actividades.ca2m@madrid.org

actividades.ca2m@madrid.org

To mark the occasion of its 15th anniversary, on 4 and 5 May the CA2M Museum is hosting FURIA, a Live Arts Festival whose first edition will bring together traditional flamenco and contemporary performance art.

The CA2M Museum will become a space for the creation and exhibition of the performing arts, mixing popular culture with contemporary art. 

FURIA celebrates the museum’s entry into maturity on its 15th anniversary, without losing any of the youthful strength, boldness and the enthusiasm for which it is known. The museum has invited leading artists to create performance art pieces that will be premiered at this festival.

 

PROGRAMME

  • THURSDAY 4 MAY. 8PM TABLAO. An installation by Ernesto Artillo for the flamenco troupe: Yerai Cortés, Niño de Elche, Andrés Marín and Rocío Molina.
  • FRIDAY 5 MAY. 8PM UNO. Claudia Pagès. With Nora Haddad and nara is neus.
Activity type
Dates
4th and 5th MAY 20:00H
Target audience
Topics
Acceso notas adicionales

LIMITED CAPACITY

Entrance

To mark the occasion of its 15th anniversary, on 4 and 5 May the CA2M Museum is hosting FURIA, a Live Arts Festival whose first edition will bring together traditional flamenco and contemporary performance art.

Categoría cabecera
Furia
FURIA
More information and contact
Is it a cycle?
Disabled
With the support of

Interdependence is at the very groundbase of our most everyday reality. Marina Garcés contends that “you cannot say I without an echo of us”, but it is a singular us—not ‘all of us’ but rather ‘each one of us’. We are increasingly bombarded by the fantasy that it is possible to live in isolation, but, not only that, that this life in isolation is livable. Political discourses, economic dynamics, ways of life, routines, slogans and individualist aspirations hold sway. And even though the lesson that we need each other can be gleaned from the extreme circumstances we have lived through and from everyday reality, the dominant narratives are different.

Coexistence has been smothered by survival.

Interdependence, and its manifold expressions, is the common thread running through these picnic sessions: ranging from our relationship with nature to work relations. The role of the public is crucial to reach the level of euphoria needed to generate the sensation of community, the sense of belonging that I, you and we all look for in a family, a rave or a union.

Interdependence comes about from the undeniable vulnerability that we all share in common. To bring this reality to light, the hierarchical relationship between audience and artists will disappear in the sessions when creators openly reveal their precariousness, endemic to the cultural industry, exposing the hidden underbelly of their life stories, a kind of in bio veritas that speaks of hand-to-mouth jobs and the difficulty if not directly the impossibility of making a living from art. In addition, the bureaucratic, administrative and fiscal demands required to take part in certain cultural spaces are major obstacles for creative practice. To circumvent and shatter them, mutual support is, as always, the most effective instrument at hand.

More than just participating, the audience becomes one with the music and performances, it is invited to reach out and touch each other blindly, to make exchanges on the sidelines of the economy or to take stock of their privilege with regards those who society categorizes as dependents, as if the rest of us were not.

These Picnic Sessions are an invitation to make the most of these bonds, and to create new ones. With euphoria.

Curated by: Nerea Pérez de las Heras and Mar Rojo.

// At the beginning of the nineteenth century, the Picnic Society was founded in London and met regularly in the open air. On its outings, which had no specific host as such, the individual members were expected to provide the refreshments and the entertainment. Starting out from the same concept, and forming its own particular Picnic Society, every year CA2M Centro de Arte Dos de Mayo invites various curators to design a programme for the art centre’s roof terrace.

Every Thursday from the end of May until mid-July the CA2M roof terrace will be transformed into a space where we will carry out a programme of activities mixing the body and sound with education and participation. //

PROGRAMME

• Thurs 26/05 I IF YOU MOVE, I MOVE Miss Beige, Dembooty

• Thurs 02/06 I OUTSIDE THE NORM Costa Badía, LVL1

• Thurs 09/06 I INTERDEPENDENTS Ana Matey, Maricas: Jovendelaperla & Berenice

• Thurs 16/06 I A SINGLE BODY Ernesto Artillo, Ece Canli

• Thurs 23/06 I NEW PIECES, NEW GAMES Andrea Jiménez, Caliza

• Thurs 30/06 I MELT, MIX, STIR Victória Bemfica, Emily da Silva, Gabriela Clavería and Ikram Bouloum

SCHEDULE: 9:00 p.m. to 11:00 p.m. (EXCEPT THE SESSION ON THE 30TH, WHICH WILL BEGIN AT 6:00 p.m.).

