Schedule

Since 1977, 18 May has been designated International Museum Day to raise public awareness about the role museums play in society. 

Following the development of the artistic project If The Others Did Not Exist; Or The Mirrors, we wish to invite the public to an open appointment with the artists Vanessa López and Israel Cordero and the various participants and agents who made the formalization of the experience possible.

As we all know, ‘what is and what is not’ is a question of as, how and when. It might be that art is, exists, without us people. It is more than likely.

A workshop for all kinds of bodies which, at the same time, have had all kinds of experiences on dancefloors, parties and festivals. The proposal consists in practicing in trios a series of classic dances for two.

Filmoteca Española and CA2M organized a series of events and rereadings of filmic creations that arose around the satirical magazine La Codorniz run by some of the most outstanding voices in absurd humour today.

On Monday 18 May we will be celebrating International Museum Day, with this year’s theme of “Museums for Equality: Diversity and Inclusion”. Despite the fact that our doors are still closed, we will celebrate the importance of institutions like ours throughout the whole week on our social media.

Hi, I’m Galaxia La Perla. I like to express myself through dance, voguing, runway, makeup and fashion both in physical and digital spaces.

Clay, earth, can be fired to make all sorts of vessels and containers. Water evaporates and the material hardens, a transformation provoked by fire. We want to undertake a project to experiment with this whole process.

The CA2M’s roof garden has been up and running for seven years, a time during which we have lived through an intense process in which many people have taken part, making it a meeting point predicated on working together and sharing know-how. Today, the community formed around the roof garden at CA2M is taking on the challenge of opening up to new people without forgetting the research and experimentation that motivates existing members of the community.

Six seminal movies, six true works of art and sources of aesthetic (and ethical) pleasure. Six ethical and (aesthetic) hypotheses whose characters mutate.

CA2M’s Vegetable Garden on the Roof has been going for eight years. Over that time, we have experienced a profound process in which many different people have participated, making it a meeting point based on working together and sharing knowledge.
 

An amateur choir is a creative project in which all types of voices are welcome. The choir doesn’t just sing songs but aspires to embrace all the sounds in the world. 

This project arose from exploring an obsession that morphed over time and that many people throughout history have experienced. We are referring to invisibility. Where does it come from? How can we become invisible, manage to vanish – dissolve – to not be seen or detected?

Among our desires as a group, this year we wish to recover one, to read a single book. Perhaps it is the right moment to think together about distances and the potential of strolling. 

The triptych, made up of three equal sections, has been part of the collection since 1996. It has been housed in different locations since it its creation in 1984, and its display at the Sao Paulo Biennial in 1985. These relocations, together with the consequent changes in the environmental conditions that this entailed, have led to a series of alterations being carried out on the work.

This work, consisting of two elements, was made for the exhibition Una obra para un espacio, held at Canal de Isabel II in Madrid in 1987. Afterwards the two elements were stored separately in different locations, until the work was deposited in the collection.

This work, a large format oil-on-canvas painting, was in need of restoration. As a consequence of a series of movements prior to entering the collection, the layer of paint had been adversely affected. Given the delicacy and the matte quality of the paint, the alterations were particularly visible and detracted from its appearance.

The sculpture under study is a metallic structure redolent of a truncated asymmetrical elevator.

The installation consists of a mural, comprising four fragments, made by Manuel S. Molezún in 1958, and recovered by Patricia Esquivias in 2016. Located in one of the balconies intervened by Manuel S. Molezún in a building on Paseo de la Castellana in Madrid, it was removed and donated to CA2M by the artist, which was the reason for the intervention.

The decision to restore this work was taken following an application for the loan of the work for Diccionario incompleto de la fotografía española. CA2M Collection, an upcoming exhibition at Centro Oscar Niemeyer in Avilés and the poor state of conservation of the photocollage.

