Attendance open and free while places last

Attendance open and free while places last

Last summer, a group of boats set sail from the port of Valparaíso. When they reached open sea, the crew tied the boats with ropes to keep them close together and to recite poetry. A while after the event it was believed that it was the bodies that were holding tightly onto one another with their hands, very close together, in concentric circles so that they would not separate and to keep upright. Caro says that the public held onto the poets so that they would not fall into the sea while reciting.

This summer the mothers died. This summer we burnt the mountains in Madrid and we smelled it all. We extracted its gases in order to incrust a galaxy into the museum in the ceramic skirting board that runs around a large part of the third floor. We dreamed of pouring ourselves into this gap in which the horizontal and the vertical are decided, to cross this edge and to slash open the museum and escape on a flying carpet or on a UFO.

Rodapié Universo (skirting board universe) is a trip to the final horizon; to the ocean, its views and its voices which we conjure up through the architecture of the museum.

Acknowledgments: Toño Naharro, Sergio Muñoz Arriagada, Carlos Cociña, Julieta Marchant and A Cielo Abierto / Festival Internacional de Poesía de Valparaíso.

Limited capacity: 68 people.

Activity type
Dates
17th january, 2019 / 20:00 - 20:50h
Target audience
Entrance

Rodapié Universo (skirting board universe) is a trip to the final horizon; to the ocean, its views and its voices which we conjure up through the architecture of the museum.

Subtitle
MARTA FERNÁNDEZ CALVO. WITH THE COLLABORATION OF CAROLINA ALMARZA AND LUZ PICHEL PICHEL
Categoría cabecera
Marta Fernández Calvo
SKIRTING BOARD UNIVERSE. ACT II
Is it a cycle?
Disabled

CA2M in conjunction with Silvi ManneQueen and Madrid Ballroom Scene wish to invite you to attend a Kiki Ball. Kiki is the less mainstream side to the ballroom scene. Because it is more open, it gives exposure to new members coming onto the scene and offers the audience a chance to take part. A ball is a voguing battle where dancers and artists demonstrate their moves in different categories in front of an international jury.

 If you’ve seen the exhibition Elements of Vogue and love voguing and ballroom culture then you won’t want to miss this ball. But if you haven’t seen it and you love everything about fashion, catwalks, dancing, and want to feel like a model strutting your stuff on the runway, or if you’re into creativity and want to express yourself freely and be who you want to be.... this is also the place for you! You can take part as a competitor or simply enjoy the show as part of the audience: but, simply remember, be who you want to be and once you start looking, you too become part of the show!

This is also a special occasion because it gives us a chance to present for the first time members of the Kiki House of F.A.B, the newly founded international house of artists and voguers based in Madrid.

DRESS CODE / THEME

Borrowing inspiration from the installation made by the NY artist Rashaad Newsome especially for holding balls at CA2M, you will be whisked away to a fabulous world of gemstones, glamour and bling bling whose superficial appearance belies the fact that it is a platform for the radical resistance of dancing bodies.

CATEGORIES

  • Runway 
  • Virgin Performance
  • Realness
  • Old way vs. New Way
  • Hands Performance
  • Best Look of the Night
  • Vogue Femme

OTA (open to all, regardless of gender, race, sexual orientation, etc.).
The order of the categories will be announced at a later date.

Host: Silvi ManneQueen, Mother of the Kiki House of F.A.B, Madrid

Commentator: Matyouz Royalty, New Kiki House of Royalty, Paris

Guest judges:

  • Father Typhoon Angels, Kiki House of Angels, Rotterdam (Prodigy)
  • Mother Kiara Mermaid, The Supreme House of Mermaids, Paris (Ninja)
  • Inxi 007, Sweden (Prodigy)

Participants / Enrolment:

If you want to compete you have to fill in the following form.

Enrolment is free and open until 16 January

REGISTRATION

Enrolment free, open until 16 January

Maximum 3 categories

The organisation reserves the right to consider a category to be full when a sufficient number of participants have enrolled. 