YOU CAN DOWNLOAD THE PROGRAM HERE

Activity type
Dates
From May 26TH to June 30TH
Target audience
Topics
Entrance

At the beginning of the 19th century, The Picnic Society was born in London, an association that met regularly in the open air and in whose meetings each member was expected to contribute part of the entertainment and refreshments without there being a specific host. Based on this concept, and as a Picnic Society, the Museo Centro de Arte Dos de Mayo invites several curators each year to design a program for the Museum's terrace. Every Thursday from the end of May to the end of June, our terrace becomes a space in which we develop a program of activities in which the body and sound are mixed with the educational and participatory.

Categoría cabecera
Picnic Sessions 2022
PICNIC SESSIONS 2022. VITAL SUPPORT
More information and contact
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Design: Cristina Daura.

Is it a cycle?
Disabled
Duration
21:00 - 23:00h

Curated by Isabel de Naverán in collaboration with Escuelita.

One year later, the question that underpins these conferences, challenges us, if possible, even more directly For which bodies, for what histories. In the face of the general uncertainty and the absolute lack of historical precedence that we are going through, this question confronts us with the contingency of history in the materiality of our bodies given the very violence that a brutal and savage irruption like this pandemic entails. We are confident that the curatorial threads - which were once amassed with rigour and care, and which are now being taken up again with the understanding of a vital transformation - continue to make sense.

These conferences rethink the preconception that situates bodies as a consequence of the historical circumstances in which they live, as, although history makes bodies, they also make history. The latter is told through images that, unlike bodies, remain fixed and mute, forcing us to reckon with history, rather than just narrate it. The images seem to bring the events to a halt and are often relegated to a one-to-one correspondence with the facts. Here we are presented with the concept of listening to how some of them reveal themselves in order to contradict and contravene their own narratives, while at the same time rebelling, warning us of other stories that emerge in their re-reading and in the dispute against the ordering of time. Seen in this way, some images do not remain mute: they mutate and act at the same time as they are enacted, manoeuvred and sustained. Bodies are also enacted and subjected by other corporealities, those that inhabit their gestures apprehended by the knowledge of a tradition or by a certain way of relating and disposing themselves in their varied worlds. The question of the title imagines a making of bodies and images that, in a state of mutual listening, establishes connections that are out of time, anachronistic, and syncopated, defying the linearity that predisposes a before and an after.

The twenty-sixth edition of the conference continues along the same vein of the previous ones, delving into the relationship between images, gestures and performativity. This edition sets out to think about images through the making of choreography and performance, its practice, and its specific materiality.

It is conceived of as a study programme which, subject to prior registration, brings together a group of people interested in and committed to the issues raised. A meeting in which speakers and attendees share time, conversations and experiences over three interlinked sessions. The first two focus on specific artistic and choreographic processes that explore notions of history, tradition, and transmission from body techniques that allow us to speculate about processes that can be described as a recognition of a gestural archive, an estrangement from one's own tradition, or listening to alternative modes of presence. From within these parameters, we seek to expand the study to a dialogue with partnering agents of art, anthropology and philosophy, in the intersections of knowledge. A third session will take place on Wednesday morning, in a pine forest near the museum, and is organised as an open-air walk with the intention of collectively sharing and offering feedback on the reflections and debates experienced during the previous days.

Speakers: Ana Folguera, Thiago Granato, Pablo Marte, Ameen Mettawa, Julia Morandeira, Rita Natálio, Isabel de Naverán, Eszter Salamon, Manuel Segade, Estrella Serrano.

 

DOWNLOAD THE PROGRAM HERE 

Dates header text
5, 6 and th JULY
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Registration:
-
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CAPACITY: 25 PEOPLE

Entrance

One year later, the question that underpins these conferences, challenges us, if possible, even more directly For which bodies, for what histories. In the face of the general uncertainty and the absolute lack of historical precedence that we are going through, this question confronts us with the contingency of history in the materiality of our bodies given the very violence that a brutal and savage irruption like this pandemic entails. We are confident that the curatorial threads - which were once amassed with rigour and care, and which are now being taken up again with the understanding of a vital transformation - continue to make sense.