The decision to restore this work was taken following an application for the loan of the work received from Centre Pompidou in Paris for the retrospective exhibition CHRISTIAN BOLTANSKI. FAIRE SON TEMPS (13 November 2019 - 16 March 2020). The installation comprises a total of 360 elements in different materials and formats. 

Triggering impulses, working in an experiential way, promoting critical attitudes through action, involving the body in learning processes ... These educational practices, in tune with the centre’s educational philosophy, are based on the construction of knowledge through experience.

In May several birthdays are celebrated in Madrid, and we are going to make a gift-tribute to our region. Through two workshops, the artist Clara Moreno Cela shows the public the process of her research on the identity of Madrid. In order for everyone to enjoy this activity, the first day is aimed at families, and the second and third days are aimed at teenagers and adults.

In May several birthdays are celebrated in Madrid, and we are going to make a gift-tribute to our region. Through two workshops, the artist Clara Moreno Cela shows the public the process of her research on the identity of Madrid. In order for everyone to enjoy this activity, the first day is aimed at families, and the second and third days are aimed at teenagers and adults.

In the summer of 1959 the Estonian non-fiction film producer and opera singer Friedrich Jürgenson and his partner tried to record the birdsong of a finch in order to use it in one of their documentaries. In the forest near their home Friedrich placed a tape recorder and remained silent as he tried to record the birdsong. On returning home, he played back what he had recorded.

During this three-day event some of the projects conceived and developed during the 2020 programme will be presented and a meeting place will be facilitated with the artists in the 2021-2022 programme.

The actor and activist Zahy Guajajara, the lead in the sci-fi trilogy and collaborator with Pedro Neves Marques in the exhibition YWY, Visions, is carrying out a performance lecture, laced with irony, in which she questions supposedly universal concepts from her own worldview.

As a Picnic Society, the CA2M invites several curators each year to design a program for the terrace of the Center. Every Thursday from the end of May to the beginning of July our terrace will become a space in which we will develop a program of activities in which the physical and the sound are mixed with the educational and participatory.

We want to spend these last two months of the school year strolling around the rooms and halls of the museum, thinking about ourselves, about the walls, about the exhibitions, about its spaces and places, about our loved ones.

In late 2015, the Spanish choreographer and performer Aimar Pérez Galí began to study the impact of the AIDS epidemic on the dance community in Spain and Latin America. The resulting work, which makes use of the practice of ‘contact improvisation’, was built as a conversation with the ghosts of those who are no longer with us. This year, in which we are in the midst of a new pandemic, marks 40 years since HIV’s first emergence; once again, touch has become forbidden. This fact brings a fresh relevance to this project, which first took shape at a performance workshop for teachers at CA2M three years ago.

The Huerto en la terraza of the CA2M has been holding workshops for almost a decade. During this time, we have lived through an active process involving the participation of many different people, all of whom have made it a meeting spot based on teamwork and shared knowledge.

This autumn's cinema series is a celebration of the audio-visual media that is part of the Centro de Arte Dos de Mayo Museum’s public heritage. Our collections feature many pieces of video art encompassing the last decades of audio-visual history, both nationally and internationally.

CA2M develops an important line of training activities in contemporary art and thought framed within the tradition of popular universities, especially aimed at young and adult audiences.

In these courses, some of the fundamental approaches to understanding and interpreting contemporary art will be addressed clearly and directly.

Between January and June 2021, Marta Echaves carried out extensive research into mourning, its representations, politics and rituals. She was accompanied by the choreographer Esther Rodriguez Barbero, the artist Julia Montilla and the researcher Maria Rosón. From that series of meetings and conversations emerge certain questions and approaches which have shaped the programme of public activities That Blue Buzzing Sound.

In this temporal encounter we will engage with the materialities of works, of light, of screens, through bodies and the museum itself.

The Autoplacer festival, the self-publishing music event held every year at CA2M since 2010, is back again this year on Saturday 27 November. This year the festival will focus on defending the creative and relational potential of the underground Spanish scene and its discourses in a series of concerts by independent groups and soloists.