The idea is to motivate people to enrol in other categories. So, don’t waste your time and enrol now!
If you have any doubts on categories and dress codes, send an email to: madridballroomescene@gmail.com 

Description of categories and themes for dress codes

Choose whichever suits you best, become who you want to be, take part and hope the judges give you 10s! The sky is the limit! However, we have provided some guidelines for looks for each category.

OTA RUNWAY: Pearls and Diamonds

The INSPIRATION for this category is for Pearls and Diamonds to sparkle on the runway. This is your chance to be a real model without conforming to stereotypes or canons. But remember, this is not a fancy dress ball. Creativity, elegance and Xtravaganza are the watchwords. Slay the Catwalk!
To get your 10s, you need to wear:
- European Runway : Headpiece (ornamental headdress)
- American Runway : Handbag (bag, purse, briefcase)
All participants will walk individually. The judges will then choose who moves on to the battle phase, where two participants walk at the same time, ballroom style. The judges will be looking for runway technique.

HANDS PERFORMANCE: Pyrite (Gold/Silver)
Show us what you can do in hands performance inspired by pyrite, fool’s gold. Look to its angles, cuts, sparkle and details for the elements on which to base your polished technique and smooth moves. Protect your hands with gloves, and cover your arms with golden or silver details, to tell us your dazzling story.

BEST LOOK OF THE NIGHT: Sapphires and/or Rubies (Spectators and participants)

This is the moment to show off the most fabulous look of the night and dazzle with your style. To take part in this event you don’t have to walk, you just show off your look, the one that shows the real you. This category has no set rules; all you have to do is take your inspiration from precious gemstones like rubies and sapphires. Remember that judges in this category will be looking at all details: hairstyle, accessories, jewellery, etc. and your ability to sell your look.

The public can take part. So if you feel up to it on the night, you could win this category, though you have to bear in mind the dress code. You don’t have to sign up beforehand.

Dress up and pass yourself off with INSPIRATION from the installation created expressly by Rashaad Newsome for the exhibition “Elements of Vogue” at CA2M, where the Kiki ball will be held. Whether your choice is Bling Bling, Banji or Hip Hop you have to convince the judges with your realness and swag. And don’t forget, it’s not just a case of dressing up.

This category was originally created in the ballroom scene to acknowledge people’s ability to “pass” unnoticed in wider society at a time when being Black or Latino and LGBT was by no means easy. For instance, the challenge for a gay male was to “pass” for being as straight as possible and gain access to the same privileges in society, like getting a job. Or, for a transsexual, the challenge was to be as “real” as possible and return home safely without getting beaten up. This category is broken down into different kinds of Realness: Thug Realness, School Boy, Transman Realness, Femme Queen Realness, Butch Realness, Butch Queen Up in Drag Realness (BQUID), etc.

OTA VIRGIN PERFORMANCE: Pink Quartz

You love voguing and are thinking about walking but don’t have the experience? There’s always a first time for everyone! And, if you’re reading this category, maybe now it’s your turn. Don’t think twice. Prepare a look based on the virginity and purity of Pink Quartz, and show the judges your wild side.

Any style of voguing is welcome (Old way, New Way, Vogue Femme, but without mixing them up). For first-timers only.

VOGUE FEMME: Holographic Opal

This much-awaited category shines with a light of its own. If you’ve ever taken part in a kiki or ball, now’s your chance to dazzle the judges with your Holographic Opal look. Opal is the “Artist’s Stone” because of its ability to bring out hidden talents and the whole spectrum of the rainbow.

Use the visual effects and sparkle of the opal and add your own walk to outshine everyone else, whether it’s through dramatics or soft and cunt, and show those judges how versatile you are.

To get 10s, your walk has to include a prop and one or more colours of the rainbow. Be creative! Besides your attire, judges will be looking at your walk technique, elements and charisma before giving away any 10s.

If you have any doubts or questions about categories or dress codes please send an email to: madridballroomescene@gmail.com

You are invited to attend the Ball with a look inspired by one of the options. Please pay attention because there will be a category in which you can decide to take part on the very day of the Ball. Follow the event on Facebook, where you’ll find photos to inspire looks and attire.