Subttitle
FOR WHICH BODIES, FOR WHAT HISTORIES
Header category
XXVI IMAGE SYMPOSIUM
Main audiovisual
Media footer

Wrap, History and Syncope by Isabel Naverán. Picture: ©Andrea_Rodrigo

Type Thinking / Community
Hide main image
Disabled
Duration
5th JULY 17:00-22:00H | 6th JULY 11:00-21:00H | 7th JULY 11:00-14:00H
Is it a cycle?
Disabled

«After a very long winter, you see a green parrot perched on a blossoming almond tree. You would never have seen this in Madrid not long ago, but now it’s a common sight. We don’t know how we’re going to get back on track, and one thing we’re left with is celebrating a world that’s not going to be exactly the same. There are many things, even more when celebrating is part of the process of leaving behind, and moving forward. That path that is knowing what we follow. A public place, for everyone, green, high up, free, and specific. A place like a picnic.

This programme was shaped around the theme of tradition in an intuitive way, and we say intuitively because it was not actively sought and it was not until everything had been designed that we actually recognised this fact. Tradition understood in an expanded form, placed between the material and immaterial of this moment we are living. And who says when it is and when it is no longer like that? Throughout the sessions we see the most literal translation represented by craftsmanship, by mythology and inherited customs, but we also see that this whole world is reinterpreted, remixed, subverted, and left open to the air of the tensions of today’s world. In this open sky, questions and suggestions appear about what tradition means, to be tradition but also to make and create it. To believe it. Sometimes the folkloric appears, sometimes the ceremonial. Things that we know exist but that we have never seen also appear, which, because they are part of our dreams, also belong to us. At other times, there are interpretations that are so mixed in their languages and influences that they overflow. Yet, at the same time, when overlapped they create an image in which you can recognise yourself in the background. These are very local picnics. In them, there is a continuous reference to what is part of us and what we cannot be detached from. This happens and is interspersed, and suddenly it brings us to common ground where we can be together. And there is, in all this, a moment of self-reference of what the actual tradition of the picnic is and the place that is this terrace. We want to transfer these two things to other places, to other formats and, in short, to be able to live in the different ways we have always appreciated. A terrace can also be a forest.

We have skipped a spring. This is what we thought before everything happened, now we don’t want to wear shoes. We’re telling you this because it’s true. All that remains is for us to invite you to look together with us at what is coming from what has already passed.

Curated by:

Maral Kekejian and bwelke (Juanito Jones, Lorenzo García-Andrade and María Buey)»

 

PROGRAM

  • T 27/05 | OPENING:  Javi Álvarez y Javi Pérez Iglesias; Maider López; Enrico Dau Yang Wey.
  • T 03/06 | DIRECTOS: Ylia; SLVJ; Bazofia.
  • T 10/06 | KATA GURUMA : Aitana Cordero y David Cárdenas
  • T 17/06 | EN EL AIRE: Jonás de Murias; Kike García + Jesús Bravo; Lara Brown; Eliseo Parra
  • T 24/06 | NOCTURNO: Bosque R.E.A.L y Cuqui Jerez
  • T 01/07 | 1th OF JULY: Orquesta; JASSS.

 


NOTA SOBRE EL ACCESO

  • Recuerda que el aforo es limitado, por lo que cuando realices tu inscripción, te enviaremos un email confirmándote que tienes entrada.  Una vez lo recibas, podrás pasar a recoger tu entrada en la recepción del Museo el día de la sesión de Picnic hasta las 21.15h.  Si a esa hora no la has recogido, se pondrá a disposición del público.
  • Si no puedes venir por alguna razón, por favor avísanos cuanto antes para que alguien de la lista de espera pueda ocupar tu plaza.
  • Este evento respeta las medidas seguridad y las restricciones de aforo indicadas por las autoridades sanitarias, por lo que el público estará sentado y con la distancia de seguridad apropiada.
  • Cuando vengas, por favor sigue todas las indicaciones del personal de la organización para que tanto el acceso como el desalojo se haga siguiendo las normas de seguridad.
  • Por tu bien y el de todos, si tienes síntomas compatibles con el Covid-19, no acudas al Centro.

 

cartel picnic 2021

Activity type
Dates
27 may – 1 july
Target audience
Topics
Acceso notas adicionales

Prior registration required. Form available one week before each session. LIMITED CAPACITY: 90 people.

Entrance

As a Picnic Society, the CA2M invites several curators each year to design a program for the terrace of the Center. Every Thursday from the end of May to the beginning of July our terrace will become a space in which we will develop a program of activities in which the physical and the sound are mixed with the educational and participatory.

Actividades asociadas
Press materials
Subtitle
This is as far as we've come
Categoría cabecera
Picnic Session 2021
PICNIC SESSIONS 2021
More information and contact
Audiovisual principal
Is it a cycle?
Disabled
Duration
6 sessions
Biografías

We are outdoors, in the fresh air. Multiple layers of reality are occurring at the same time. The sun is setting on the horizon, the light is constantly transforming. What separates what we are seeing and what we are imagining?

