Educational Community

Educational Community

Missing a Class is envisioned as an initial situated approach in context in which the CA2M Museum and a group of students from the Visual Arts and Artistic Expression in Primary School class at the Teacher Training and Education Faculty at the Universidad Autónoma de Madrid will collaborate over the course of an academic year to explore other ways of learning based on contemporary art.

This year, we’ve proposed holding classes in the museum, replacing the classroom with the exhibition rooms and asking ourselves from the start: What might a museum have to do with the university?

To do so, we want to start with the concept from gamer culture: ‘crafting’. In videogames, this term is often used to refer to the act of fashioning objects or materials based on others that already exist. Throughout our lives, we have been taught that knowledge is organised into watertight compartments insulated from one another, and institutions are viewed similarly. How can a museum and an education faculty work together to speculate on other configurations as alternatives to the dynamics of art education?

Based on this experience between the two institutions, we seek to inquire into the possibilities of cultural spaces in scholarly research while also weaving webs of collaboration to bring contemporary creation to the field of teacher training.

Dates header text
ALL THE SCHOOL YEAR
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Missing a Class is envisioned as an initial situated approach in context in which the CA2M Museum and a group of students from the Visual Arts and Artistic Expression in Primary School class at the Teacher Training and Education Faculty at the Universidad Autónoma de Madrid will collaborate over the course of an academic year to explore other ways of learning based on contemporary art.

Associated activities
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perder una clase
MISSING A CLASS
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Picture: Sue Ponce.

Type Thinking / Community
Topics Educational Community
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A year ago, together with the boys and girls who reside at the Móstoles Children’s Home, we dreamed of making a home inside our own tree house. We imagined what its shape would be like, what we would do inside it and what would happen around it.

Some time later, in a conversation with the teachers at the Pablo Neruda Vocational College, we saw the importance of learning through action, and we assessed the need to turn educational spaces into places where real-life projects could be put into practice. We then thought it would be exciting to involve the Carpentry Department at the UFIL college in the construction of the house imagined by that group of children.

We at the CA2M Museum like to think that we can all take part in the construction of the world around us, so in October we will begin a process of collaboration with both groups to conceive, design and make this powerful image possible.

Dates header text
FROM OCTOBER TO JANUARY
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We at the CA2M Museum like to think that we can all take part in the construction of the world around us and the importance of learning through doing, and we value the need to turn educational spaces into places where real projects can be developed.

Subttitle
COLLABORATIVE PROJECT WITH STUDENTS OF THE UFIL PABLO NERUDA VOCATIONAL COLLEGE (UFIL), THE MÓSTOLES CHILDREN'S HOME AND THE MUSEUM
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Hacer una casa
MAKING A HOME
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Photography: Patri Nieto.

Type Thinking / Community
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In recent years, the CA2M Museum has been working together with the educational community at Federico García Lorca CEIP on a number of projects, allowing us to build new relationships between the school and the museum. This school year, we are interested in delving with the students into the imaginaries of the unknown in order to subvert the usual way of classifying the world.

We will work in the natural areas surrounding the school buildings where the unclassifiable lives to create a classroom that allows us to make our way into the wild vegetation, to get to know the little creatures that inhabit it and to imagine other worlds.

Dragon-like creatures; a huge, vaguely fish-like creature with legs and fangs; several deer and horses with elaborate trunk-like noses.

It is fascinating how in certain periods, not knowing the real appearance of certain animals, artists resorted to oral and written accounts to reconstruct or imagine the shapes of those creatures, the results of which were strange beasts that broke free from the boundaries of knowledge. 

One of our goals is to reflect on the ability of projects developed from artistic practices to have long-term impacts. In this sense, we are interested in investigating how art can affect the educational institution and, conversely, how educational institutions, public schools in particular, can transmit this experience to the education department.

Project developed through conversations with the artist Belén Rodríguez.

Dates header text
ALL THE SCHOOL YEAR
Entrance

In recent years, the CA2M Museum has been working together with the educational community at Federico García Lorca CEIP on a number of projects, allowing us to build new relationships between the school and the museum. This school year, we are interested in delving with the students into the imaginaries of the unknown in order to subvert the usual way of classifying the world.

Subttitle
COLLABORATIVE PROJECT WITH THE FEDERICO GARCÍA LORCA NURSERY AND PRIMARY SCHOOL (CEIP) IN MÓSTOLES
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retratos monstruo
PORTRAITS OF A MONSTER: A PLACE FOR THE WILD
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Photography: Sue Ponce.

Type Thinking / Community
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One of the fundamental missions of the CA2M Museum is to work with young people. Over the years, the participants in our youth programmes have built up a network of relationships and affection not only among themselves, but also informally and intensely with the museum itself.

