Enrolment free

Enrolment free

‘After walking aimlessly; we want to go back, go back to find ourselves (again), to drop anchor and renovate ourselves; through our bonds’.

A ‘bond’ is officially defined as the union or tie between one person or thing and another. But is a union the same as a tie? Do we need to feel bonded and/or tied to other people or things? What effect does these bonds or ties have on us? Do they make us free or suffocate us?

We want to tinker with what is taken for granted to discover new sea floors, embark on artistic expressions and dive into tales and stories, told and sung, to play and share voyages, ours and others.

We want to lay down roots, enter the cliché, tack around the conventional definitions of our unions and ties without fear of diving into the abyss, floating on the water or drowning, but in the same boat.

This is an invitation.

At the CA2M Museum, dispossessed but rooted, we’ll engage in sensorial and delightful interpretations like: The summer when my mother had green eyes. We’ll listen to the creaking of the woodworm. We’ll see if there’s any truth behind what Verónica tells us and whether our attachments are as fierce as Gornick’s. We’ll talk about love with Carver, and Lucía Berlín’s bitterness may make us tremble. Through our sessions, we may consider creating new kinship ties with Donna: will we continue with the problem or not?

We’re looking forward to seeing you.

Moderated by Las Hijas de Yocasta [Daughters of Jocasta]

We are Las Hijas de Yocasta: Ana Isabel Fernández, Ángela Solano, Rebeca Contador and Sandra Cabrera. A mother, a mother-grandmother and four daughters. We are driven by childhood, patients, walking amidst stones, what art suggests to us. We read. We reread.  We listen. We are the resistance of the CA2M Museum’s reading groups and we’re here to stir everything up.

Activity type
Dates
ALTERNATE THURSDAYS OCTOBER-JUNE
Target audience
Entrance

In this edition of the Reading Group, we want to tinker with what is taken for granted, to discover new backgrounds, to embark on artistic expressions and dive into tales and stories, told and sung, to play and share journeys, our own and others.

 

Subtitle
READING GROUP
Categoría cabecera
grupo de lectura
LAST NIGHT I DREAMED THAT I FOUND MYSELF (AGAIN), LAST NIGHT I DREAMED
More information and contact
Media footer

Picture: Hijas de Yocasta.

Is it a cycle?
Disabled
Duration
17:00 - 20:00

Raising our own flag on the museum’s façade for one minute. Inventing colour palettes that we’ll use to build the landscape of Móstoles precisely at thirty minutes past noon. Bringing our bodies together close, really, really close, until we become a huge rock. Doing meditation exercises on the building’s rooftop or imagining the sunset-tinged evening sky.

These are just a few of the experiences that the students who visited the museum had. During the school year, we offer activities designed for groups of secondary and baccalaureate students that revolve around the exhibitions and seek to generate meaningful experiences. Our project aims to forge a direct tie between contemporary artistic practices and students with the goal of revitalising and bringing new life to the museum’s spaces. To do so, we approach the exhibitions as spaces of creation and collective inquiry.

This time, we’ll work with the exhibitions of Santiago Sierra and Sol Calero. Exploring these two shows will enable us to connect with topics like identity, migration, power and exclusion. This experience seeks to not only expand students’ understanding of contemporary social and cultural issues but also generate spaces for critical thinking. It is an encounter designed with the desire to share knowledge, practices and experiences and to debate the content of the exhibitions with the students.

With this approach in mind, we have invited the artist Marta van Tartwijk to work with us to come up with and design strategies to activate the exhibition spaces.

Marta van Tartwijk (Barcelona, 1990) has a degree in Fine Arts from the Complutense University of Madrid and furthered her training at the École Superieur d’Art de Bretagne (France), the University of Barcelona and A*Desk. She has exhibited and developed her work in different institutions like Fabra i Coats, INJUVE, Sala de Arte Joven, TEA Tenerife, La Capella, Bilbaoarte, DosMares and Matadero. In her practice, she explores how images can access personal experience and serve as a hinge that articulates times, contexts and subjective experiences by experimenting with body and language.