By stopping to see what we seldom perceive, in this workshop we will engage in several attention exercises with the goal of inquiring into sight and the kinematic. We will work with things that are not a material support but are supported by what is around us to shape other realities. The goal is to seek new ways of producing images by connecting the visual with the sonorous and action in a space.

This workshop is targeted at teachers, educators and artists interested in education. It is offering a week of work to forge bonds by collaborating and collectively reflecting with the Museum’s educators, the attending teachers and the guest artist.

Sofia Montenegro’s work lies somewhere between sound, image, text and performance. She studied Fine Arts and Cultural Studies in Utrecht and Madrid and earned an MA in Art Praxis at the Dutch Art Institute. Her works often take the form of installations, sound tours, listening sessions, collective encounters or performance.

She has recently showed her works in exhibitions, actions and performances at La Papelería, the Ana Mas Projects gallery, the Blueproject Foundation, the Centre d’Arts Santa Monica, Can Felipa Arts Visuals, Bulegoa, MNCARS, LCE, El Chico Madrid and Kunstraum Bethanien Berlin, among others, and will soon do so at Barcelona’s La Capella. 

She is also the winner of Barcelona Producció 2023-24 and Generación 2022 and has done residencies at Futurama Alentejo, BilbaoArte and CRA Matadero Madrid. She is currently a resident at Hangar in Barcelona.

Dates header text
6-9 MAY
Entrance

This workshop is targeted at teachers, educators and artists interested in education. It is offering a week of work to forge bonds by collaborating and collectively reflecting with the Museum’s educators, the attending teachers and the guest artist.

 

Header category
Formacion porfesorado
STEPS, MURMURS. LISTENING AND OBSERVATION WORKSHOP FOR TEACHERS WITH SOFÍA MONTENEGRO.
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Sofía Montenegro, Cámara Oscura, 2023. Picture: Jorge Anguita Mirón.

Type Thinking / Community
Topics Educational Community
Hide main image
Disabled
Duration
6-9 MAY 17:00- 20:00
Is it a cycle?
Disabled

Madrid has a long and little-known Islamic legacy which is intertwined with the city’s history in a way that challenges the political and media discourses that present Islam and Muslims as unwanted, recent foreign arrivals. Madrid was founded in the eleventh century with the mixed name of Maŷrit and is the only current European capital with Islamic roots.

Its first history was written in Arabic, as were the names of its first known inhabitants. For 220 years, Madrid belonged to the broad Arab-Islamic geographic and cultural space that extended from the Duero River to the Sahara Desert, from the Atlantic Ocean to the Indus River. After being conquered and incorporated to the Kingdom of Castile in the late eleventh century, Madrid still had an Islamic presence for 500 more years through its Mudejar, Morisco and slave minorities.

This historical legacy is barely known because the history of Madrid has been recounted in light of its status as the urbs regia, the seat and symbolic embodiment of a power that has been presented as essential and exclusively Catholic and European, which has consequently tended to erase the material and symbolic traces of a past that was considered unsuitable. However, unexpected, subtle phantasmagorias of this past, both tangible and intangible, still exist in Madrid today and even inhabit the icons of Madrid’s identity.

This activity suggests a tour around different spaces of memory to engage in a reflection on the history and memory of Madrid in relation to concepts like identity, alterity, mestizaje and diversity.

Wednesday 19 June. 6-8 pm. Free activity with advance registration. Capacity: 25 people.

Daniel Gil-Benumeya, 1970. He was raised between Rabat and Madrid in a family associated with the imagined and cross-border geography of southern Spain. His academic training is in the field of Arab and Islamic Studies, and outside the academy he was trained in the neighbourhood community of Lavapiés and other areas of Madrid. He is currently a professor in the Department of Linguistics and Oriental Studies at the Universidad Complutense de Madrid and scientific coordinator of the Centro de Estudios de Madrid Islámico (CEMI), which is affiliated with the Fundación de Cultura Islámica (FUNCI). His main line of research involves a range of issues associated with the past and present of Islam and populations considered Muslim in Europe. He specifically examines the processes of constructing identity and alterity and the role played by social representations of history and memory in this construction.

Activity type
Dates
19 JUNE
Target audience
Topics
Acceso notas adicionales

AFORO: 25 PERSONAS

Entrance

This activity suggests a tour around different spaces of memory to engage in a reflection on the history and memory of Madrid in relation to concepts like identity, alterity, mestizaje and diversity.