Manuel Segade and Tania Pardo guide us through the exhibition called Dialecto CA2M – made up of the CA2M Collection and the ARCO Foundation Collection 

Continuing the line of work begin in 2014, El cine rev[b]elado has put together a programme of activities on audiovisual performance and cinema’s interconnections with other disciplines, engaging with the cinematographic experience beyond the conventional darkened film theatre and the screened image.

CA2M organises educational activities on contemporary art and thinking that can be framed within the tradition of community colleges, aimed particularly at young and adult students.

The garden on the museum’s roof terrace has already earned a name for itself as a beacon for agro-ecology in the city. Since we first started, we have gone through an intense process in which many different people have been involved, making it a meeting point where people work together and share their experience and know-how.

CA2M’s Community Sustainability Laboratory has programmed a special day for exchanging cuttings and indoor plants. A place where local citizens can meet up, exchange know-how and barter.

The Image Study Days are dedicated to collective reflection on theory, practice, semantic openings and contemporary demarcations of visual cultures. This edition is structured in three study days made up of talks, reading sessions, performative conferences and listening sessions, which place themes related to club culture.

At the beginning of the 19th century, The Picnic Society was born in London, an association that met regularly in the open air and in whose meetings each member was expected to contribute part of the entertainment and refreshments without there being a specific host. Based on this concept, and as a Picnic Society, the Museo Centro de Arte Dos de Mayo invites several curators each year to design a program for the Museum's terrace. Every Thursday from the end of May to the end of June, our terrace becomes a space in which we develop a program of activities in which the body and sound are mixed with the educational and participatory.

As part of the exhibition Myriad Reflector, which will be activated through a programme of nocturnal flashes of different rhythms and intensities, the artist Matt Copson will perform a performance entitled Obituary. ​

Imagine that there are 140 strangers around you, all ready and willing to satisfy your needs, desires and whims. What would you ask for?

As part of the "Time Bank Live" artistic action, we are carrying out a workshop open to the general public in which we will be examining the concept of interdependence, exploring the simple yet difficult art of wishing, requesting, giving and gifting. People taking part in the workshop will also be included in a performance on 23 June.

Autoplacer, the music and self-publishing festival held at CA2M for the last thirteen years, is back again in 2022, on Saturday 24 September. Like previous years, the Autoplacer/Sindicalistas collective will bring to Móstoles a selection of groups from the underground Spanish scene in an event which has been defending the inclusion of contemporary forms of music in institutions for over a decade, lending visibility to new sounds and their truly independent processes of publishing, production and diffusion.

SUMMER WORKSHOP FOR YOUNG PEOPLE

WORKSHOP FOR CHILDREN OVER SIX

The Conciencia-Afro (Afro-Consciousness) Festival provides a space for meeting, affectivity and thinking for the Afro community in Spain. The event combines politics, aesthetics, music, entrepreneurship and pedagogics in which all the agents involved and the organizers are members of the Afro community resident in Spain.

At the beginning of the school year we held a performance workshop for teachers, educators and artists interested in education. It is a week of working with the body in which we join forces and reflect on educational processes and the performativity of education.

We are looking to create a group of young people from 16 to 21 years old interested in culture, art and community life. We are calling for more young people to join our team and get a strong start - sign up to discover the team!

Aimed at secondary school students, this visit-workshop focuses on the act of painting, and more specifically on thinking about colours. If you give them time, colours become mysterious. Many of them came about initially as pigments for artistic painting; sometimes their names refer to the geographical regions where they were first used or found, or to the minerals and chemical substances used in their composition.

Like a damp stain on the bathroom ceiling, this year Les Sin Nombre are back again. We are going to appropriate the museum waste to create termite nests. We are going to inhabit, occupy and squat the crack as a place to take refuge, that will allow us to make out way inside, to infect the walls through actions and conversations as sticky as our hands after eating a gigantic ice-cream.