Activity type
Dates
20th january, 2018 / 20.30h
Target audience
Entrance

Kiki is the less mainstream side to the ballroom scene. Because it is more open, it gives exposure to new members coming onto the scene and offers the audience a chance to take part. A ball is a voguing battle where dancers and artists demonstrate their moves in different categories in front of an international jury.

Actividades asociadas
Related publications
Categoría cabecera
kikiball
THE FABULOUS KIKI BALL
Is it a cycle?
Disabled

Storyboard P is a dancer raised in Brooklyn. It would be an understatement to say that he goes beyond street dance. His style of dancing even challenges the most elementary laws of physics, defying gravity and moving in such counterintuitive ways that one can only assume that his body acts as a portal into another dimension. An Afrofuturist universe where time and space fold under the dancing feet.

Storyboard has defined his dance style as “mutant”, drawing inspiration from a variety of subcultural forms as heterogeneous as Jamaican dancehall, flexing from his native Brooklyn, West Coast krumping, the Old Way voguing that LGTB teens used to dance at the Christopher Street pier, or even the mechanical movements of stop-motion animation. His voracious curiosity has led him to collaborate with artists and filmmakers including Kahlil Joseph, Arthur Jafa, Flying Lotus and Jay-Z.

For his performance at CA2M, Storyboard P will alternate between freestyle improvisation and storytelling, exploring the body as a source of empowerment and self-affirmation in the face of loss and structural violence.

This performance will weave together biography, survival, and urban science fiction.

Free entrance until full capacity is reached

This performance has been organised on the occasion of Madrid’s international contemporary art fair, ARCOmadrid 2018, whose curatorial programme this year gravitates around the question of The Future.

ARCO

Activity type
Dates
24th february, 2018 / 20.00H
Target audience
Entrance

For his performance at CA2M, Storyboard P will alternate between freestyle improvisation and storytelling, exploring the body as a source of empowerment and self-affirmation in the face of loss and structural violence.

Subtitle
RADICAL PERFORMANCE SESSION
Categoría cabecera
STORYBOARD P
STORYBOARD P
Is it a cycle?
Disabled

Modernity defined the perfect spaces for the contemplation of artistic practices. The white cube became the ideal environment for the contemplation of art. In the exhibition of white walls isolated from the outside, the viewer can wander among and stop before works without any distraction whatsoever. As a result, their entire being, and particularly their eye were completely given over to the aesthetic experience. This same «neutrality» would be conferred on the theatre space, in which the black box would be consolidated as the ideal device to eliminate any reference to the outer world that might distract spectators deep in concentration, who in their stillness, would watch the lives of the characters unfold in front of them as if they were seated at a café terrace.

In this cycle of performances, dance and theatre, we present a set of proposals that depart from the idea of performance as a discipline that expands and oversteps the traditional boundaries of not only the practices themselves, but also the conventional exhibition spaces and institutions dedicated to artistic practices. How can dance and theatre be presented in the same museum? To what extent can the specific conditions of presentation inherent to each alter the logic of the museum space? How can the frameworks of meaning contributed by the museum transform these practices? It is in this mind frame that we suggest a program in which the concepts of performance and performativity are analysed on the basis of various proposals. Thus, not only the bodies will perform, but also the images, words and, obviously, the things.

In the definitions given by both Austin, and then Buttler, Derrida or more recently even Maurizio Lazzarato, the term performativity alluded to the linguistic, the identifying and the objectual. Moreover, in recent years, the concept of performativity has also invaded the political terrain. To such an extent that the events protagonised by the bodies of citizens in the squares of a large part of the Mediterranean Arc have been described as performances. And so it would appear to be important to rethink the contributions contemporary artists are making to this practice.

Over a series of six dual performance sessions and the workshop Open space Black Box / White Cube? Thinking about the periphery to be held in the Sala Pradillo in Madrid, we suggest cross-disciplinary encounters through a program of performances grouped into 6 sessions to be expressed around three axes: language, the political body and the performativity of things.