Categoría cabecera
Visitas Madrid islamico
STROLL THROUGH ISLAMIC MADRID. BETWEEN HISTORY AND MEMORY.
More information and contact
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Picture: Daniel Gil Benumeya.

Is it a cycle?
Disabled
Duration
18:00 - 20:00

María Us is a Guatemalan activist who was a guerilla member during Guatemala’s armed internal conflict between 1960 and 1996.

As the outcome of the partnership between her and the artist Ana Gallardo, we are presenting a play in the form of a biographical act which tells the story of a forest that is both the memory of land struggles and the community’s means of sustenance, in an attempt to disinhibit and publicise the resistance of several generations of female bodies violated by their family members and fellow political activists, too.

MARÍA US

I am a woman with K'iche' roots. I speak my native language. Ever since I remember, I’ve worked the land a lot. I went to primary school in my community. What I remember from primary school: most of the teachers were Latino and they would hit and punish us over anything. And they forced us to study or speak Spanish. I liked to play and run, and I imagined that when I was a bit older, I would go far from my family to study and teach the children of my village. Everything changed when the government of Guatemala began to damage and murder. That was my dream no more. I think that schools should not be enclosed; children should not be inside four walls; they should study in a place where they coexist with nature. Someday I’ll teach children.

Activity type
Dates
8 MARCH 10:50
Target audience
Topics
Entrance

Performance by María Us on the occasion of the opening of the exhibition "Tembló acá un delirio" by Ana Gallardo.

Subtitle
PERFORMANCE BY MARÍA US IN CONJUNCTION WITH ANA GALLARDO
Categoría cabecera
Maria Us
TE BUSCO EN OTRO NOMBRE [I’M SEARCHING FOR YOU IN ANOTHER NAME]
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Portrait of María Us. Photograph by Gregorio Díaz. Courtesy of the Museo de Arte Moderno de Bogotá (MAMBO).

Is it a cycle?
Disabled
Duration
20 minutes

Continuing with the line of work that got underway in 2014, El Cine Rev[b]elado is offering a series of activities around audiovisual performance and film’s interrelation with other disciplines. It is an examination of the cinematographic experience beyond the darkened room and the projected image, relating it and transforming it to activate an experience around the audiovisual that questions not only its own language but also its entire structure and conventional logistics.

On 9 February 2014, the first edition of El Cine Rev[b]elado got underway at the CA2M Museum. Ten years later, we are still examining the interrelation between film and other disciplines by proposing a dialogue that rebels against the conventions of traditional cinematography in a constant quest for new revelations that lead us to other places and activate critical thinking.

In this anniversary edition, we are suggesting a reflection on the image itself in terms of its presence and especially its absence, associating it with orality, the word, the text and gesture via four performances by artists who inquire into and work within these contemporary artistic practices.

In 2024, we celebrated one decade and six editions of El Cine Rev[b]elado along with the CA2M Museum and everyone who has attended it, turning this series into a benchmark within the live and performing arts in the Community of Madrid.

Curated by Playtime Audiovisuales (Enrique Piñuel Martín and Natalia Piñuel Martín).

PROGRAMME

Sunday 11 February 6:30 pm ǀ NON-IMAGE: A TALK ABOUT PERCEPTION ǀ David Bestué, Marta Azparren and Haize Lizarazu.

Sunday 18 February 6 pm ǀ WASHINGTON ǀ Matías Daporta.

Sunday 25 February 6:30 pm ǀ FORTY-SIX SECONDS ǀ Los Torreznos.

Sunday 3 March 6:30 pm ǀ THINGS SAID ONCE ǀ Esperanza Collado.

Note: Only the session on 18 February will begin at 6 pm.

Playtime Audiovisuals

This is a Madrid-based cultural management platform founded by Natalia Piñuel and Enrique Piñuel in 2007 which is devoted to contemporary artistic practices. They undertake curatorial projects for art centres and cultural institutions like the Espacio Fundación Telefónica, Azkuna Zentroa, MUSAC, Instituto Cervantes, Centro Cultural de España en México and Tabakalera. They have also worked as programmers for film and music festivals like (S8) Mostra de Cinema Periférico de A Coruña, Festival de Jóvenes Realizadores de Granada, Actual de Logroño and Experimenta Club de Madrid.