Cities are responsible for the emission of 75% of all greenhouse gases. But cities are also at the forefront of the most far-reaching transformations to make sustainability a reality. To counteract ecoanxiety, the best remedy is putting into practice practical measures. To discover the kinds of actions that are already being implemented in other places.

Agustín Pérez Rubio, co-curator of the exhibition, invites us to join him on a tour to discover and talk about the various layers of the work of the US-Chinese artist Martin Wong.

An Amateur Choir is a creative project that welcomes any kind of voice which wishes to participate. Besides our own experimental sessions every second Thursday, we also have sessions with artists who work with the voice and listening.

This film series - understood as a popular manifestation of contemporary anxieties - seeks to explore the relationship between species and the relationship of human beings with their environment from different perspectives; some more catastrophic and others more friendly and hopeful, in tune with Donna J. Haraway's vision.

This year the project will continue experimenting with the mysterious; an activity inviting us to let ourselves be carried along and discover the space of the museum, paying particular attention to minimum detail, to little things and what normally goes unnoticed.

Since its inception, the Roof Terrace Garden was conceived as a space with a mission to go much further than a simple organic agricultural school, and with the goal to build a community. Today that challenge is more pressing than ever, and for this reason we need to open up our horizons and underscore the need for a direct practice of sustainability in cities, reinforcing concepts like grow-your-own, self-sufficiency, DIY and kilometre-0 production, incentivizing a culture of proximity.

Odd Dance is a workshop where you can practice in trio classic couple dances. It is aimed at all types of bodies that have had all kinds of experiences in dance floors, nightclubs and lounges.

The new edition of the Open University is dedicated to communication with non-human life forms, the knowledge that these connections offer us and their possibilities in sensitive production.

Welcome to Una vibración casi Imperceptible, a positioned visit. We invite you to enter a choreographed landscape that is created as we walk through it and that asks where does your body end and this landscape begin?

The visits will focus on a limited number of works in order to give rise to a deeper open reflection, thus avoiding the epidermal tour of the exhibitions and the idea of a single discourse.

During these months, the exhibitions will be full of objects that we will be able to fly over, contemplate from above or from closer. We propose to wander among them, under their protection, let ourselves be touched and see what happens in this encounter.

The CA2M Museum Cuttings Exchange will take place in its third edition on the afternoon of Tuesday, March 28. It is a time to share knowledge, bring cuttings and barter seedlings to make our homes greener and less boring.

A community creation workshop in collaboration with the activity Huerto en la Terraza and the weaving group Tejiendo Móstoles, Guerrilla Drugstore arrives at the CA2M Museum where a new pharmacy point dedicated to plants allied to menopause will be activated. The proposal proposes an alliance between wise women and plants, through the creation of a hanging garden dedicated to the health of women in menopause.

Performance by Jon Mikel Euba in which, for one hour, the artist will read the Conditions for an imposition while the audience listens lying on, between or inside the different devices that make up his exhibition at the Museo Centro de Arte Dos de Mayo, which will allow them to place themselves at different levels on the floor.

The Picnic Society was born in London at the beginning of the 19th century, an association that met regularly in the open air and at whose gatherings each member was expected to provide part of the entertainment and refreshments without a specific host. Based on this concept, and in the manner of the Picnic Society, the Museo Centro de Arte Dos de Mayo invites several curators each year to design a programme for the Museum's terrace. Every Thursday from the end of May until the end of June.

To mark the occasion of its 15th anniversary, on 4 and 5 May the CA2M Museum is hosting FURIA, a Live Arts Festival whose first edition will bring together traditional flamenco and contemporary performance art.

This reading group draws from the time shared at this year's Universidad Popular, dedicated to communication with non-human life forms, the knowledge that these connections offer us and their possibilities in sensitive production.