The acts of language: the cycle opens with the piece titled Black by Mette Edvarsen, who quite aptly constructs a series of objects through the spoken word and movement that allude to the blackness of the theatre. Those objects which, painted black, we find in any stage setting, deprived of all color. The artists participating in this block will work with the spoken word to create situations in which those present are accomplices in the construction of meaning.

The political body: according to Butler, the policy of «being together» or the «appearance of bodies in the square», represents an act of bravery by those who risk their physical safety in the simple act of re-occupying the public space, so frequently privatized. What role might bodies play in an impoverished public area in the midst of a crisis of representative democracy? How to deal with issues such as presence, representation and occupation through the work of dance and performance? Here it again becomes essential to rethink concepts such as the «people», «the masses», «the crowd», the performance of me and social choreography.

The performativity of things: the work of these artists revolves around the activation of objects that are apparently insignificant with the intention of triggering new layers of meaning that go beyond positivist materialism. Whether through the use of appropriationist strategies of Duchampian origin, or others closer to the surrealism of objects found, or those from situationist détournement, these creative acts focus on generating new ways of relating to our environment. But in this block we will not just talk about objects, rather we will delve into the meaning of things, those elements that go beyond the radical separation established by modernity between subjects and objects. Thus, things have the capacity to allude to abstract matters, but may also transport us to the world of animism, and naturally, the fetish. Therefore, performance would be that «thing» that refuses to be trapped.

Curated by Pablo Martínez

PROGRAM

THU 27 MAR IITZIAR OKARIZ / METTE EDVARDSEN

SUN 30 MAR TAMARA KUSELMAN/ GUILLEM MONT Y JORGE DUTOR

THU 3 APR AIMAR P. GALÍ/ BLACK TULIP

SAT 5 APR OPEN SPACE (TEATRO PRADILLO)

SUN 6 APR EVA MEYER KELLER/ TERE RECARENS

THU 10 APR PAZ ROJO/ MÅRTEN SPÅNGBERG

SUN 13 APR NORBERTO LLOPIS /RUBÉN GRILO Y SPIROS HADJIDJANO

Free entrance

Activity type
Dates
27TH MARCH - 13TH APRIL, 2014
Target audience
Topics
Entrance

In this cycle of performances, dance and theatre, we present a set of proposals that depart from the idea of performance as a discipline that expands and oversteps the traditional boundaries of not only the practices themselves, but also the conventional exhibition spaces and institutions dedicated to artistic practices.

Images gallery
BLACK BOX WHITE CUBE
BLACK BOX WHITE CUBE
BLACK BOX WHITE CUBE
BLACK BOX WHITE CUBE
BLACK BOX WHITE CUBE
BLACK BOX WHITE CUBE
BLACK BOX WHITE CUBE
BLACK BOX WHITE CUBE
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BLACK BOX WHITE CUBE
BLACK BOX WHITE CUBE
BLACK BOX WHITE CUBE
BLACK BOX WHITE CUBE
BLACK BOX WHITE CUBE
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BLACK BOX WHITE CUBE
BLACK BOX WHITE CUBE
BLACK BOX WHITE CUBE
Categoría cabecera
CAJA NEGRA CUBO BLANCO
BLACK BOX WHITE CUBE
Is it a cycle?
Disabled

The Artists in Residence programme is organised jointly by La Casa Encendida and CA2M with a mandate to support artistic creation and research centred on performative work with the body. The programme aims at striking up a dialogue between artists and the main agents associated with the art centres and their respective programmes.

The call opens on 3 November, inviting the presentation of projects that best respond to the lines of research and experimentation of the two art centres.

The residency has a maximum duration of eight weeks at the premises of LCE and CA2M.

Dates: the call opens on 8 November and closes on 24 November 2017

 

Dates header text
2018
Directed to
Entrance

The Artists in Residence programme is organised jointly by La Casa Encendida and CA2M with a mandate to support artistic creation and research centred on performative work with the body. The programme aims at striking up a dialogue between artists and the main agents associated with the art centres and their respective programmes.