Their most prominent projects include ‘Visiones contemporáneas - últimas tendencias del cine y el vídeo en España’ (Contemporary visions – latest trends in film and video in Spain) at Domus Artium 2002 (DA2) in Salamanca since 2013; the multidisciplinary festival ‘She Makes Noise’ at Madrid’s La Casa Encendida since 2015, which disseminates the role of women and nonbinary identities in electronic music and audiovisual experimentation; and the performance biennial ‘El Cine Rev[b]elado’ at the Museo Centro de Arte Dos de Mayo in Móstoles since 2014. They co-founded ‘L.A. OLA’, the contemporary Spanish film festival sited in Los Angeles, New York and Mexico City from 2015 to 2018. They also worked as independent film distributors for twelve years. They regularly contribute to different media and work as teachers.

Dates
DOMINGOS DEL 11 FEBRERO AL 3 MARZO
Target audience
Topics
Entrance

Continuing with the line of work that got underway in 2014, El Cine Rev[b]elado is offering a series of activities around audiovisual performance and film’s interrelation with other disciplines.

Categoría cabecera
cine rebelado 6
EL CINE REV[B]ELADO #6
More information and contact
Media footer

Picture: Tzuan Wu.

Is it a cycle?
Disabled
Duration
18:30 - 21:00

THE VEGETABLE GARDEN IN THE CENTRE

The spring planting season is beginning, and the possibilities are infinite. In this series, we’ll teach you how to grow your own organic garden while also sharing useful tips and practices to make the most of its potential in the city and make our day-to-day lives more sustainable.

Friday 5 April. Planting flowers in the garden. 11:30 am—1:30 pm

We aren’t always aware of how valuable flowers are in a vegetable garden, not only because of their unique aesthetics but also because of their medicinal properties and the importance of introducing them into our organic gardens to support our crops’ development.

Friday 12 April. Spring planting. 11:30 am—1:30 pm

Now that we’ve designed what we want to plant, it’s time to roll up our sleeves and get our hands dirty.

Friday 19 April. Planting and reproducing herbs. 11:30 am—1:30 pm

Another major ally in the vegetable garden is herbs. In this session, we’ll learn how to care for them, reproduce them and use them for both our own benefit and their usefulness in the garden.

Friday 26 April. Let’s make our own fertiliser. 11:30 am—1:30 pm

What’s an organic garden without a few basic lessons on how to make compost? Compost is essential to our plants’ growth and a key point in making a sustainable vegetable garden.

Friday 9 May. Natural remedies against pests and diseases in the garden. 11:30 am—1:30 pm

It’s important to know how to prevent problems in the garden that could ruin your harvest, along with possible ways to deal with them in organic farming.

Friday 17 May. Cleaning without toxins. 11:30 am—1:30 pm

Our home is where we spend the most time over the course of the day, so it’s important to pay attention to the type of products we use to clean it to avoid accumulations of toxic products.

Friday 24 May. Wax wrappers. 11:30 am—1:30 pm

Continuing with the theme of sustainable homes, we’re offering a practical workshop to learn how to make wrappers that replace the typical tin foil or plastic wrap. Come try it and see how you’ll fall in love with this simple technique.

Friday 31 May. Do we know how to recycle? 11:30 am—1:30 pm

By now, recycling has been part of our lives for decades, but do we really know how to recycle each product we want to throw away?

Summer Cutting Exchange. 5 June. 6—8 pm

In this Cutting Exchange session, not only can you bring your small indoor plants, as always, but we also want to encourage you to bring garden flowers to exchange as well.

Friday 7 June. The garden in the summer. 11:30 am—1:30 pm

It is becoming harder and harder to deal with heat waves in our vegetable gardens. In this workshop, we’ll give you a few tips so that your garden yields the bounty you want without drying up along the way.

Friday 14 June. Solar lunch. 11:30 am—1:30 pm

As always, we’ll finish the year with a very special farewell meal. We’ll cook in our solar kitchens and enjoy a pleasant picnic with zero energy expenditure.

Xisela García Moure has been putting farming and sustainability techniques into practice in the city for more than ten years. A member of the Instituto de Transición Rompe el Círculo and a resident of Móstoles, she is aware of our city’s possibilities and interests. An expert in organic farming and permaculture, she has worked in different estates and urban agriculture projects, and this year she aims to put her knowledge into practice by focusing on a greener Móstoles that is more aware of this great town’s needs.


The possibilities afforded by learning about the nature around us include more than just growing our own food. These months, we’ll explore local plants to learn what benefits we can gain from them and to make our own everyday items by collecting and transforming them.

Friday 19 January.  Kokedama. Bring it from there to here. 11:30 am—1:30 pm

Kokedama is a Japanese technique of keeping plants at home without pots. In addition to being a beautiful way to keep plants indoors, they also offer us the chance to learn more about our flora and how to care for them.