We propose a tour of the exhibition "Juan Muñoz. In the violet hour". Through these visits we will get to know the works of the artist's early career to discover his interests in surveillance architecture, archaeology, hearing, domestic interiors, theatre, poetry, optical floors and much more.

The fourteenth edition of the Autoplacer Festival arrives on Saturday 23 September at the CA2M Museum from 12 to 9 p.m., with several performances on the terrace and in the SUI. Autoplacer 2023 will also feature the presence of various guest projects related to self-publishing, design, illustration and comics in the entrance hall, accompanied by the music of several festival collaborators on the turntables.

A group of mothers in the physical post-partum recovery period will come together to create the lyrics, melody and rhythm of songs to help their babies sleep.

This audiovisual programme is based on the hypothesis that the ecological crisis is also manifested in the image. The cycle is made up of four audiovisual works, each of them framed by an introductory activity in which the relationship with the climate crisis and the problem of its representation in the image are addressed. The programme is completed with talks, workshops and collective exercises.

An amateur choir is a creative project in which any kind of voice is welcome to participate. Every other Thursday, the choir does its own research sessions as well as sessions with artists who work with voice and listening.  

Uneven Dance is a workshop where you can practise typical partner dances as part of a trio. It is designed for all body types and for those who have had all kinds of experiences on dance floors, in nightclubs and ballrooms. Dancing in threes means we have to arrange ourselves in a different way, and the resulting movements and dances become radically new.  

This year, we want to focus on the books that inhabit our shelves. Under the guidance of the library manager, Sonia Seco, we will bring to light some bibliographic oddities; these, in turn, will lead us to an endless number of possible texts and readings. 

Nails and Tacks is an activity aimed at young people from 13 to 21 years old, where they can discover new ways of doing things related to contemporary creation. An open and collective space in which to investigate artistic strategies based on do-it-yourself and self-publishing.

In the classroom of the CA2M Museum there are numerous ceramic pieces that were moulded by the groups that visited us during the year 2022. We invited infant and primary school classes to take part in this collective action in which we imagine an answer to this question: What can we do with those clay pieces? Leave the school and enter the museum to touch, change, break, make noise and soften.

An activity designed for groups of secondary-school students that revolves around exhibitions and focuses on generating meaningful experiences and establishing a direct link between contemporary artistic practices and students, encouraging curiosity and collective creation.

Ciudad Sur (‘Southern City’) is a space for shared experimentation in which we will approach Móstoles as post-tourist guides to tour a series of architectures made up of layers of time, experiences and experiences around what we call free time. The dormitory town will become a holiday town.

A Mouthful of Tongues is a performance by the artist Stina Fors that will be performed at the CA2M Museum as part of the Un coro Amateur voice-creation workshop. It is a performance that explores experimental vocal techniques and the power of communication via the mouth. 

The Conference on the Study of The Image is an event dedicated to collective reflection on the theory, practice, semantic openings and contemporary demarcations of visual cultures. It includes a forum for debate, seminar and workshops, as well as a public call for research projects (details below).

In an open dialogue on the exhibition The Origin of Forms, the artist Cristina Garrido and the exhibition curator Tania Pardo will discuss the factors that will determine the survival of the art system.

The possibilities afforded by learning about the nature around us include more than just growing our own food.

Continuing with the line of work that got underway in 2014, El Cine Rev[b]elado is offering a series of activities around audiovisual performance and film’s interrelation with other disciplines.

Children's songs function as a connecting thread of memories, generations and lives separated in space and time. We will put the memory of the older people to play with the intuition of the younger ones, and so turn a nursery rhyme into a song of our lives today: altering the lyrics, trying out instruments and inventing a dance for any age.

Witnessing the End is a programme of excursions to places where boundary events occur, such as the end of a road, the mountains of Madrid, the botanical garden; and a conference on the impossible of conservation at the CA2M Museum.