Header category
Artistas en residencia 2018
ARTISTS IN RESIDENCE 2018
Type Thinking / Community
Topics Thinking
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Disabled
Is it a cycle?
Disabled

The goal of the Artists in Residence programme, run jointly by La Casa Encendida and CA2M, is to support creation and research focused on art work engaging with the body and performance.

Acento is a project held within the Artists in Residence framework in which some of the projects conceived and developed during the 2016 programme will be presented during a two-day event. The idea is to facilitate a meeting place with the artists in the 2017 programme. At the event the two organising institutions wish to place the accent on ideas that arose during the artistic experimentation using the body, understanding it as the social body and a political construct that produces knowledge through the sentient.

The artists selected in 2016 were: Lilli Hartman & Pablo Durango, Gérald Kurdian, Norberto Llopis & Paz Rojo, Julián Pacomio & Miguel del Amo, Claudia Pagés, Quim Pujol and Silvia Ulloa

PROGRAMME

FRIDAY 27 JAN
At CA2M Centro de Arte Dos de Mayo
20:00: Julián Pacomio & Miguel del Amo: ESPACIO HACEDOR

If there is an empty space between two equal parts, then that is the Espacio Hacedor (Making Space).

Espacio Hacedor is a research project which explores the identification, analysis and architectural construction of possible spaces to be found between an original and its copy. Our interest lies in the aesthetic potential of the space located between two almost identical products. We accept that the process of copying or remaking a product, of whatever type, has two inevitable consequences: firstly, the copy not only produces a new product differentiated from the original, but it also produces a third result in the joint interpretation of the original and its copy (1 + 1 = 3). The second consequence is that it opens up the possibility of identifying an invisible image between two images. This is what Espacio Hacedor is all about.

The project is conceived in conjunction with the work of Jorge Luis Borges, Agustín Fernández Mallo and Isidoro Valcárcel Medina, approaching the theatrical, literary, conceptual and architectural work of the aforementioned artists from the perspective of the body.

Julián Pacomio graduated with a BA in Fine Arts in Salamanca. Among his most outstanding works are My Turin Horse, Psicosis Expandida and Espacio Hacedor, performing art projects that experiment with the idea of the copy, remake, translation and appropriation of the material of others.

Miguel del Amo graduated with a BA in Architecture from ETSA, Valladolid and Budapesti Műszaki és Gazdaságtudományi Egyetem. His interest in architecture and design is rooted in various aspects of these disciplines, ranging from the most functional to the least explored.

21:30: Quim Pujol. FREGOLI
Leopoldo Fregoli was one the most celebrated quick-change artists in history. During his performances he kept changing his appearance at lightning speed, impersonating dozens of different characters in one show. The critic Sebastià Gasch said of him: “Fregoli impersonated over one thousand characters of all genders, types and classes (…) Fregoli introduced into theatre the first inklings of the themes of our time.” The Italian actor was also a major reference for Joan Brossa and for avant-garde theatre. This project engages with Fregoli and the avant-garde in order to celebrate the ability to transform ourselves, being in motion and its endless possibilities.

What have we still to learn from Fregoli? In this series of transformation acts, the actor never changes his appearance.

Quim Pujol is a writer, curator and artist. He works on the boundaries between writing, the performing arts and contemporary art. His latest works are Trance colectivo (2014), ASMR del futuro (2015) and Fregoli (2016).

Admission free while places last

SATURDAY 28 JAN
At La Casa Encendida. Patio
22:00: Hot Bodies (Stand up) by Gerald Kurdian & Trk_X

Hot Bodies (Stand up) is a live show by Gerald Kurdian with two electronic instruments, a sampler and a vocoder, and the participation of a female choir created for the occasion. Borrowing from the idioms of opera, stand-up comedy, choreography and documentary, the libretto contains seven songs and two danced interludes, the adventurers of an antihero called Tarek X as he makes his way through the sexual revolutions of the twentieth and twenty-first centuries.

Gerald Kurdian is a musician, composer and radio artist who explores performativity and critiques contemporary art by means of various different mechanisms.