Friday 26 January. Hanging plants. A macramé workshop. 11:30 am—1:30 pm

We plant lovers like to fill as many spaces as possible with greenery. Hanging plants are a good way to fill places that would otherwise be out of reach. Learn how to make hanging pots with macramé, and along the way learn a bit more about how to care for creeping or hanging plants.

Friday 2 February. Art to ‘dye’ for[AS1] . Understanding natural dyes. 11:30 am—1:30 pm

One way or another, the majority of colours we know of come from the flora around us. This is a fun way to make prints using a very simple technique for creating decorations with plant motifs.

Friday 9 February. Soap workshop. Care for your skin while caring for the planet. 11:30 am—1:30 pm

This is a simple workshop where you can make your own soap using natural materials and learn about homemade natural cosmetics.

Friday 16 February. Candles and air fresheners. Another way of viewing our home. 11:30 am—1:30 pm

Learn more about the properties of plants, this time with a look indoors. After all, that’s where we spend most of the day, so it should be a safe, toxin-free space.

Understanding where our food comes from and how it is produced is the first step towards a healthy, sustainable diet. Join us and learn how to make seedbeds and different organic farming techniques.

Friday 8 March. Drop by drop. 11:30 am—1:30 pm

It may not seem like it, but the time of year when water is increasingly scarce is approaching, so we have to use piped water to water our crops. Learning techniques to lower the amount of water needed for plants helps to lessen the hydric stress on our environment during the summertime.

Friday 15 March. A garden in the city. 11:30 am—1:30 pm

This workshop will answer questions and teach you how to grow plants in the city, an artificial system where we can all do our part to make it as natural as possible.

Wednesday 20 March. SPRING CUTTINGS. Exchange of vegetable seeds 6—8 pm

In addition to being able to bring your indoor plants, as always, at this cutting session we want to expand the possibilities by sharing vegetable seeds and seedlings for those who like growing their own food. Plus, we’ll also hold a mini-workshop on vegetable gardens on terraces.

Xisela García Moure has been putting farming and sustainability techniques into practice in the city for more than ten years. A member of the Instituto de Transición Rompe el Círculo (Break the Circle Transition Institute) and a resident of Móstoles, she is aware of our city’s possibilities and interests. As an expert in organic farming and permaculture, she has worked on different estates and urban farm projects, and this year she aims to put her knowledge into practice by committing to a greener Móstoles that is more aware of this large town’s needs.

 

Activity type
Dates
FRIDAY 11:30 - 13:30
Target audience
Topics
Entrance

The possibilities afforded by learning about the nature around us include more than just growing our own food.

Categoría cabecera
Huerto
2024 MÓSTOLES PLANT LAB
More information and contact
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Picture: Sue Ponce.

Is it a cycle?
Disabled
Duration
JANUARY - MARCH 2024

Directed by Inés Plasencia, Noemí de Haro and Patricia Mayayo.

The Conference on the Study of The Image is an event dedicated to collective reflection on the theory, practice, semantic openings and contemporary demarcations of visual cultures. It includes a forum for debate, seminar and workshops, as well as a public call for research projects (details below).

This conference is an encounter of artistic, theoretical and activist perspectives on mental health and attempts to address these intersections through specific collaborative artistic practices as well as public participation. Even before the Covid-19 pandemic unleashed a wave of depression and anxiety-related disorders, the question of its impact on particular, very specific communities, as well as critiques of certain medical positions related to their diagnosis and treatment, have increasingly come into the spotlight, overwhelming traditional spaces of legitimisation.

Mental health and its connection to neurodivergence are part of a dialogue that is often tense when it comes to treatment methods and curative principles, as well as with denial strategies used against collective causes: particularly critical areas, such as grassroots activist movements and artistic practice, defend personified positions and denounce the violence and the stigmatisation of a great deal of psychiatric practice.

At the same time, “over-diagnosis” is prone to critique, among other things, because it excludes the most socially marginalised groups, making them invisible. Artistic and activist practices propose definitions and approaches to mental health that focus on more intimate, affective aspects of mental health, as well as the vindication of visions read as neurodivergent and the importance of networks for overcoming collective discomfort.

These spaces and feelings built around the idea of community self-management of mental health find that creating is not only a tool for healing, but also for protest. The conference, directed by Inés Plasencia, Noemí de Haro and Patricia Mayayo, will include talks, participatory workshops, dialogues between artists, presentations of projects and communications selected through open calls, as well as a screening and subsequent conversation with the director.