Performance by María Us on the occasion of the opening of the exhibition "Tembló acá un delirio" by Ana Gallardo.

We invite you to visit the exhibitions in company on Saturday afternoons and Sunday mornings

These months, the exhibitions will be filled with objects we may hover over, see from above or closer up. We suggest walking among them and under them, touching them and seeing what happens in that encounter.

This activity suggests a tour around different spaces of memory to engage in a reflection on the history and memory of Madrid in relation to concepts like identity, alterity, mestizaje and diversity.

Asunción Molinos Gordo and Andrea Pacheco González invite us to accompany them on a special tour of Déjà Vécu, during which they will share some of the research they have done since 2018 which gave rise to this exhibition.

In this edition of the Picnic Sessions 2024, we’re going to put our hands on the earth, ask for permission, head back to the bush. We’re going to connect with the Ashe, with gestures, myths, rites, wisdom, listening. We’re going to dance resistances and fleetingness, celebrate the differences of this living hill-Caribbean-archive. We’re going to bless ourselves with the Caribbean pica-pica before crossing the sea with the permission of the dead women who replenish it with tears every day, with the license of the blood, chains and Orishas that live there.

We are celebrating the arrival of summer on 14 June, and we want to invite you to participate. It will be a kind of celebration where you can remember and enjoy a different kind of evening.

This summer, we’ll all be fish. The children in the summer cabin will become a huge school of fish. Fish without a sea and with just one place to swim: in the museum.

Ciudad Sur is a space for shared experimentation in which, taking Móstoles as a starting point, we want to investigate the many faces and the many riches that generate a sense of belonging in the cities of the metropolitan area of Madrid. 

We will work on the exhibitions of Santiago Sierra and Sol Calero. Exploring these two exhibitions with the students will allow us to connect themes such as identity, migration and power.

This class began by inviting the artist Jorge Satorre to hold a performance and education workshop targeted at teachers, educators and artists interested in education.

In this workshop for girls and boys from 6 to 12 years old, we will begin by investigating our body and all its possibilities in movement. We will dance in company, with time and space, and we will create a place of artistic expression enriched by the generational diversity of the group.

Architects of Silence is a sonorous and musical journey that begins with a family building activity, leading us to rest and listening.

Odd Dance is a workshop for all kinds of bodies with all types of experience on dance floors and in festivals and ballrooms, where you can practise classical couple dances in a trio.

We are Clavos y Chinchetas, a small group dedicated to artistic experimentation through D.I.Y. and self-publishing. If you are between 13 and 21 years old and you are interested in art, this is a space for you to experiment freely.

We invite infant and primary classes to participate in this workshop to invoke the power of clay and the liveliness of objects, where children will be mediums. This workshop is a stronghold of imagination, creation and magic, so necessary in our learning spaces.

Blanca Sotos collects, as an archive, the multiple voices of those who have participated in the third edition of Ciudad Sur in the publication Ciudad Sur. Costa Marrón. Un recorrido del ladrillo al gresite en la construcción del tiempo libre, the result of the programme of the same name carried out between 2023 and 2024.

In this edition of the Reading Group, we want to tinker with what is taken for granted, to discover new backgrounds, to embark on artistic expressions and dive into tales and stories, told and sung, to play and share journeys, our own and others.

Alexis Callado, curator of the exhibition 1502 people facing the wall by Santiago Sierra, invites us to accompany him on a guided tour in which visitors will reflect on the dynamics of control in contemporary art and society.

This conference will try to reflect on the image that has been given to the gypsy throughout the history of art, from the typified image of the woman and her appearance in visual culture to the gypsy represented as a legacy of Lorca's reconstruction.

This workshop for families in the form of a sensory experience through fruit invites us to unfold a map of memories in dialogue with Sol Calero's exhibition. I am looking for guanábana.

We propose a four-session writing workshop in dialogue with the exhibition Buscando guanábana ando yo by the artist Sol Calero. A workshop that looks for connections between migration, kilos of suitcases and the fruits and plants that travel with us.