Admission: €5. Tickets on sale at ticketea.com, at 902 044 226 and at Casa Encendida from 10:00 to 21:45

Dates header text
27th and 28th January, 2017
Directed to
Entrance

Acento is a project held within the Artists in Residence framework in which some of the projects conceived and developed during the 2016 programme will be presented during a two-day event. The idea is to facilitate a meeting place with the artists in the 2017 programme.

Header category
ACENTO 2017
ACENTO 2017
Type Thinking / Community
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Disabled
Duration
2 sessions
Is it a cycle?
Disabled

The Artists in Residence programme is organised jointly by La Casa Encendida and CA2M with a mandate to support artistic creation and research centred on performative work with the body.

Artists in Residence ties in with the core programming of LCE and CA2M, and for this reason particular emphasis will be given to project that engage best with the two art centres’ main lines of research and experimentation. Artists in Residence also aims at striking up a dialogue between artists and the main agents associated with the art centres and their respective programmes.

The residency has a maximum duration of eight weeks at LCE and CA2M. The times and work spaces will be agreed in accordance with the needs of the individual project and in function of the availability of spaces at the art centres.

The residency comes with a fee of €2000 (taxes included).

The seven (7) shortlisted projects will be made public on 21 December 2016.

The residency is open to:
Artists working on the boundaries of art, searching for forms to make its conventional limits more permeable.

Dates:
The call opens on 4 November at 12:00 noon (gtm+1) and closes on 25 November 2016 at 8:00 pm.

Requisites for project:
The call is open to projects involving research into production, with a particular focus on those exploring the boundaries and limits of accepted art disciplines, breaking down the conventional distinctions between dance, performance, and theatre.

Applications: to apply for a residency, you must fill out and return the form together with a résumé (max 1 page) and a project brief (max 6000 characters). Support material such as links to videos, webpages, etc., may also be included. Projects will be accepted in Spanish or in English.

Jury:
Esperanza Collado, artist
María Eguizabal, public activities, CA2M
Victoria Gil-Delgado and Carlos Granados, education team, CA2M
Begoña Hernández, performing arts coordinator, LCE
María Jerez, artist
Pablo Martínez, head of programming, MACBA
Beatriz Navas, head of audiovisual and performing arts, LCE

Diffusion:
LCE and CA2M reserve the right to diffuse the shortlisted projects via the media they consider appropriate.

Confidentiality:
LCE and CA2M guarantee the confidentiality of the documentation sent for the purposes of this call. LCE and CA2M guarantee compliance with the content of Law 15/1999, dated 13 December 1999, with regards the protection of personal data provided and covered by the application of the aforementioned law.

Enrolment form: Link to form

For additional information send an email to: [email protected] or to [email protected] with the subject Artistas en residencia 2017.

Dates header text
2017
Directed to
Entrance

Artists in Residence ties in with the core programming of LCE and CA2M, and for this reason particular emphasis will be given to project that engage best with the two art centres’ main lines of research and experimentation. Artists in Residence also aims at striking up a dialogue between artists and the main agents associated with the art centres and their respective programmes.

Header category
Artistas en residencia 2017
ARTISTS IN RESIDENCE 2017
Type Thinking / Community
Topics Thinking
Hide main image
Disabled
Is it a cycle?
Disabled

With a mandate to support artistic creation and research centred on performative work with the body, the Artists in Residence programme is organised jointly by La Casa Encendida and CA2M.

Acento is a three-day seminar in which the projects carried out during the Artists in Residence programme in 2015 will be presented in public. The idea is also to offer a forum where the artists chosen for the programme in 2016 can meet the artists who have just passed through the experience in 2015. Over the three days the two organising institutions wish to focus on a rethinking of artistic production using the body, understanding it as a social body and as a political construct that produces knowledge from the sentient.

The artists chosen in 2015 were: Alejandra Pombo, Ignacio de Antonio, Los bárbaros: Miguel Rojo & Javier Hernando, Marisol López Rubio, Poderío vital, Silvia Zayas and Terrorismo de autor.

The artists chosen in 2016 are: Lilli Hartman, Gérald Kurdian, Norberto Llopis, Julián Pacomio , Claudia Pagés, Quim Pujol and Silvia Ulloa.

Admission in CA2M is free until reaching capacity.