UAM Coordination: Mónica Salcedo Calvo. This conference is part of the project The audiences of contemporary art and visual culture in Spain. new forms of collective artistic experience since the 1960s (PID2019-105800GB-I00, Agencia Estatal de Investigación). Participants in the programme include: Fernando Balius, Clara López (Mesa Camilla), Ana CSC, María Ruido, Inés Molina, Alicia Utiyama, David Crespo, Sasha Warren, Costa Badía, Silvia Maestre Limiñana, Jesús Etxart, Gemma B. Palacios, Rebecca Tolosa, Toxic Lesbian, Irene García Molina, Rafael Sánchez-Mateos, Fátima Masoud.

INFORMATION NOTE:

  • Registration is required in order to attend the conference.
  • You can attend individual sessions, but priority will be given to registered participants
  • To attend the workshops, you must register for all the conferences. Each workshop lasts 2 mornings. It is only possible to register for one.
  • We ask that those who have registered be punctual. If, ten minutes after the start of the first afternoon session, there are empty seats, these may be taken by anyone who has not registered until all the seats are filled.
  • Certificates of attendance will be issued for those who attend 80% of the sessions.
  •  

PROGRAMME

Thursday 16 November.

11:00-14:00 Workshop: From painting mandalas to stories that tell stories. Part 1. Conversations on madness and collective meaning Fernando Balius*

11:00-14:00 Podcast workshop. Pain as a gift: strategies and rituals for mental health care. Part 1. Clara Lopez (Night Table)*

16:30 Start and presentation of the programme.

16:45 A crazy opening conference. Ana CSC (Locus)

17:30 Debate

18:00-18:15 Break

18:15-20:00 Presentation of projects. Session 1. The world as diagnosis.

  • It’s not you, it’s ableism. Costa Badía.
  • Clinical Report: F84.1. Silvia Maestre Limiñana.
  • “DropExpander” (psycho-magnetic embodiment of interferon on basic biological mechanisms). Jesús Etxart.

Friday 17 November.

11:00-14:00 Workshop: From painting mandalas to stories that tell stories. Part 2. Conversations on madness and collective meaning Fernando Balius.

11:00-14:00 Podcast workshop: Pain as a gift: strategies and rituals for mental health care. Part 2. Clara López (Bedside Table).

15:30-17:15 Presentation of projects. Session 2. The shores of art

  •  “What to cure?” Poetry behind the antiseptic tunnel in Anne Sexton, Unica Zürn and Alejandra Pizarnik. Gema B. Palacios
  • Sanctity and neurodivergence: minor artistic practices between the abject and the sacred. Rafael Sánchez-Mateos
  • Art brut, bruta tú 100mg. Fatima Masoud.

17:15 Break

17:30-19:15 Presentation of projects. Session 3. Own repair

  • (Im)possible images. Rebecca Tolosa.
  • Tales that are Never Told and In the Wind. Toxic Lesbian.
  • Stories of autistic mothers. Research, dissemination, action. Irene García Molina.

19:15 Break

Saturday 18 November

11:00-12:00 Critical positions from the perspective of artistic practice. Conversation with David Crespo and Alicia Utiyama

12:00 Debate

12:15 Break

12:30 The workshop of the mad. Talk by Sasha Warren

13:15-14:00 Debate

14:00-16:00 Lunch break.

16:00 Public presentation of the workshop: From painting mandalas to stories that tell stories. Conversations on madness and collective meaning Fernando Balius.

17:00 Public presentation of the podcast workshop: Pain as a gift: strategies and rituals for mental health care. Clara López (Night Table)

18:00 Closing speech at the end of the conference.

18:15 Screening. State of discomfort. María Ruido.

19:15-20:00 Debate with María Ruido.

Activity type
Dates
16, 17 AND 18 NOVEMBER
Target audience
Entrance

The Conference on the Study of The Image is an event dedicated to collective reflection on the theory, practice, semantic openings and contemporary demarcations of visual cultures. It includes a forum for debate, seminar and workshops, as well as a public call for research projects (details below).

Categoría cabecera
jei 2023
28th CONFERENCE ON THE STUDY OF THE IMAGE. CROSSING WORLDS: THE PUBLIC, CONTEMPORARY ART AND MENTAL HEALTH
More information and contact
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Laura Ramírez Palacio, "Un elefante blanco", 2021.

Is it a cycle?
Disabled
Duration
MORNING AND AFTERNOON
Soundcloud with description
Nosotras dolemos. Clara López (Mesa Camilla)