL CURSO ESCOLAR
Entrance

Casa Blanda is a collaborative project with the children's home in Móstoles that seeks to be an invitation to rethink what a house means.

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casa blanda
SOFT HOUSE. PARTNERSHIP WITH THE MÓSTOLES CHILDREN’S RESIDENCE
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Picture: Sue Ponce.

Type Thinking / Community
Topics Educational Community
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Is it a cycle?
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For some years now, the museum has worked closely with García Lorca school in Móstoles. Over this time, we have witnessed its teachers’ incredible commitment, who understand that educational practice is primarily a form of activism and a commitment to the surroundings and to the community near the school.

One clear example of this commitment is the school radio station, an initiative that involves the entire school. This radio station has not only allowed students to create their own content but has also become a mouthpiece for our museum and its programmes.

This academic year, we want to work with the school team to create a new project that inspires us and encourages us to think in the long term by establishing a shared language through which our two institutions can engage in dialogue and grow together.

Over these years, we have talked about the spaces around the school, their boundaries and their potential as new places of learning. Inspired by this vision, we have decided to develop an open classroom project using the school’s outdoor areas and vacant lots that connect it to the neighbourhood. It is a pedagogical approach based on self-building and play to create a space of encounter where students, teachers, families, and we ourselves can share, learn and live.

Dates header text
THE WHOLE SCHOOL YEAR
Entrance

For years, the museum has maintained a close collaboration with the Federico García Lorca school in Móstoles.

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garcia lorca
FIELDWORK. PARTNERSHIP WITH CEIP FEDERICO GARCÍA LORCA
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Picture: Sue Ponce.

Type Thinking / Community
Topics Educational Community
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Is it a cycle?
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NIBBLES OF REALITY

‘If you’ve ever dreamed it, it’s real. If you’ve ever felt it, it’s real. If you’ve ever experienced it, was it real? Are the place you occupy in the world and that way you think no longer the same as before? Do you get lost in the onslaught of information today? Do you no longer know whether that voice in your head is stable? Take a nibble of reality before all that gets to you! Perhaps you’re wondering how you got here; I don’t know. I don’t even exist; I’m just a voice that comes to life in your head through words. But from there I can invite you to explore dissociation, the construction of the story and illusion, and that may even include a panoramic visit to the uncanny and other places yet to be deciphered. And no prior experience is needed! Liminal instructions to play in reality: reality twists. Reality expands. Reality blurs. Reality breaks. The reality we build. Now we’re where things continue (talking through the voice that reads in your head), a group (and perhaps, too, an unreachable place) made up of ex-under-twenties which is generated from restlessness and curiosity through the museum and its practices.’

Where Things Continue is a group made up of former participants in the youth programmes with an interest in culture, art and community work. The project aims to redefine the relationships with the museum by fostering its members’ self-management and getting them involved in building the programming targeted at young people.

Dates header text
ALTERNATE SATURDAYS UNTIL JUNE
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Entrance

Where Things Go On is a group formed by former participants of youth programmes with an interest in culture, art and community work.

Subttitle
RESEARCH GROUP
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sub21
WHERE THINGS CONTINUE
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Picture: Sue Ponce.

Type Thinking / Community
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Duration
17:30 - 20:30
Is it a cycle?
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We are Nails and Thumbtacks, a little group devoted to artistic experimentation through self-publishing and DIY, always creating through play. We aim to discover and generate multiple ways of materialising our ideas as a group. We explore different media like paper, video, sound, performance and even intangible things, playing with constant constructions and deconstructions.

If you’re between the ages of 13 and 21 and you’re interested in art, this is a space where you can freely experiment. You don’t need any prior knowledge, and you don’t need to be an extrovert; here we invent everything from scratch, together.

This year we’re focusing on transformation to explore what emerges from endings and new beginnings. We’ll invite guests who work in different disciplines like performance, textiles, image and film. We’ll also take trips and appropriate the museum for our creations.

Join us and discover the power of collective creation through play and artistic experimentation.

Activity type
Dates
ALTERNATE FRIDAYS UNTIL JUNE
Entrance

We are Clavos y Chinchetas, a small group dedicated to artistic experimentation through D.I.Y. and self-publishing. If you are between 13 and 21 years old and you are interested in art, this is a space for you to experiment freely.

Subtitle
OPEN WORKSHOP FOR YOUTHS AGED 13 TO 21
Categoría cabecera
clavos
NAILS AND THUMBTACKS
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Picture: Sue Ponce.

Is it a cycle?
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Duration
17:30 - 19:30

Raising our own flag on the museum’s façade for one minute. Inventing colour palettes that we’ll use to build the landscape of Móstoles precisely at thirty minutes past noon. Bringing our bodies together close, really, really close, until we become a huge rock. Doing meditation exercises on the building’s rooftop or imagining the sunset-tinged evening sky.

These are just a few of the experiences that the students who visited the museum had. During the school year, we offer activities designed for groups of secondary and baccalaureate students that revolve around the exhibitions and seek to generate meaningful experiences. Our project aims to forge a direct tie between contemporary artistic practices and students with the goal of revitalising and bringing new life to the museum’s spaces. To do so, we approach the exhibitions as spaces of creation and collective inquiry.

This time, we’ll work with the exhibitions of Santiago Sierra and Sol Calero. Exploring these two shows will enable us to connect with topics like identity, migration, power and exclusion. This experience seeks to not only expand students’ understanding of contemporary social and cultural issues but also generate spaces for critical thinking. It is an encounter designed with the desire to share knowledge, practices and experiences and to debate the content of the exhibitions with the students.

With this approach in mind, we have invited the artist Marta van Tartwijk to work with us to come up with and design strategies to activate the exhibition spaces.

Marta van Tartwijk (Barcelona, 1990) has a degree in Fine Arts from the Complutense University of Madrid and furthered her training at the École Superieur d’Art de Bretagne (France), the University of Barcelona and A*Desk. She has exhibited and developed her work in different institutions like Fabra i Coats, INJUVE, Sala de Arte Joven, TEA Tenerife, La Capella, Bilbaoarte, DosMares and Matadero. In her practice, she explores how images can access personal experience and serve as a hinge that articulates times, contexts and subjective experiences by experimenting with body and language.

Activity type
Dates
THE WHOLE SCHOOL YEAR
Acceso notas adicionales

AFORO: 35 PERSONAS

Entrance

We will work on the exhibitions of Santiago Sierra and Sol Calero. Exploring these two exhibitions with the students will allow us to connect themes such as identity, migration and power.

Categoría cabecera
Taller secundaria
DONKEY’S EARS. TOUR-WORKSHOP FOR SECONDARY SCHOOL AND BACCALAUREATE GROUPS
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Santiago Sierra. Woman in a bonnet seated facing the wall. Spanish Pavilion at the 50th Venice Biennale. May 2003. Courtesy of Estudio Santiago Sierra. © Santiago Sierra. VEGAP, Madrid, 2024.

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Duration
WEDNESDAY 11.00- 13.30