The artist Ángela Cuadra invites us on a guided tour of the exhibition 1502 people facing the wall, where she will approach the artist's work from the paradoxes of the gaze, the devices of visibility and concealment with which the facts are presented to us.

Presentation of the book on the occasion of the exhibition 1502 people face to the wall by Santiago Sierra, with the presence of Carlos TMori, Juan Albarrán, Sandra Guimaraes, Alexis Callado and Tania Pardo. After the presentation, we will have the sound activation ‘Variación 90’, directed by Ugo Martínez Lázaro and featuring Arianna Cana Mackenzie, Narcoléptica and Doris Steinbichler.

An amateur choir is a creative project in which any kind of voice is welcome to participate. Every other Thursday we do our own research sessions and also with artists who work with voice and listening.

Huerto en la terraza is an intergenerational meeting point in which to learn, build and share knowledge for the collective creation of a new city model based on sustainability in ecological terms and the practice of good living. A space in which to devise a transition towards a world capable of facing the great challenges of the 21st century with strength.

We present at the CA2M Museum Swiftly arose and spread around me. Interventions for a sticky thought (second act), the activation of the second part of the curatorial research developed by Sergi Álvarez Riosalido in the framework of the Encura VII Residency.

Welcome to Fuga! Here, no programmes are imposed and there are no hierarchies. FUGA is an open space where young people aged 16 to 23 who are interested in culture and art can get involved in the museum’s cultural programming. It’s a space where they can share interests and learning, connect with artists and design their own project.

We invite you to join us for a guided tour entitled “Going round and round is what leaves a mark”, where we take a closer look at the exhibition Ria, by Jorge Satorre. In this activity, as we tour the exhibition we’ll reflect on the traces, repetitions and narratives derived from our own lives.

The Museo CA2M is collaborating in the fifth and latest edition of Domingo, the performing arts festival hosted by La Casa Encendida and curated by Fernando Gandasegui that over the last five years has brought together national and international artists to encourage experimental languages.

The Museo CA2M is delighted to launch a unique space: morning film shows for families. The aim of the activity is to create an environment in which viewers can enjoy a great film programme in great company. Everyone is welcome: grandparents, neighbours, little brothers and sisters... We want to create an open, flexible space in which cinema expands to encompass experiences that will often leap off the screen, enabling the active participation of the audience, regardless of age.

In this Universidad Popular course, we’ll turn into archaeologists of the everyday and adventurers of the infra-ordinary to set sail towards that unknown place where beyond falls the sea.

We are inviting families (neighbours, friends, chosen families, etc.) to participate in the activity that the artist Antonio Ballester Moreno has planned for the CA2M Museum.

Through gallery encounters with different artists, this programme suggests an encounter that plays with uncertainty, surprise and thrills. Three times a month, the CA2M Museum invites local artists, curators or researchers to share their interests with the public to connect their practices, careers or inquiries with the exhibitions underway.

We have declared ourselves the mayors of that place called Picnic Sessions 2025 of the CA2M Museum in Móstoles and we’re inviting you to its annual festival.

The CA2M Museum becomes a place where movement is the protagonist to intertwine links between dance, performance and museum space once a month.

On 21 June, the museum dresses up to celebrate the grand closing of the school year.

Summer workshop for children with Massa Salvatge.

In this last reality bite, we immerse ourselves in brain rot, the infinite scroll where time lost onscreen goes.

This summer, the museum is turning into a space designed to combat the heat just like it’s always been done: where it’s cool, with no hurry and in good company. Inspired by those perennial places where idleness is fine, this project is turning the museum into a summer refuge where you can simply exist.

Just like the end of every school year, we are looking for a special way to kick off the summer. This year we’re inviting the artist Sara Manubens, who will suggest that we collectively create our own House Drag over the course of four days.