Dates header text
10, 11 and 12 february, 2016
Directed to
Entrance

Acento is a three-day seminar in which the projects carried out during the Artists in Residence programme in 2015 will be presented in public. The idea is also to offer a forum where the artists chosen for the programme in 2016 can meet the artists who have just passed through the experience in 2015.

Subttitle
SEMINAR SHOWCASING THE 2015 ARTISTS IN RESIDENCE PROGRAMME
acento 2016
ACENTO 2016
Type Thinking / Community
Topics Thinking
Hide main image
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Duration
3 sesiones
Is it a cycle?
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This year the Call for Artists in Residence received a total of 280 projects, a slightly higher figure than last year. We would like to thank all those who responded to our call for their interest and for sending their projects.

The artists chosen for the Artists in Residence programme for 2016 are:

- Lilli Hartmann and Pablo Durango with the project: Welcome Home
- Gérald Kurdian with the project: TRKTV
- Norberto Llopis with the project: The Capitalist (El Capitalista)
- Julián Pacomio with the project: Espacio Hacedor
- Claudia Pagés with the project: Columna/Garganta
- Quim Pujol with the project: El Dr. Mabuse contra Gloria Gaynor
- Silvia Ulloa with the project: Atlas

The Artists in Residence programme is included as an integral part of the annual programming of La Casa Encendida and CA2M. To this end, the chosen projects are those which best respond to the two art centres’ main areas of research and experimentation. As such, Artists in Residence is not aimed exclusively at funding production but rather it is viewed as an opportunity to strike up a dialogue between creators and the agents working with the two art centres and their respective programmes.

For further information please contact us at: lacasaencendida@montemadrid.es or at actividades.ca2m@madrid.org

 

Dates header text
2016
Directed to
Entrance

This year the Call for Artists in Residence received a total of 280 projects, a slightly higher figure than last year. We would like to thank all those who responded to our call for their interest and for sending their projects.

Artistas en residencia 2016
ARTISTS IN RESIDENCE 2016
Type Thinking / Community
Topics Thinking
Hide main image
Disabled
Is it a cycle?
Disabled

This year’s projects focus on research, process and a questioning of the limits of performance.

Artists in Residence is conceived in conjunction with the programming of La Casa Encendida and CA2M. For this reason, the chosen projects dovetail with the two art centres’ policies of research and experimentation. As such, Artists in Residence is not conceived exclusively to fund production, but rather it is viewed as an opportunity to strike up a dialogue between artists and the agents associated with the two institutions and their respective programmes.

The projects chosen for the Artists in Residence 2015 programme are:

Alejandra Pombo. It’s Called Listen is a film based on a performative process in which the artist is both creator and performer of the work. The film is like an odd combination of Woody Allen and Chaplin, yet taken as a whole it is completely different, as the artist is in the image instead of activating it. Using a home camera, without a script or film crew to ensure the freedom and independence to make the most of the circumstances and the possibilities of the moment, the film was conceived as a succession of images and actions that explore a narrative through various layers of reference that intertwine around the basic formal idea of the hole. A hole is an opening that enables a subjectivity to arise in relation to the different. When there is a hole, there is something waiting to emerge. When a hole moves, a surface is invented. "I want to turn a film into a sieve as a kind of opening that strengthens the transformation of the relationship between the spectator and the film that we are used to."

Alejandra Pombo

Ignacio de Antonio. Unperformanceaperformance is research in progress in the form of a series of performance pieces. Its goal is to explore how performance, or performativity, operates in the relationships between body, space and time inasmuch as a social mechanism. It poses a number of questions, in the guise of a suite of pieces, developed through critical practice, where the work asks questions about performance, the theatricality of ‘the real’ and practice as art research. Underlying the whole process is the question of our unavoidable condition as spectators.