In this project, we want to rethink the survival of fragile and sensitive programmes like youth projects. To address questions such as what the role of young people can be in the institution's policies, what new concerns and preoccupations should constitute these projects, what transformations are necessary for their survival over time, and what new relationships the institution can establish with its participants.

Where Things Continue is a group formed by young people interested in culture and art and who have been a part of these programmes. The project aims to redefine the relationship with the museum, encouraging self-management by its members and fostering self-directed learning among its participants.

During the months of October through to February, the group will meet regularly, hold working sessions and meetings with artists and creators.

In this first phase, the group will be able to address themes such as the processes of disappearance, immortality, flowering and regeneration.

The aim of the group is to think about collaborative working strategies within the institution and to get involved in the construction of programming aimed at other young people.

Dates header text
ALL THE SCHOOL YEAR
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Where Things Continue is a group formed by young people interested in culture and art and who have been a part of these programmes. The project aims to redefine the relationship with the museum, encouraging self-management by its members and fostering self-directed learning among its participants.

Subttitle
RESEARCH GROUP FOR FORMER UNDER-21s.
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antiguos sub21
WHERE THINGS CONTINUE
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Photography: Patri Nieto.

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Duration
EVERY OTHER SATURDAY
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This year we want to focus our programme on endings. At your school, don’t you get the feeling that you don’t know how things are supposed to end? How do you deal with saying farewell to your pupils? For example: How should the final production of the children’s play turn out? A colleague once said to us: If I see that my daughters’ play is flawless, I worry about the process. We’re not good at achieving a satisfactory ending – or we find it difficult If we see that things end in a clean, perfect way, we believe that something hasn’t quite gone as it should. We call it tying a ribbon around the workshop: when we say goodbye with a conclusion and people leave with smiles on their faces and even applaud (the worst thing is when they applaud), then there’s something we feel that’s not quite right. That’s why we want to think about what happens to us and broaden the commonly held narrative about what should happen in the end.

We’ll work throughout the year with the material we’ve created over the previous fifteen courses until we run out: the information sheets for the educational programme are made from 58.4 kilos of paper from documents, images and archives from all these years of activities, which have been processed by the Museu Molí Paperer de Capellades. This programme for youngsters will work with the left over materials from the museum. In this year’s performance workshop, we’ll make a school with the blankets that last year were made into a kite; and we’ll make a house with material from dismantled exhibitions.

“Using up” to create and learn together what nobody teaches us: how to say goodbye to things, places and people. We want to accompany and take care of how processes end, doing so as if there were no tomorrow. We want to end things in the best possible way, to enjoy the beauty of the last moment and to cross boldly over to the other side.
 

Teacher training

  • MAKING A SCHOOL. Performance and education workshop.
  • FOOTSTEPS, CHAINS, DOORS, MURMURS AND EXPLETIVES FROM AN UNSEEN CROWD. Audiovisual and educational workshop. April (spring).
  • MISSING A CLASS. In collaboration with the UAM’s Department of Artistic, Plastic and Visual Education. Throughout the school year. 

 

Pre-school and primary school students

 

Secondary school students

 

Youngsters

 

Families

 

Everywhere

Entrance

the flowering of the pita // the swan song // the green ray // the burning ships // the maps of the end of the world // the M-203/// Vaslav Nijinsky's last jump // exhausting the material // until we run out of voice // the paintings erased when light enters // for what we have left // taking away the fear of // disappearing

Header category
cuaderno educativo
2023-2024 EDUCATIONAL PROGRAMME
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We took a map of Móstoles and marked three strategic points on it. When joining them consecutively, a column of smoke and dust and hustle and bustle started to rise from the centre of the drawn figure. The smoke seemed to be a signal and it looked like the signal was a signal of something else but it is only the signal of its own existence and that is what we are looking at right now.

We innocently bid farewell to the smoke although deep down we know that it will eventually dissolve in the clouds and then later come back to Móstoles in the form of rain. Rain can be the start of colds and flus that can also be drawn strategically on the map of Móstoles. In the end we arrive at the sneeze which–in an infinitesimal moment–gives way to wheezing, which is ultimately what we are after.

If a column of smoke is a signal of something, let it be wheezing. Of an old wheeze that already happened but also—and even more incredibly— a possible future wheeze.

Here you can listen to the El triángulo rapporteur-album which Julián Mayorga made following the project on listening carried out with a school, a music conservatory and an experimental choir at the museum in the 2019-2020-2021 school years, extended due to the pandemic, which produced thousands of incredible previously unheard-of sounds.

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Here you can listen to the disc-relation El triángulo made by Julián Mayorga as a result of what happened in the listening project between a school, a conservatory and an experimental choir of the museum in the 2019-2020-2021 academic year, which was extended by the pandemic and which brought thousands of unheard and spectacular sounds.