Activity type
Dates
THE WHOLE SCHOOL YEAR
Acceso notas adicionales

AFORO: 35 PERSONAS

Entrance

We will work on the exhibitions of Santiago Sierra and Sol Calero. Exploring these two exhibitions with the students will allow us to connect themes such as identity, migration and power.

Categoría cabecera
Taller secundaria
DONKEY’S EARS. TOUR-WORKSHOP FOR SECONDARY SCHOOL AND BACCALAUREATE GROUPS
More information and contact
Media footer

Santiago Sierra. Woman in a bonnet seated facing the wall. Spanish Pavilion at the 50th Venice Biennale. May 2003. Courtesy of Estudio Santiago Sierra. © Santiago Sierra. VEGAP, Madrid, 2024.

Is it a cycle?
Disabled
Duration
WEDNESDAY 11.00- 13.30

Ciudad Sur is a space of shared experimentation that was launched in 2021 and aims to inquire into the many facets and riches that generate a sense of belonging in cities around Madrid’s outskirts, taking Móstoles as its point of departure.

In this fourth edition of Ciudad Sur, green is going to take us through different landscapes that that have marked the history of Móstoles and of what Móstoles is not in this and other times. With spectral green, we’ll take leaps through time in each session, which will propose a look at more specific issues in this city south of Madrid while also projecting it on a more global scale and connecting with other neighbourhoods and places in order to share and debate different issues that particularly concern us in this tumultuous political and social context.

In this 2024–2025 edition, the coordinators will once again be: Irene de Andrés, the La Liminal collective and the reporting of Blanca Sotos, accompanied by Estrella Serrano, head of the Education and Public Activities department at the Museo CA2M. Registration will be opened on the website at least 15 days in advance for participation in each session. The sessions are held on Tuesdays from 6 to 8 pm. The dates for this year’s edition are:

  • 22 October
  • 12 November
  • 3 December
  • 21 January
  • 18 February
  • 18 March
  • 29 April
  • 20 May

Irene de Andrés was born in one of the most popular destinations, the island of Ibiza, which has inevitably led her to inquire into the evolution of the concept of leisure and the very meaning of travel throughout history, from the first colonists to tour operators. Spas, cruise ships and discos are key settings for the artist, who uses films, sculptures and graphic works to create journeys through time and around different waters, connecting different historical deeds that make us reflect on the tourist consumption model, which is especially designed for the working class.

La Liminal is a cultural mediation collective which inquires into the city and uses urban routes as a tool for analysing the public space collectively. Our goal is to experiment with the urban landscape to suggest new interpretations that focus on the stories that have been rendered invisible over time, those that we have not valued, in order to build alternative discourses that are based on collective learning and allow us to reappropriate the idea of public space as a common good.

Blanca Sotos (Madrid, 1978) thinks, reads, writes, translates, corrects, edits and publishes different textualities. She has worked as an editor in ministries, publishers and museums and has directed artbook fairs. She has also taught courses and delivered lectures at the Casa del Lector-Matadero, CA2M Museum, Casa Encendida, Sala Mendoza of Caracas, Centro Nacional de las Artes of Mexico, Centro Cultural de España in Mexico, Tenerife Espacio de Artes, Universidad Nacional Autónoma de México and the Community of Madrid. She has directed marcablanca since 2018, and she and Ramón Mateos are in charge for the first edition of MiraLookBook, the International Meeting of Publications Specialising in Contemporary Culture. She is currently a professor at American University and is pursuing a PhD in the Faculty of Philosophy at the Complutense University of Madrid.

Activity type
Dates
TUESDAY 12 NOVEMBER
Target audience
Acceso notas adicionales

APERTURA DE INSCRIPCIONES 30 SEP

Entrance

Ciudad Sur is a space for shared experimentation in which, taking Móstoles as a starting point, we want to investigate the many faces and the many riches that generate a sense of belonging in the cities of the metropolitan area of Madrid. 

Categoría cabecera
ciudad sur
CIUDAD SUR. GREEN SPECTRUMS: FROM THYME GREEN TO RADIOACTIVE GREEN
More information and contact
Media footer

Picture: Irene de Andrés.