Ignacio de Antonio

Los bárbaros: Miguel Rojo & Javier Hernando. We are born into a political model that, now that the twentieth century is over, seems set to be profoundly fixed throughout the rest of our lives. Those of us who were born more recently did not live through the rise and fall of the great socio-economic movements: neither fascism nor communism. We were born, grew up, reproduced and will possibly die under the same political system. Our era is not sufficiently agitated. With the collapse of ideologies, all we can do is bring into question governmental bodies, which in turn are bound hand and foot to undertake their mission of governing. We march to the drum of the economy. How can we break down the solid pillars of a political model? Who builds them, an

Los bárbaros

Marisol López Rubio. Las palabras y los cuerpos: My Favorite Things is a process of performative research into the philosophy of language applied to the stage. It wishes to come up with practical responses to questions on the uses, affects and games of language, and to analyse representation, speaking, classification, change and play as possibilities of language and to then transfer them to the stage, translating them into theatrical language. And it wishes to bring into question the role and position of the body within this process. It wants to rename everything from the body, to discover the affects of language in space, to overstep the limits of the possible of what we can name with words. www.ololoololo.com

Marisol López

How to directly and vehemently shit, musically speaking, on all that is supposed to be inherent to living but which strikes us as limiting as living beings.  Poderío vital presents mecagüen (the I-shit-ons)
Poderío Vital. Oscar Bueno & Itxaso Corral

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PODERÍO VITAL

Silvia Zayas. El puente de Farim no existe is a performative piece that explores the fictions of the former Portuguese colonial empire and the relationship of one of the former colonies with current capitalism. Mixing fiction and documentary, it weaves a mechanism that is based on a kind of choreography that mixes light, sound and editing, opening up narratives to the future and even science fiction. It is based on an anecdote about a bridge in the province of Farim (Guinea-Bissau) where fiction is mixed with reality, through a radio broadcaster known as María Turra.

This work is part of a body of research, already including a series of previous works like Ballets Roses, São Tomé Revisitado or Pêro Escobar vs. Elvis Presley, into Portuguese colonialism which was undertaken from the point of view of family memory, but which aspires (never) to be chained to it. The familial quality of this series of works is just the spark to ignite performative and audiovisual works somewhere between fiction and documentary. "I’m not only interested in historical research, and a search for precarious or absurd connections with the present, but at once I am looking for ways of taking documentary to different performative mechanisms for working in a time and space shared with spectators (something that film does not apparently allow)".

Terrorismo de autor. The Terrorismo de autor collective will be working on a hybrid piece, an "overflow of the screen" that requires transferring its audiovisual (documentary, advertising, essay) practice as well as its own referential universe through performative bodies and mechanisms that relate and confront the very space of representation with the public. The body of the piece and the experience proposed to the spectator are conformed of three dimensions. A shift from the anaesthesia of the Spectacle, which colonises revolutionary territories and imaginaries, passing through its collapse due to the acceptance of suffering and humiliation inflicted by the mass media and working conditions, until arriving at the emptiness where determination is possible: collective delirium and the subsequent abolition of representation.

Terrorismo de autor is an anonymous-delirious collective founded in 2012. Their audiovisual pieces with a political and social character propose an aesthetic and ideological remake of May 1968 in the present moment. Combining humour, virality, activism and nouvelle vague, they engage in revolutionary actions that are neither violent nor pacific, but creative.

TERRORISMO

Artists in Residence is a joint programme funded by La Casa Encendida and CA2M. Its goal is to support creation within the field of dance and work with the body from other disciplines, offering artists space to experiment and to present their proposals.

Artists in Residence is conceived to complement the programming of La Casa Encendida and CA2M. Therefore, the projects that best respond to the two centres’ policies of research and experimentation will be taken into consideration. This programme is not solely aimed at funding production, but instead is an opportunity to strike up dialogue between artists and the agents working with the two institutions and their respective programmes.

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2015
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Artists in Residence is conceived in conjunction with the programming of La Casa Encendida and CA2M. For this reason, the chosen projects dovetail with the two art centres’ policies of research and experimentation. As such, Artists in Residence is not conceived exclusively to fund production, but rather it is viewed as an opportunity to strike up a dialogue between artists and the agents associated with the two institutions and their respective programmes.

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Artistas en residencia 2015
ARTISTS IN RESIDENCE 2015
Type Thinking / Community
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