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disco- relatoria Julián Mayorga
“THE TRIANGLE” RAPPORTEUR-ALBUM
Soundcloud with description
El Triángulo- Julián Mayorga
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Picture: Sue Ponce.

Type Thinking / Community
Topics Educational Community
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Over the course of the year, we will hold tours and talks for the exhibitions held at the CA2M. After a tour of the exhibition, CA2M educators will discuss different methodologies for working on the exhibition with pupils. Teachers will also be given an information pack with details on the exhibition so that they can familiarise themselves with art.

PROGRAMMES FOR SCHOOLS

Morning session. Primary schools
Out of Format. Secondary schools
Rewritings. Secondary schools
 

Entrance

Over the course of the year, we will hold tours and talks for the exhibitions held at the CA2M. After a tour of the exhibition, CA2M educators will discuss different methodologies for working on the exhibition with pupils. Teachers will also be given an information pack with details on the exhibition so that they can familiarise themselves with art.

Header category
Visita Coloquio
TOUR & TALK: TEACHER´S DEVELOPMENT
Type Thinking / Community
Topics Educational Community
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During this 21-hour theoretical course, key aspects of contemporary art will be openly discussed in order to understand and interpret contemporary art: from the death of the author and the crisis of the subject to the end of meta-narratives and the emergence of art as critical thinking.

While we raise the main existing issues in current art, we will analyze the possibility of using images as useful resources to be used in the classroom (and not only in Art History classes): the image is built and proposed by the artist as an artifact or a machine which creates discourses.

Through 7 sessions of 3 hours, professionals of art from different creative fields (museums, artistic practices, scholars) will deal with different subjects.

Sessions will be divided into two parts: a theoretical discussion based on reading materials followed by practical cases and exercises of images analysis.

Attendees will receive a 2-credit certificate issued by Consejería de Educación de la Comunidad de Madrid.

By David Cortés, Marta de Gonzalo and Pablo Martínez.

The course will take place at IES Prado Santo Domingo in Alcorcón.

 

 

Dates header text
4 – 25 MAY. 2011
Entrance

During this 21-hour theoretical course, key aspects of contemporary art will be openly discussed in order to understand and interpret contemporary art: from the death of the author and the crisis of the subject to the end of meta-narratives and the emergence of art as critical thinking.

Subttitle
TEACHERS' PROFESSIONAL DEVELOPMENT TRAINING COURSE ON CURRENT ART AND ITS EDUCATIONAL USES IN COLLABORATION WITH CTIF
Header category
Imagenes educan
EDUCATING WITH IMAGES
Type Thinking / Community
Topics Educational Community
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Over the course of the year we will hold tours and talks for the exhibitions held at the CA2M. After a tour of the exhibition, CA2M educators will discuss different methodologies for working on the exhibition with pupils. Teachers will also be given an information pack with details on the exhibition so that they can familiarise themselves with art.

ACTIVITIES FOR SCHOOLS

Morning session. Primary schools
Out of Format. Secundaria y Bachillerato.
Rewritings. Secundaria y Bachillerato

Dates header text
10 FEB 2011
Entrance

Over the course of the year we will hold tours and talks for the exhibitions held at the CA2M. After a tour of the exhibition, CA2M educators will discuss different methodologies for working on the exhibition with pupils. Teachers will also be given an information pack with details on the exhibition so that they can familiarise themselves with art.

Header category
Wilfredo Prieto
TOURS AND TALKS WITH WILFREDO PRIETO
Type Thinking / Community
Topics Educational Community
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We encourage art and science teachers to participate in this experimental tour focused on providing with educational tools. We will talk about how the dialogue between these two fields can be helpful to introduce a new teaching concept. All participants will be given a complimentary copy of the catalogue of the exhibition and learning materials. 

Over the course of the year we will hold tours and talks for the exhibitions held at the CA2M. After a tour of the exhibition, CA2M educators will discuss different methodologies for working on the exhibition with pupils. Teachers will also be given an information pack with details on the exhibition so that they can familiarise themselves with art.

PROGRAMMES FOR SCHOOLS

Morning session. Primary schools
Out of Format. Secondary schools
Rewritings. Secondary schools
 

Dates header text
26 MAY 2011
Entrance

We encourage art and science teachers to participate in this experimental tour focused on providing with educational tools. We will talk about how the dialogue between these two fields can be helpful to introduce a new teaching concept. All participants will be given a complimentary copy of the catalogue of the exhibition and learning materials. 

Images gallery
Eureka
Eureka
Eureka
Subttitle
TOUR AND TALK
Header category
Eureka
EUREKA! FORMULAS TO VISIT EXPERIMENTAL STATION.
Type Thinking / Community
Topics Educational Community
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