Is it a cycle?
Disabled
Duration
18.00 - 20:00

This summer, we’ll all be fish. The children in the summer cabin will become a huge school of fish. Fish without a sea and with just one place to swim: in the museum.

We need three things to dance: body, space and time. What happens when we interplay these three elements?

Swimming suddenly becomes a way of dancing.

We share a space. We have a museum. We walk around the museum; we dance around the museum. We guide, follow and seek a common respite. How do we choose which direction to go in? Who chooses the direction of our route? If we all stop, will we keep dancing?

We are inviting children aged 6 to 12 to dive through the depths of this ocean along with Baiven. Just like every year, the CA2M Museum is scheduling this activity with the goal of creating a space where artists and creators can share their inquiries with the participants. This time, the sessions will revolve around the body, dance and groupwork.

The workshop will be taught by Alba Sáenz-López Aumente and Mar Sáenz-López Aumente. They are dancers, choreographers, sisters, cultural mediators and the founders of the Baiven collective, a group that uses dance to foster the horizontal exchange of experiences, perspectives, knowledge and critical thinking.

They develop activities that explore the performing arts and education. They seek engagement and interaction with communities and territories and try to expand art’s professional arena by creating accessible, diverse spaces where anyone can find a place, regardless of their situation, body and mind.

Activity type
Dates
9-12 JULY
Target audience
Registration
-
Acceso notas adicionales

CAPACITY: 12 PEOPLE.

Entrance

This summer, we’ll all be fish. The children in the summer cabin will become a huge school of fish. Fish without a sea and with just one place to swim: in the museum.

Categoría cabecera
cABAÑA
THERE MAY BE FISH WHERE THERE IS NO BEACH
More information and contact
Media footer

Picture: Sue Ponce.

Is it a cycle?
Disabled
Duration
11:00-13:30

We are outdoors, in the fresh air. Multiple layers of reality are occurring at the same time. The sun is setting on the horizon, the light is constantly transforming. What separates what we are seeing and what we are imagining?

By stopping to see what we seldom perceive, in this workshop we will engage in several attention exercises with the goal of inquiring into sight and the kinematic. We will work with things that are not a material support but are supported by what is around us to shape other realities. The goal is to seek new ways of producing images by connecting the visual with the sonorous and action in a space.

This workshop is targeted at teachers, educators and artists interested in education. It is offering a week of work to forge bonds by collaborating and collectively reflecting with the Museum’s educators, the attending teachers and the guest artist.

Sofia Montenegro’s work lies somewhere between sound, image, text and performance. She studied Fine Arts and Cultural Studies in Utrecht and Madrid and earned an MA in Art Praxis at the Dutch Art Institute. Her works often take the form of installations, sound tours, listening sessions, collective encounters or performance.

She has recently showed her works in exhibitions, actions and performances at La Papelería, the Ana Mas Projects gallery, the Blueproject Foundation, the Centre d’Arts Santa Monica, Can Felipa Arts Visuals, Bulegoa, MNCARS, LCE, El Chico Madrid and Kunstraum Bethanien Berlin, among others, and will soon do so at Barcelona’s La Capella. 

She is also the winner of Barcelona Producció 2023-24 and Generación 2022 and has done residencies at Futurama Alentejo, BilbaoArte and CRA Matadero Madrid. She is currently a resident at Hangar in Barcelona.

Dates header text
6-9 MAY
Entrance

This workshop is targeted at teachers, educators and artists interested in education. It is offering a week of work to forge bonds by collaborating and collectively reflecting with the Museum’s educators, the attending teachers and the guest artist.

 

Header category
Formacion porfesorado
STEPS, MURMURS. LISTENING AND OBSERVATION WORKSHOP FOR TEACHERS WITH SOFÍA MONTENEGRO.
Media footer

Sofía Montenegro, Cámara Oscura, 2023. Picture: Jorge Anguita Mirón.

Type Thinking / Community
Topics Educational Community
Hide main image
Disabled
Duration
6-9 MAY 17:00- 20:00
Is it a cycle?
Disabled

Madrid has a long and little-known Islamic legacy which is intertwined with the city’s history in a way that challenges the political and media discourses that present Islam and Muslims as unwanted, recent foreign arrivals. Madrid was founded in the eleventh century with the mixed name of Maŷrit and is the only current European capital with Islamic roots.

