Enrolment free

Peña Cebollera: altitude of 2128 metres
123 km, 28 hours walking

El Berrueco: altitude of 925 metres
84.3 km, 17 hours and 33 minutes walking

Cercedilla: altitude of 1214 metres
59 km, 12 hours and 35 minutes walking

Hoyo de Manzanares: altitude of 1001 metres
40.7 km, 8 hours and 43 minutes walking

Chapinería: altitude of 680 metres
40.1 km, 8 hours and 12 minutes walking

The under-21 team is a group of young people between the ages of sixteen and twenty-one who are interested in culture, art and community life. It focuses on utopian art practices that propose experimental forms of organisation, dissident attitudes and collective processes of creation. For this new school year, we will be dreaming about the idea of travelling to other places and escaping to the mountain, which is why the team will become a mountaineering group to investigate climbing as creative practice. We will continue generating spaces where we can create, share and waste time.

At the moment, the members of the Sub21 team are: Diego Alonso, Alicia Arévalo Gallego, Cristina Bermúdez Garrido, Paula Díaz Cano, Miriam Domínguez García, Sandra Esteban López, Nadia Ettahri, Claudia Fernández Concepción, Marina Lillo García, Irene Lloret Miguel, Elisa Lozano Triviño, Fabiana Marques Abatemarco, Richard Moreno Campechano, Marina Olympia Rodriguez Ibáñez, Rosario O'Kelly, Hugo P, Daniel Perera García, Iris Perpiñá Fabra, Rubén Reyes Carrasco, Tamara Serrano Cabello and Marina Viñarás Germano.

Put your body in a place.

Move it, shake it, jiggle it. 

Put it to the test. 

Subject it to and free it from a tempo and a rhythm.

Stress it, push it, tire it.

Listen to how your body sounds now.

What are our capacities for listening? Can we think of the body and treat it like a sound body? What sounds do we associate with our body or with the actions it performs and what is the meaning it imposes on them? How does the body sound?

During the month of September, we have invited the artist Sandra Gómez to propose a workshop in which we will use the workspace as a space of resonance, and as an instrument that resonates. And we will do the same with the body: it will be both the instrument that resonates as well as the space of resonance. Pat, rub, brush, caress...

The workshop will focus on research and experimentation with the body’s sonic capacity as well as how we perceive this sonic quality and how it affects the body.

One day you get a message with a location. This location is the hiding place of a letter that somebody has written to you. This somebody, whose identity you don’t know, proposes an exclusive sound experience for you, a musical gift.
 

Can you make music by writing words? Hiding Place is a proposal to work with sound without making music, it is an unidentified action that only you and I know, a meeting without meeting.
 

Individually, we will write a letter for someone we don’t know, proposing a sound experience. We will then hide the letter somewhere in the city so that a person who is communicated the location can pick it up. But, bear in mind that another person might find the letter first. And, of course, you will also receive your letter in a hiding place.

R, S, T, U, V, W, X, Y, Z, A, B, C, D, E, F, G, H, I, J, K, L, M, N, Ñ, O, P, Q.
 

We are going to put ourselves in an unexpected position. It is possible that we end up teaching something that we didn’t know how to do before and somebody whistles loudly for the first time. This could lead to something odd and makes us think for a moment about ways of teaching removed from the academy and art, or that might drive us crazy trying to separate everything from the rules. Or maybe not. We are going to put ourselves in an unexpected position and see whether something changes.
 

The Last Letter is Q is a workshop for teachers exploring queer pedagogies and their derivations.
 

Aimed at teachers in nursery, primary, secondary, third-level and non-regulated education.
 

Two 2-hour sessions, times to be decided with the group.
 

Minimum of 4 people per group.

A box of fanzines published by women, a shelf of books classified by weight or colour, an envelope with tiny publications... A library can be almost anything.
 

Last year, along with Sonia and Andrea, the librarians at CA2M, we started a collaborative project to create an archive of art publications with art students at IES Europa secondary school and to investigate the possibilities for self-publishing. The project consisted in moving the discarded holdings from the CA2M library. Art students took the books, catalogues and fanzines to their classes. Once there, we started a process to construct the shelving for the library and to imagine other possible ways of activating it. However, the project was cut short by the confinement imposed because of COVID-19.
 

This year we propose picking up the project where we left off. To create a strange and unsuspected library based on these and other holdings. Together with the art students, we will rethink what a collective archive actually means and we will question the logic of a library in order to generate a new narrative. The project seeks to develop new possibilities from creativity and resistance, to bring students into closer contact with contemporary creation and to create new bonds of collaboration between departments and institutions.
 

During confinement, we wanted to continue developing this project remotely. To this end, we invited Andrea Galaxina to think of a proposal to send to the students. Taking the form of a tutorial, Andrea prepared this fanzine to think of the creative possibilities of self-publishing.
 

Read Editar con nada. Una pequeña guía práctica (y un poco teórica) para hacer fanzines. (Publish with nothing. A brief practical (and a little theoretical) guide to making fanzines).

Two years ago, with the performing artist Aitana Cordero, we started a performance workshop focused on exploring the intimacy of adolescents within the classroom. We understand that now these relations mean something else and the performance forces us to ask ourselves new questions through action.

For this reason, this year it strikes us as absolutely necessary to continue placing desire at the very core in order to confront this uncertainty of the body that it is our lot to live through and perhaps to thus learn how to breathe better.

From the teachers’ room, the boiler room, the fire escape behind the building, the roof, or from whatever is behind the door at the end of the corridor. This workshop proposes entering those places at school where we have never been before and to reveal them through the camera as undiscovered settings you’ve never seen, or maybe you have, perhaps in a movie.

Now that normality has finally become strange and we know that strange is normal, we want to celebrate it and continue thinking about it from our bodies (mine and others) and try out new ways of being and of being together. To see how we can touch each other without touching and, with the help of art, to infect each other with ideas, with ways of doing, copying each other, imitating what works for our well-being.
 

Now that everything can be different, we will support each other and create chains of queer transmission so that each one of us can be who they want to be and have their own space.
 

Divided into two sessions, this workshop experiments through action and performance.

“At first it seems like a particularly useless act, outlandish and out of the ordinary, but as one discovers that it is a mere manipulation of objects like any other it becomes easy and natural. Looking for barbiturates is like looking for aspirins for a cold and preparing the gas entails the same difficulties as preparing it for a shower.”
 

In 1967 the Chilean artist Cecilia Vicuña founded Tribu No and penned the No Manifiesto, a text that proposed not-doing as an action. Starting in the month of March, we will organize a workshop-visit to Seehearing the Enlightened Failure, a retrospective exhibition by the visual artist, poet, filmmaker and activist. Aimed at groups of secondary school students, this activity will engage with the work and strategies of the Chilean artist in order to think and to act through her work.