Its first history was written in Arabic, as were the names of its first known inhabitants. For 220 years, Madrid belonged to the broad Arab-Islamic geographic and cultural space that extended from the Duero River to the Sahara Desert, from the Atlantic Ocean to the Indus River. After being conquered and incorporated to the Kingdom of Castile in the late eleventh century, Madrid still had an Islamic presence for 500 more years through its Mudejar, Morisco and slave minorities.

This historical legacy is barely known because the history of Madrid has been recounted in light of its status as the urbs regia, the seat and symbolic embodiment of a power that has been presented as essential and exclusively Catholic and European, which has consequently tended to erase the material and symbolic traces of a past that was considered unsuitable. However, unexpected, subtle phantasmagorias of this past, both tangible and intangible, still exist in Madrid today and even inhabit the icons of Madrid’s identity.

This activity suggests a tour around different spaces of memory to engage in a reflection on the history and memory of Madrid in relation to concepts like identity, alterity, mestizaje and diversity.

Wednesday 19 June. 6-8 pm. Free activity with advance registration. Capacity: 25 people.

Daniel Gil-Benumeya, 1970. He was raised between Rabat and Madrid in a family associated with the imagined and cross-border geography of southern Spain. His academic training is in the field of Arab and Islamic Studies, and outside the academy he was trained in the neighbourhood community of Lavapiés and other areas of Madrid. He is currently a professor in the Department of Linguistics and Oriental Studies at the Universidad Complutense de Madrid and scientific coordinator of the Centro de Estudios de Madrid Islámico (CEMI), which is affiliated with the Fundación de Cultura Islámica (FUNCI). His main line of research involves a range of issues associated with the past and present of Islam and populations considered Muslim in Europe. He specifically examines the processes of constructing identity and alterity and the role played by social representations of history and memory in this construction.

Activity type
Dates
19 JUNE
Target audience
Topics
Acceso notas adicionales

AFORO: 25 PERSONAS

Entrance

This activity suggests a tour around different spaces of memory to engage in a reflection on the history and memory of Madrid in relation to concepts like identity, alterity, mestizaje and diversity.

Categoría cabecera
Visitas Madrid islamico
STROLL THROUGH ISLAMIC MADRID. BETWEEN HISTORY AND MEMORY.
More information and contact
Media footer

Picture: Daniel Gil Benumeya.

Is it a cycle?
Disabled
Duration
18:00 - 20:00

Asunción Molinos Gordo and Andrea Pacheco González invite us to accompany them on a special tour of Déjà Vécu, during which they will share some of the research they have done since 2018 which gave rise to this exhibition.

This encounter with the artist and the curator encourages participants to reflect on the traces of the past that still survive today and to question the official narratives about history, cultural hierarchies and the construction of collective identity on the Iberian Peninsula. What has already been lived and what reappears, a concept captured by the title, are the common thread both of the works and of this artist’s inquiry.

The tour will also address Molinos Gordo’s working methodologies and collaboration with other disciplines, such as microbiology, anthropology and the occult sciences. The diverse array of media found in her works—such as installations, drawing, glasswork and video—offer an opportunity to address Spain’s ‘unofficial’ stories through an experience that is both contemplative and critical. In her first solo exhibition in a public institution in Madrid, the artist and curator also examine the exchange with participants in order to assert these stories and their dialogue with the present time.

Dates: Tuesday 30 April 7 pm | Saturday 25 May 12 noon | Saturday 29 June 12 noon.

Capacity: 20 people.

Prior registration free of charge by phoning +34 91 276 02 21 or emailing ca2m@madrid.org
 

Activity type
Dates
APRIL, MAY AND JUNE
Target audience
Topics
Acceso notas adicionales

CAPACITY: 20 PEOPLE

Entrance

Asunción Molinos Gordo and Andrea Pacheco González invite us to accompany them on a special tour of Déjà Vécu, during which they will share some of the research they have done since 2018 which gave rise to this exhibition.

Categoría cabecera
Visitas Asuncion
RELIVING THE TRACES. TOURS OF THE EXHIBITION DÉJÀ VÉCU WITH ASUNCIÓN MOLINOS GORDO AND ANDREA PACHECO GONZÁLEZ
More information and contact
Media footer

Picture: Roberto Ruiz.

Is it a cycle?
Disabled

These months, the exhibitions will be filled with objects we may hover over, see from above or closer up. We suggest walking among them and under them, touching them and seeing what happens in that encounter.

We encourage you to engage in this collective experience, which is open to all types of groups, on Tuesday and Wednesday mornings. Each tour will be different, and we’ll make them up as we go.

We may visit Déjà Vécu. What Has Already Been Lived, the exhibition by the artist Asunción Molinos Gordo, where we may wonder what mysteries the flint of Madrid harbours or what the social life inside the microcosm where human intestinal bacteria live is like.

On this collective tour, we may also wander around the different sculptures that Teresa Solar has proposed for the first floor, or go up to the third floor to discover what stories the artist Ana Gallardo has brought back on her journey from Argentina.

The programme is targeted at any type of group: clubs, organisations or school groups.

Register in advance at 912760227 or educacion.ca2m@madrid.org.

We are pleased to partner with Amecum on these tours, which suggest different ways to approach the works of these artists

Activity type
Dates
TUESDAY AND WEDNESDAY MORNINGS
Topics
Entrance

These months, the exhibitions will be filled with objects we may hover over, see from above or closer up. We suggest walking among them and under them, touching them and seeing what happens in that encounter.

Categoría cabecera
Recorridos
MUSEUM TOURS DURING THE WEEK
More information and contact
Media footer

Photograph: Sue Ponce.

Is it a cycle?
Disabled
Duration
11:00 - 12:00

We invite you to visit the exhibitions in company on Saturday afternoons and Sunday mornings. One example is Déjà Vécu, the work by the artist Asunción Molinos Gordo, where you may wonder what mysteries the flint of Madrid harbours or what the social life inside the microcosm where human intestinal bacteria live is like.

You can also learn about the different sculptures that Teresa Solar has proposed for the first floor, or go up to the third floor to discover what stories the artist Ana Gallardo has brought back on her journey from Argentina.

Saturdays at 6:30 pm and Sundays at 12:30 pm. Register in advance by phoning 912760221, emailing ca2m@madrid.org or at the museum’s reception.

We are pleased to partner with Amecum on these tours, which suggest different ways to approach the works of these artists.

Activity type
Dates
SÁBADOS 18:30 Y DOMINGOS 12:30
Target audience
Topics
Entrance

We invite you to visit the exhibitions in company on Saturday afternoons and Sunday mornings

Categoría cabecera
Visitas
WEEKEND TOURS
More information and contact
Media footer

Picture: Sue Ponce.

Is it a cycle?
Disabled
Duration
1 HORA

Witnessing the End is a programme of outings to places where terminal events happen, like the end of a motorway, the mountains of Madrid and the botanical garden. It is also a lecture on the impossibility of conservation at the CA2M Museum. At these springtime gatherings, we will think collectively about the stories told in our culture about denouements, resisting death and the beauty of disappearing as we hover air-borne over the precipice in the car together.

This People’s University programme, targeted at anyone interested in contemporary artistic practices, expands the concept of knowledge conveyance to introduce contemporary art, and it heads out in search of shared experiences that make us think as artists both inside and outside the museum.

PROGRAM 

APRIL 10. Keeping out the cold. Excursion to the Guadarrama Mountains. 

24 APRIL. De-veiling the Collection. Lecture and visit to the CA2M Museum warehouses.

Activity type
Dates
10 APRIL - 5 JUNE
Target audience
Entrance

Witnessing the End is a programme of excursions to places where boundary events occur, such as the end of a road, the mountains of Madrid, the botanical garden; and a conference on the impossible of conservation at the CA2M Museum.

Categoría cabecera
universidad popular
WITNESSING THE END. PEOPLE’S UNIVERSITY
More information and contact
Media footer

Picture: Bego Solís.

Is it a cycle?
Disabled
Duration
ALTERNATE WEDNESDAYS